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What is JKR's interpretation of the two poems at the beginning of DH?
kspacja
post Aug 3 2009, 08:20 AM
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Maybe, someone knows how Rowling's interpretation of this poems is?
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Pleione
post Aug 3 2009, 09:48 AM
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The passages are from Aeschylus’ The Libation Bearers and William Penn’s More Fruits of Solitude. For anyone who doesn't have a copy of DH with them, here are the passages (at least, I hope--I don't have a book handy, either tongue.gif) :

- From Aeschylus, The Libation Bearers
Oh, the torment bred in the race,
the grinding scream of death
and the stroke that hits the vein,
the hemorrhage none can staunch, the grief,
the curse no man can bear.

But there is a cure in the house,
and not outside it, no,
not from others but from them,
their bloody strife. We sing to you,
dark gods beneath the earth.

Now hear, you blissful powers underground –
answer the call, send help,
Bless the children, give them triumph now.

-From William Penn, More Fruits of Solitude
Death is but crossing the world, as friends do the seas; they live in one another still. For they must needs be present, that love and live in that which is omnipresent. In this divine glass, they see face to face; and their converse is free, as well as pure. This is the comfort of friends, that though they may be said to die, yet their friendship and society are, in the best sense, ever present, because immortal.
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wordsaremagic
post Aug 5 2009, 09:16 PM
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QUOTE(Pleione @ Aug 3 2009, 07:48 AM) *
The passages are from Aeschylus' The Libation Bearers and William Penn's More Fruits of Solitude. For anyone who doesn't have a copy of DH with them, here are the passages (at least, I hope--I don't have a book handy, either tongue.gif ) :

- From Aeschylus, The Libation Bearers
Oh, the torment bred in the race,
the grinding scream of death
and the stroke that hits the vein,
the hemorrhage none can staunch, the grief,
the curse no man can bear.

But there is a cure in the house,
and not outside it, no,
not from others but from them,
their bloody strife. We sing to you,
dark gods beneath the earth.

Now hear, you blissful powers underground –
answer the call, send help,
Bless the children, give them triumph now.

-From William Penn, More Fruits of Solitude
Death is but crossing the world, as friends do the seas; they live in one another still. For they must needs be present, that love and live in that which is omnipresent. In this divine glass, they see face to face; and their converse is free, as well as pure. This is the comfort of friends, that though they may be said to die, yet their friendship and society are, in the best sense, ever present, because immortal.
I am not really familiar with the Penn source, but I have read the Orestia (the three works: Agammenon, Libation Bearers, and Eumenides), a bit of it in the original Greek. It is a fantastic work, a struggle for justice in a world with contradictory definitions of justice and contradictory demands of duty, a struggle to go beyond personal justice and mere revenge. When I first opened DH and read the epigraph, tears welled up in my eyes. I actually thought of Harry standing in the Shrieking Shack looking at Peter Pettigrew, a man almost directy responsible for the murder of his parents, struggling with contradictory values and desires. And now that I have finished DH, I also think of Harry standing on the edge of the Forest, faced with a horrible choice, yet knowing that as bad as the choice he makes is, the alternatives are far worse. Like Orestes, Harry faces a kind of "stacked deck," a situation with no way out, no choices that aren't far worse. It is a no win situation. It is an act of enormous faith.

As you can tell, I think it was a perfect selection as an epigram.




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"And, if there is need to speak in brief summary of this power, we shall find that none of the things which are done with intelligence take place without the help of speech, but that in all our actions as well as in all our thoughts speech is our guide, . . ." Isocrates, Antidosis
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JohannMdlAmerica
post Aug 6 2009, 02:10 PM
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QUOTE(wordsaremagic @ Aug 5 2009, 09:16 PM) *
QUOTE(Pleione @ Aug 3 2009, 07:48 AM) *
The passages are from Aeschylus' The Libation Bearers and William Penn's More Fruits of Solitude. For anyone who doesn't have a copy of DH with them, here are the passages (at least, I hope--I don't have a book handy, either tongue.gif ) :

- From Aeschylus, The Libation Bearers
Oh, the torment bred in the race,
the grinding scream of death
and the stroke that hits the vein,
the hemorrhage none can staunch, the grief,
the curse no man can bear.

But there is a cure in the house,
and not outside it, no,
not from others but from them,
their bloody strife. We sing to you,
dark gods beneath the earth.

Now hear, you blissful powers underground –
answer the call, send help,
Bless the children, give them triumph now.

-From William Penn, More Fruits of Solitude
Death is but crossing the world, as friends do the seas; they live in one another still. For they must needs be present, that love and live in that which is omnipresent. In this divine glass, they see face to face; and their converse is free, as well as pure. This is the comfort of friends, that though they may be said to die, yet their friendship and society are, in the best sense, ever present, because immortal.
I am not really familiar with the Penn source, but I have read the Orestia (the three works: Agammenon, Libation Bearers, and Eumenides), a bit of it in the original Greek. It is a fantastic work, a struggle for justice in a world with contradictory definitions of justice and contradictory demands of duty, a struggle to go beyond personal justice and mere revenge. When I first opened DH and read the epigraph, tears welled up in my eyes. I actually thought of Harry standing in the Shrieking Shack looking at Peter Pettigrew, a man almost directy responsible for the murder of his parents, struggling with contradictory values and desires. And now that I have finished DH, I also think of Harry standing on the edge of the Forest, faced with a horrible choice, yet knowing that as bad as the choice he makes is, the alternatives are far worse. Like Orestes, Harry faces a kind of "stacked deck," a situation with no way out, no choices that aren't far worse. It is a no win situation. It is an act of enormous faith.

As you can tell, I think it was a perfect selection as an epigram.


The only element I disagree with, wordsaremagic, is the no-win of Harry's entry into the forest. Dumbledore and Gellert's catchphrase "The Greater Good", is synthesized by Harry far better than those two ... he synthesizes it with Love, as he was taught by Dumbledore.

(As an aside, I wonder when Harry learns that grief is a manifestation of love?)

Harry is afraid, but his fear is under control, thanks in part to his parents, Sirius, and Remus being near him. He takes the cup offered him.

These are not the perfect poems for DH, they are right for the whole septology.


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The last enemy to be destroyed is death--
First Corinthians, Chapter 15, Verse 26
The epitaph of James and Lily Potter
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wordsaremagic
post Aug 6 2009, 03:37 PM
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QUOTE(JohannMdlAmerica @ Aug 6 2009, 12:10 PM) *
QUOTE(wordsaremagic @ Aug 5 2009, 09:16 PM) *
QUOTE(Pleione @ Aug 3 2009, 07:48 AM) *
The passages are from Aeschylus' The Libation Bearers and William Penn's More Fruits of Solitude. For anyone who doesn't have a copy of DH with them, here are the passages (at least, I hope--I don't have a book handy, either tongue.gif ) :

- From Aeschylus, The Libation Bearers
Oh, the torment bred in the race,
the grinding scream of death
and the stroke that hits the vein,
the hemorrhage none can staunch, the grief,
the curse no man can bear.

But there is a cure in the house,
and not outside it, no,
not from others but from them,
their bloody strife. We sing to you,
dark gods beneath the earth.

Now hear, you blissful powers underground –
answer the call, send help,
Bless the children, give them triumph now.

-From William Penn, More Fruits of Solitude
Death is but crossing the world, as friends do the seas; they live in one another still. For they must needs be present, that love and live in that which is omnipresent. In this divine glass, they see face to face; and their converse is free, as well as pure. This is the comfort of friends, that though they may be said to die, yet their friendship and society are, in the best sense, ever present, because immortal.
I am not really familiar with the Penn source, but I have read the Orestia (the three works: Agammenon, Libation Bearers, and Eumenides), a bit of it in the original Greek. It is a fantastic work, a struggle for justice in a world with contradictory definitions of justice and contradictory demands of duty, a struggle to go beyond personal justice and mere revenge. When I first opened DH and read the epigraph, tears welled up in my eyes. I actually thought of Harry standing in the Shrieking Shack looking at Peter Pettigrew, a man almost directy responsible for the murder of his parents, struggling with contradictory values and desires. And now that I have finished DH, I also think of Harry standing on the edge of the Forest, faced with a horrible choice, yet knowing that as bad as the choice he makes is, the alternatives are far worse. Like Orestes, Harry faces a kind of "stacked deck," a situation with no way out, no choices that aren't far worse. It is a no win situation. It is an act of enormous faith.

As you can tell, I think it was a perfect selection as an epigram.

The only element I disagree with, wordsaremagic, is the no-win of Harry's entry into the forest. Dumbledore and Gellert's catchphrase "The Greater Good", is synthesized by Harry far better than those two ... he synthesizes it with Love, as he was taught by Dumbledore.

(As an aside, I wonder when Harry learns that grief is a manifestation of love?)

Harry is afraid, but his fear is under control, thanks in part to his parents, Sirius, and Remus being near him. He takes the cup offered him.

These are not the perfect poems for DH, they are right for the whole septology.
I agree that in Truth, it was not a no-win situation, but I think from the perspective of Harry as he walked into the forest, it was a one way trip.

When did he connect Grief and Love?--I suspect it was while he stood in Dobby's grave, digging it with his own hands.

Harry's fear? A whole book could be written on that. He really is a true Gryffindor, but notice that he is constantly afraid--almost terrified--throughout all seven books. Courage is not the absence of fear (that is called "stupidity"). Faith takes the cup, even if it has to do so with trembling hands. It isn't the absence of doubt, but as Harry discovered, it is a Choice.


--------------------

click the Q


"And, if there is need to speak in brief summary of this power, we shall find that none of the things which are done with intelligence take place without the help of speech, but that in all our actions as well as in all our thoughts speech is our guide, . . ." Isocrates, Antidosis
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