Happy Endings, & other terminal lies |
Dec 30 2006, 04:51 PM
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Will Harry die? Will he kill Voldemort? And will he use an Unforgiveable Curse to do it? Will Harry marry Ginny?
These are the questions plaguing Potter fans at the moment as they desperately try to unfog The Deathly Hallows. But what do they really say about us? American culture has always been progressive, which means it likes its endings to be Happy. Hollywood loves to show the Underdog defeating the Supervillain. (Although The Empire Strikes Back is the best of the Star Wars movies.) American literature isn't big on irony. Satire, as George Kauffman quipped, is what closes Saturday night. And tragedy is strictly Art House fare. So, what to make of a British author's take on ending a children's story? One where the hero has seen friends and family murdered; where the two teachers who have tortured him go unpunished; where romantic love is squashed by, first, betrayal and, second, self-sacrifice. Let me state that I don't think JK Rowling is going to give us a Hollywood Happy Ending. I don't think we'll see the DA triumphantly carrying Harry on their shoulders into the Great Hall after Voldemort & his crew have met a sticky end outside on the Hogwarts quidditch pitch. I also don't think we will see Harry die a noble death on the field of battle and his body carried to some heroic funeral pyre while the Four Houses unite in a dirge of solemn rendition of "Imagine". No, I think we're more likely to see an ending that is not so neatly tied up. And ending where the Voldemort of today is defeated, but where we know tomorrow's Voldemort is being born. Harry will live, but scarred more horribly than a cute lightning bolt on the forehead. And we'll see the fence sitters still checking the direction of the wind right up to the closing pages. Happy Endings: aren't they always a lie? Happily Ever After??? NEVER! Where does one find a happy ending these days? Name a book. Don't they all offer more realistic and problematic endings? Pullman's His Dark Materials trilogy ends with the lovers parted; Lord of the Rings ends with the passing of the magical Age; Narnia sees the children killed in a train wreck. What makes a good ending? How does a story resolve itself without pandering to the reader? Is a happy ending just wishful thinking? And when is a tragic ending just the author engaging in cheap pathos, that is, bathos? What endings haunted you, infuriated you, inspired you, thrilled you? I do know American literature has its fair share of tragic and tragicomic endings. But I've been rereading Beatrix Potter and I find the endings of her short animal fables remarkably British in tone and moral. The reality of Nature is never far afield and happy endings are never wholly happy. And sometimes, as in the case of Ginger & Pickles, the ending is a bit startling --though certainly clever. Lemony Snicket may have started with a Bad Beginning, but what makes a Good Ending? -------------------- Come the words that bubble
Up through broken laughter, Sweeter than spring-water, "Gods, I am so happy!" |




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