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"To Kill a Mockingbird" comparisons with ..., "Lord of the Flies", "Animal Farm" others?
Dreamteam
post Aug 8 2008, 06:37 AM
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Someone said to me recently that To Kill a Mockingbird had been compared with Lord of the Flies and Animal Farm as being similar, in a "if you liked those two books you'd love this one" way, which had put them off reading Mockingbird, until now, because they really didn't like those two books.

My first thought was that I couldn't really see how they were similar but, now that I think more about it, I can see some linked themes about man's inhumanity to man and the fragility of equality, how the authors seem to be saying that it's almost inevitable that in any society some people will see some others as "superior" or "inferior" due to skin colour, body shape, age, religion, education, ability, wealth etc.

For instance, in Mockingbird black people are no longer slaves, but they're not seen as equal to white people, those with a poor education are also looked down upon but not as much as black people, which is why the Ewells are believed above Tom Robinson, so there's a hierarchy and prejudice. In Animal Farm/Lord of the Flies, after the revolution/plane crash, all the animals/boys are supposed to be equal and yet a hierarchy gradually emerges which has consequences, just as the assumption of Tom Robinson's guilt is a consequence of the perceived hierarchy and resulting prejudice in Mockingbird.

If you've read Animal Farm and Lord of the Flies what do you think of the comparisons? Do you agree or disagree that their themes are linked with To Kill a Mockingbird? If you agree can you see other linked themes between those books?

Are there other books that you think share a theme with this one?

What do you think of putting books into categories? Does it encourage or discourage you to read a book?

Have you ever read a book simply because it was said to be similar to something you enjoyed? If so what was the book and its comparison and were you glad you read it?

Don't feel that you need to answer all of these questions, you don't need to answer any specifically, but we'd love to hear your views on putting books into categories based on themes.


This post has been edited by Dreamteam: Aug 8 2008, 06:40 AM


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ravenclawgirl34
post Aug 9 2008, 10:08 PM
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I have read LotF, but not Animal Farm, but in comparing LotF to TKMB, I can see some comparisons, but I don't really think that they fall into the same catagory. They both do deal with a heirarchy of humanity, but while LotF seems to say that such a heirarchy is inevitable, and maybe can't be fought against, TKMB seems to be more optimistic about man's fight against the heirarchy. When Jem is trying to classify Maycomb into 4 groups of people, Scout (who seems to speak for the author in many cases) says that she thinks there's only one kind of folks... folks. I'm also biased towards TKMB, because I love it, while LotF has earned a place on my "most loathed books" list.

If I hear a book is similar to another book, it will probably influence me on whether I read it or not, depending on how well I liked the book I've read. It would also depend on who was making the recommendation. If it's someone I know has good taste in books (that is to say, the same as me), then I'm more likely to expect their recommendations to be good ones.

The only book I remember reading specifically because I read that it was like another was 1984 by George Orwell, because I had read on the back of Gathering Blue by Lois Lowry that GB was like 1984 for children. I wasn't too convinced by that comparison by the end of 1984, but I did... not really enjoy, but appreciate 1984, in a well-that-was-informative-and-thought-provoking-but-let's-not-ever-read-this-book-again way. Wouldn'tcha know it, I had to read it again, not 2 months later for school?


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post Aug 11 2008, 05:39 PM
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1984 is another of the books *in the same category* as TKAM. 1984 is an interesting book, I read it as a kid and it was my own choice to read it, and I loved the new words like *double plus* (I went through a phase where everything was double plus cool, double plus fragile ... ) but, I dont think I'd choose to read it again. However, I do have good memories of the book.
Alas I had the misfortune to also read Animal Farm and Lord of the Flies which I did not like at all. LOTF has permanently scarred me I think. It was because of this that I hadnt read TKAM until a few weeks ago, I'd avoided the recomended reading at school & every time I looked at TKAM is was put into the category with those three books. Which is why I'd never read it. (The movie which I've never seen gets put into the same category as Soylent Green, which I have seen)
I guess categorizing is good if they get it right but in my opinion they havent here. I love TKAM but severely dislike LOTF. I dont see the similarities. I was reading TKAM with fear & apprehension, waiting for the moment when one of the kids get his skull smashed open & his brains come spilling out (I *really* dont like LOTF) so how they can say, If you liked TKAM you'll love LOTF is a mystery to me.
Yes there is man's inhumanity to man in TKAM but so there is in a lot of books but personally I would not put them in the same category as LOTF. TKAM deals with terrible situations but in a totally different way and setting than LOTF.
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Dreamteam
post Aug 12 2008, 07:46 AM
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I really liked LoTF, the skull smashing thing shocked me because I never thought things would go that far but I think that's maybe why I liked it, it took a twist that I really didn't expect but you're right Moose, a lot of books follow a similar theme so classifiying that together with TKaM is something I don't fully understand. Yes, I also saw Soylent Green and for years couldn't bring myself to eat spinach pasta because of the memories it brought back, thankfully I'm over that now lol.

This post has been edited by Dreamteam: Aug 13 2008, 05:10 PM


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November's book is The Catcher in the Rye by JD Salinger
"THEN YOU SHOULD HAVE DIED!" roared Black. "DIED RATHER THAN BETRAY YOUR FRIENDS,
AS WE WOULD HAVE DONE FOR YOU!"

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momwitch
post Aug 12 2008, 11:19 PM
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Believe it or not, To Kill a Mockingbird never showed up on one of my required reading lists (and I had many) while I was in school. Reading these posts has made me want to run to the bookstore and add some more to this conversation! smile.gif From what I've read so far, it seems that Harper Lee might have been heavily influenced by Mark Twain in her style and portrayal of the different dialects in being able to actually "hear" them as they are being read. I found that amazing with Mark Twain, once I was able to relax and just let the characters "speak" for themselves, the words literally came to life for me on the page. Not that Mark Twain's work was contemporary to TKAM, but I think his writings such as Tom Sawyer and especially The Adventures of Huckleberry Finn posed some very serious social questions which might have laid a lot of the groundwork for the Civil Rights movement, and was also written from the first person perspective of an adolescent growing up in the midst of crisis and the organization of a "New Order".

My oldest is currently reading Lord of the Flies, and had already read 1984 and Animal Farm on her own last year. I do think it is interesting that she is reading these books in a "block" and that she didn't get any direction towards reading them like that, it just worked out that way. She is very socially and politically conscious, and all of these books offer examinations of what can happen when our "raw" nature is severely restricted and then suddenly set free, and what the ramifications can be. Lord of the Flies is brutal in its honesty, but I do think it is an important read. It asks the moral question of : "Is it OK to do something just because I can do it?". It is shocking, but it gets us to consider ourselves at our absolute worst, and what truly makes us human.


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post Aug 14 2008, 07:22 AM
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QUOTE(Moose_Starr @ Aug 12 2008, 08:39 AM) *
1984 is another of the books *in the same category* as TKAM. 1984 is an interesting book, I read it as a kid and it was my own choice to read it, and I loved the new words like *double plus* (I went through a phase where everything was double plus cool, double plus fragile ... ) but, I dont think I'd choose to read it again. However, I do have good memories of the book.
Alas I had the misfortune to also read Animal Farm and Lord of the Flies which I did not like at all. LOTF has permanently scarred me I think. It was because of this that I hadnt read TKAM until a few weeks ago, I'd avoided the recomended reading at school & every time I looked at TKAM is was put into the category with those three books. Which is why I'd never read it. (The movie which I've never seen gets put into the same category as Soylent Green, which I have seen)
I guess categorizing is good if they get it right but in my opinion they havent here. I love TKAM but severely dislike LOTF. I dont see the similarities. I was reading TKAM with fear & apprehension, waiting for the moment when one of the kids get his skull smashed open & his brains come spilling out (I *really* dont like LOTF) so how they can say, If you liked TKAM you'll love LOTF is a mystery to me. Yes there is man's inhumanity to man in TKAM but so there is in a lot of books but personally I would not put them in the same category as LOTF. TKAM deals with terrible situations but in a totally different way and setting than LOTF.


Like you I am puzzled by comparisons between TKAM, Lord of the Flies and Animal Farm. I read Animal farm as a fantasy and as a satirical comment on Stalinism in particular. LOTF is a British book, somewhat bleaker than the just as gruesome Coral Island (R.M.Ballantyne) that was on one of my reading lists. LOTF is definitely a contrast to Coral Island, a Victorian novel in style. I thought it was ironic that in the book of Lord of the Flies, the stranded boys were choristers, whereas the film portrays them as being from a military academy. The ship's boys of Coral Island remained friends and threats were external rather than the internal tribalism of LOTF. It is this difference in behaviour that is noted in the closing comment of the newly arrived Naval Officer that he would have thought that British boys would have behaved better.

I know what you mean by Soylent Green, a reason for turning me off the idea of reading1984, also Charlton Heston, and other futuristic films. I can't remember when I read Harper Lee's book which wasn't available until I left school when the Civil Rights movement was about to start in America. But I enjoyed the film immensely and had a great deal of respect for Atticus Finch for doing his best to defend Tom Robinson's innocence. It was stories like this, like Tom Sawyer and Huckleberry Finn, which have had a profound influence elsewhere, not just in USA, by the way. The trouble is that until I saw the film of Huckleberry Finn, I wasn't interested in that story which I'd tried to read several times due to reading lists. I thought initially it was just stories about a couple of boys skiving off work and school. We already had Ginger Meggs and Fatty Finn for that. There were other books by Mark Twain that I enjoyed more, such as the Prince and the Pauper.


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post Aug 14 2008, 10:14 AM
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QUOTE(WaggaWaggaWerewolf @ Aug 14 2008, 12:22 PM) *
Like you I am puzzled by comparisons between TKAM, Lord of the Flies and Animal Farm. I read Animal farm as a fantasy and as a satirical comment on Stalinism in particular. LOTF is a British book, somewhat bleaker than the just as gruesome Coral Island (R.M.Ballantyne) that was on one of my reading lists. LOTF is definitely a contrast to Coral Island, a Victorian novel in style. I thought it was ironic that in the book of Lord of the Flies, the stranded boys were choristers, whereas the film portrays them as being from a military academy. The ship's boys of Coral Island remained friends and threats were external rather than the internal tribalism of LOTF. It is this difference in behaviour that is noted in the closing comment of the newly arrived Naval Officer that he would have thought that British boys would have behaved better.
bold mine

Now this is strictly conjecture, but my guess is that Golding made his "boys" choristers for emphasis of the point that even within the most cultured of Society, the potential for savagery exists. Calling someone a "choir boy" implies an upstanding, spiritual and gentle person, along with a veiled question regarding their masculinity; since up until the late 19th century (when the practice was made illegal), Castrati were the "angelic" singers of a choir. My guess that the shift from choirboys to military cadets for the film version was a conscious effort to reduce the potentially homophobic implications, especially in light of the highly suggestive imagery that is present in the book.

QUOTE
It was stories like this, like Tom Sawyer and Huckleberry Finn, which have had a profound influence elsewhere, not just in USA, by the way. The trouble is that until I saw the film of Huckleberry Finn, I wasn't interested in that story which I'd tried to read several times due to reading lists. I thought initially it was just stories about a couple of boys skiving off work and school. We already had Ginger Meggs and Fatty Finn for that. There were other books by Mark Twain that I enjoyed more, such as the Prince and the Pauper.
The first time I tried to read Huckleberry Finn, I believe it was so tedious for me that I threw the book against the wall blush.gif . It wasn't until I thoroughly enjoyed A Connecticut Yankee in King Arthur's Court, and I was definitely more "initiated" into his style, that I was able to actually sit down and "get" Huckleberry Finn. I didn't know that HF has held a profound influence in other places, since it always seemed to me such an "American" book (as HP is a "British" book), yet I guess that really shouldn't surprise me. Stories like this give a "snapshot" view of the culture of the time, that as I think about it, they are great history lessons in themselves, (though from a "novel" wink.gif perspective). These books aren't "flattering" to our historical egos, so perhaps that is why they find themselves on the challenged lists so often. ponder.gif


This post has been edited by momwitch: Aug 14 2008, 12:12 PM


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post Aug 14 2008, 06:43 PM
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QUOTE(momwitch @ Aug 15 2008, 01:14 AM) *
QUOTE(WaggaWaggaWerewolf @ Aug 14 2008, 12:22 PM) *
the stranded boys were choristers, whereas the film portrays them as being from a military academy.


Now this is strictly conjecture, but my guess is that Golding made his "boys" choristers for emphasis of the point that even within the most cultured of Society, the potential for savagery exists. Calling someone a "choir boy" implies an upstanding, spiritual and gentle person, along with a veiled question regarding their masculinity; since up until the late 19th century (when the practice was made illegal), Castrati were the "angelic" singers of a choir. My guess that the shift from choirboys to military cadets for the film version was a conscious effort to reduce the potentially homophobic implications, especially in light of the highly suggestive imagery that is present in the book.


When I caught up on Wikipedia refreshers for Coral Island and Lord of the Flies I found there was indeed a relationship between these two books. Coral Island was heavily imbued with Christian references and relates the adventures of Ralph Rover (the narrator), Jack Martin and Peterkin Gay on a well-provisioned island civilize the natives and survive pirates with their Christian beliefs. Lord of the Flies show how a group of boys, choristers from a highly disciplined Church boarding School, turn into savages and pirates themselves. Significantly, the leading characters of LOTF are called Jack, Ralph (the hero) and Piggy. I rather missed the idea of castrati being connected with this book.

QUOTE
The first time I tried to read Huckleberry Finn, I believe it was so tedious for me that I threw the book against the wall blush.gif . It wasn't until I thoroughly enjoyed A Connecticut Yankee in King Arthur's Court, and I was definitely more "initiated" into his style, that I was able to actually sit down and "get" Huckleberry Finn. I didn't know that HF has held a profound influence in other places, since it always seemed to me such an "American" book (as HP is a "British" book), yet I guess that really shouldn't surprise me. Stories like this give a "snapshot" view of the culture of the time, that as I think about it, they are great history lessons in themselves, (though from a "novel" wink.gif perspective). These books aren't "flattering" to our historical egos, so perhaps that is why they find themselves on the challenged lists so often. ponder.gif


I distinctly remember Harriet Beecher Stowe's Uncle Tom's Cabin, HF & Tom Sawyer being touted by teachers which is why I found them hard to read, though I did grasp what they said about slavery and man's inhumanity to man. I wonder if the publication of Harper Lee's To kill a Mockingbird was a catalyst not only to the American Civil Rights movement the doings of which I heard on the radio, but also for the successful referendum of 1967 which gave Aboriginals full citizenship of Australia, which they had not had previously. I'm not saying that there aren't injustices elsewhere. But highlighting American injustices such as the one in Mockingbird, may inspire others to behave differently.


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post Aug 14 2008, 08:32 PM
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QUOTE(WaggaWaggaWerewolf @ Aug 14 2008, 11:43 PM) *
Significantly, the leading characters of LOTF are called Jack, Ralph (the hero) and Piggy. I rather missed the idea of castrati being connected with this book.


I see it only as a very indirect connection, and why I mentioned it strictly as conjecture. smile.gif

To me
, it seemed that Golding used choirboys to break stereotypical assumptions, to show that savagery is present in even the most "civilized" among us (ie. singing in a choir being a "most civilized" thing to do). I didn't mean that any of the characters in the story were castrati. I mentioned the castrati as they were the ultimate choirboys in their day - yet like Peter Pan, they never grew up - they never fully became men.


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post Aug 15 2008, 02:00 PM
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I first read Mockingbird as an eighth grader (I had a marvelous teacher that year, who recognized what other teachers didn't--I could read, really READ). I do not, have not, seen any real thematic connections with Animal Farm or Lord of the Flies. I suppose I can see a similarity with Huckleberry Finn, however.


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post Aug 15 2008, 03:35 PM
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Am I the only one who thinks Arthur Weasley reminds them a wee bit of Atticus Finch? I can't put my finger on it but it's just something that struck me when re-reading GoF and OOTP.
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post Aug 17 2008, 03:07 AM
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QUOTE(momwitch @ Aug 15 2008, 11:32 AM) *
QUOTE(WaggaWaggaWerewolf @ Aug 14 2008, 11:43 PM) *
Significantly, the leading characters of LOTF are called Jack, Ralph (the hero) and Piggy. I rather missed the idea of castrati being connected with this book.


I see it only as a very indirect connection, and why I mentioned it strictly as conjecture. smile.gif

To me
, it seemed that Golding used choirboys to break stereotypical assumptions, to show that savagery is present in even the most "civilized" among us (ie. singing in a choir being a "most civilized" thing to do). I didn't mean that any of the characters in the story were castrati. I mentioned the castrati as they were the ultimate choirboys in their day - yet like Peter Pan, they never grew up - they never fully became men.


I doubt I explained myself very clearly, as I was then in a hurry for real life reasons.

I do grasp what you are saying. Some of the same idea comes out with a TV series we had here called 'The Sopranos', but the family concerned seemed more interested in violin cases containing guns, not violins. There are other similar tales eg 'The Choirboys' the characters of which I believe were anything but angelic. Although I think the connections you make are valid, and probably what Golding meant by LOTF, whether the connections are direct or not, what I was trying to say is that these were not necessarily the connections I made. smile.gif

I rather thought that William Golding, writing post WW2, was commenting somewhat pithily on the gung-ho attitudes of the likes of R.M.Ballantyne, who espoused the glories of the British Empire of the late 19th century, and who clearly was impressed with the brave efforts of missionaries who displaced with Christianity, some Islander belief systems which then included cannibalism and infanticide. As well, there were fallen pirates in Coral Island, of course, but they are all killed, with the most decent of them repenting of his sins, having been mortally wounded. R.M Ballantyne was a Scottish juvenile fiction writer who died in 1894, and therefore would be unaquainted with how WW1 and WW2 changed the picture somewhat, betraying Ballantyne's vision of Victorian Great Britain.

R.M. Ballantyne's Coral Island castaways, aged 14, 16 and 18, were literate, though the only book they had available for reading was the Bible. But it was unlikely that their education was anything more than the most basic available in England of the time, unlike many of the somewhat younger castaways of LOTF who, it seemed, had attended a fancy Cathedral school, with all the implied Christian trappings.

William Golding seems to be suggesting that, left to themselves, the boys simply went to the devil in a handbasket. Jack, the most forceful character, as leader of most of the boys, introduces another belief system, playing on the boys' superstitions and terrors, and in the process, displaces the Christian beliefs of their upbringing. Thus by following Jack, these boys never truly grow up, being locked into savagery, just as you are suggesting. Whilst the more open-minded and decent boys are either killed, like Piggy, obliged to join the larger group, like the twins, or are left running for their lives, like Ralph. The Naval officer at the end is a representative of UK's finest, who, along with others from the Commonwealth, laid down their lives in droves during those two World Wars. And so he says at the end: He would have expected better of British schoolboys. So would many others, quite frankly.

QUOTE(birdie86)
Am I the only one who thinks Arthur Weasley reminds them a wee bit of Atticus Finch? I can't put my finger on it but it's just something that struck me when re-reading GoF and OOTP.


No you are not the only one though you are the first to draw attention to it. Except that Atticus is the more dramatic figure, defending his children and standing up for his beliefs. Atticus, moreover, has to do without the assistance of a Molly Weasley. But, I grant you, there is a distinct resemblance, now I think about it.


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post Aug 17 2008, 03:11 PM
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I understand where you are coming from (I think wink.gif ) WWW. smile.gif I can definitely see your point - but I'm wondering if it was the Cathedral upbringing the boys had, which left them susceptible to the superstitious manipulation employed by Jack? Piggy and Ralph (especially Piggy) in my understanding of the high school reading I made of this book, represented reason, it was Piggy's glasses that gave them the use and power of fire ... Jack was willing to kill for this power, but he didn't value the source or understand it.

In bringing this around to a comparison between the two books, while I was reading TKAM, I came upon this quote on page 157 of my paperback edition:

QUOTE
"So it took an eight-year-old child to bring 'em to their senses, didn't it?" said Atticus. "That proves something - that a gang of wild animals can be stopped, simply because they're still human. Hmp, maybe we need a police force of children...you children last night made Walter Cunningham stand in my shoes for a minute. That was enough."
bold mine

In comparing LOTF and TKAM I think this point is significant. In LOTF, the boys never matured to adulthood - they never became men in their own right. There were the "Little 'Uns" and the "Big 'Uns" and for the "Big Ones" the power to influence went to their heads.

It is a human ability to be able to put yourself in someone else's shoes, to suppose, to posit "what if", and since they hadn't matured to that level, created an "us vs them" survival code: "If you aren't with us, you are against us." Walter Cunningham was shamed into remembering when Atticus helped him , and another time when Jem helped his son, and so was able to realize quite clearly, that although he didn't agree with what Atticus was doing, he was still one of them. This was in direct contrast to the episode of the mad dog, who was a lovable "town pet" that became a ticking time bomb. The dog was an animal who had no memory of anything before the madness, and would have lashed out against a friend in its sickness. Contrast this further with the situation of the morphine addicted Mrs. Dubose who knew that it was the drug that exaggerated the mean streak of a once "Great Lady", yet wanted to die "clean" and in full grasp of her mental faculties. Her gift to Jem of the fresh white flower represented this "clean slate" - and that a new life was waiting for her past the misery - and that he helped get her there.

As for Atticus being like Arthur Weasley, I can see some similarities, but I mostly see Dumbledore in many of his characteristics and mannerisms. When I read on page 222 :
QUOTE
Atticus's eyes twinkled.
, that kind of nailed it for me. wizard.gif


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post Aug 18 2008, 06:37 AM
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QUOTE(momwitch @ Aug 18 2008, 06:11 AM) *
I understand where you are coming from (I think wink.gif ) WWW. smile.gif I can definitely see your point - but I'm wondering if it was the Cathedral upbringing the boys had, which left them susceptible to the superstitious manipulation employed by Jack? Piggy and Ralph (especially Piggy) in my understanding of the high school reading I made of this book, represented reason, it was Piggy's glasses that gave them the use and power of fire ... Jack was willing to kill for this power, but he didn't value the source or understand it.


If this analysis is any guide, LOTF discusses how any man-made culture fails in the end. So of course you are right to suspect the Cathedral upbringing most of the boys would have had (with the notable exceptions of Piggy and Ralph, himself). Piggy, at any rate, is a good reader and teller of yarns, whose value Jack, but not Ralph, utterly fails to appreciate. But then it isn't just a matter of the Cathedral upbringing that is at fault but the way the boys blundered on, relying on animal instincts and failing to think about how they were brought up. Perhaps it isn't even the upbringing itself, but what is made of it, and how much thought, reasonable or not, is put into it.

QUOTE(Momwitch)
In bringing this around to a comparison between the two books, while I was reading TKAM, I came upon this quote on page 157 of my paperback edition:

QUOTE
"So it took an eight-year-old child to bring 'em to their senses, didn't it?" said Atticus. "That proves something - that a gang of wild animals can be stopped, simply because they're still human. Hmp, maybe we need a police force of children...you children last night made Walter Cunningham stand in my shoes for a minute. That was enough."
bold mine

In comparing LOTF and TKAM I think this point is significant. In LOTF, the boys never matured to adulthood - they never became men in their own right. There were the "Little 'Uns" and the "Big 'Uns" and for the "Big Ones" the power to influence went to their heads.


Where LOTF might be comparable with TKAM is the treatment of children and what they are capable of doing, whether in defence of or in denial of ethical principles. Piggy and Ralph might compare well with Scout, Jem and Dill. But I can't agree with Atticus' idea about children making a good police force, however altruistic they might be or however animalistic the adults are behaving . His children were special, having been reared by himself, and having understood his values. Most other children of eight or ten would go along with whatever older children or adults would say, just like Jack's followers in LOTF.

QUOTE
It is a human ability to be able to put yourself in someone else's shoes, to suppose, to posit "what if", and since they hadn't matured to that level, created an "us vs them" survival code: "If you aren't with us, you are against us." Walter Cunningham was shamed into remembering when Atticus helped him , and another time when Jem helped his son, and so was able to realize quite clearly, that although he didn't agree with what Atticus was doing, he was still one of them.


And it is just this human ability to be able to put oneself in another's shoes which is so lacking in LOTF, especially in Jack, Roger and their cohorts, in marked contrast to the events of TKAM.


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post Aug 18 2008, 10:38 AM
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QUOTE(WaggaWaggaWerewolf @ Aug 18 2008, 12:37 PM) *
QUOTE(Momwitch)
In bringing this around to a comparison between the two books, while I was reading TKAM, I came upon this quote on page 157 of my paperback edition:

QUOTE
"So it took an eight-year-old child to bring 'em to their senses, didn't it?" said Atticus. "That proves something - that a gang of wild animals can be stopped, simply because they're still human. Hmp, maybe we need a police force of children...you children last night made Walter Cunningham stand in my shoes for a minute. That was enough."
bold mine

In comparing LOTF and TKAM I think this point is significant. In LOTF, the boys never matured to adulthood - they never became men in their own right. There were the "Little 'Uns" and the "Big 'Uns" and for the "Big Ones" the power to influence went to their heads.


Where LOTF might be comparable with TKAM is the treatment of children and what they are capable of doing, whether in defence of or in denial of ethical principles. Piggy and Ralph might compare well with Scout, Jem and Dill. But I can't agree with Atticus' idea about children making a good police force, however altruistic they might be or however animalistic the adults are behaving . His children were special, having been reared by himself, and having understood his values. Most other children of eight or ten would go along with whatever older children or adults would say, just like Jack's followers in LOTF.


Most children who were brought up to "respect your elders" or "do as your elders tell you", might not make the best police force, but that is what made Scout and Jem so different.

As a real life example, my husband was the 8th of 9 children, brought up with a very "Cathedral" like setting (his father was a religious for 20 years before he left the order and got married). It was stressed in their house to "respect your elders", which was easy enough for him to do for his aunts and uncles and much older cousins (some of his first cousins are in their 70s now!), but it also applied to his older brothers and sisters, who were often not more than a year apart! He was at the end of a long list of orders himself, so that by the time his younger brother was born (when he was 14) he decided to forget the whole "elder" thing, and just enjoy having a brother on equal terms, not as a fledgling subordinate to do his bidding.

I think that Jem and Scout's calling Atticus by his first name is a profound indication of this mutual respect that Atticus tried to convey to his children. To get real respect (not just begrudging acquiesence), you must first give respect - it is a give and take and give again. It must be constantly practiced. It is also doing what you say you are going to do, especially for a child, which is why it is so important to not threaten things which you would never do (as a punishment). A follow through is needed, and if you remain a person of your word, a mutual respect will eventually develop. It isn't something that happens overnight, it is built upon one step at a time - and though it might seem naive at times (as Atticus appears at the end, with Bob Ewell's death and who was responsible for it), it can only be done through being honest with yourself.
QUOTE(WaggaWaggaWerewolf @ Aug 18 2008, 12:37 PM) *
QUOTE
It is a human ability to be able to put yourself in someone else's shoes, to suppose, to posit "what if", and since they hadn't matured to that level, created an "us vs them" survival code: "If you aren't with us, you are against us." Walter Cunningham was shamed into remembering when Atticus helped him , and another time when Jem helped his son, and so was able to realize quite clearly, that although he didn't agree with what Atticus was doing, he was still one of them.


And it is just this human ability to be able to put oneself in another's shoes which is so lacking in LOTF, especially in Jack, Roger and their cohorts, in marked contrast to the events of TKAM.


And is exactly why these two works can be compared to each other. They examine two different approaches to the same problem, giving you the choice of how you want your story to develop over time. smile.gif


This post has been edited by momwitch: Aug 18 2008, 10:39 AM


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post Aug 18 2008, 03:15 PM
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QUOTE
WaggaWaggaWerewolf:
[...]
But I can't agree with Atticus' idea about children making a good police force, however altruistic they might be or however animalistic the adults are behaving . His children were special, having been reared by himself, and having understood his values. Most other children of eight or ten would go along with whatever older children or adults would say, just like Jack's followers in LOTF.
[...]
The Khmer Rouge seemed to think children with automatic weapons (and plastic bags) made a good police force. After all, children are very idealistic, and unspoiled by the corruption of civilization. "Show me your hands..."



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