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Harry Potter discussion forum for movies, books, and more! - The Leaky Lounge _ Academic Analysis: Obscurus Books _ Alchemy in Harry Potter

Posted by: Shard Feb 11 2007, 07:48 PM

Part 6 of our on going discussion of the Alchemic presscense in Harry Potter story, what it means for the Journey Harry is on.

Previous threads: http://www.leakylounge.com/index.php?showtopic=3074&st=0, http://www.leakylounge.com/index.php?showtopic=19251&st=0, http://www.leakylounge.com/index.php?showtopic=22370&st=0, http://www.leakylounge.com/index.php?showtopic=27368&st=0, and http://www.leakylounge.com/index.php?showtopic=35873&st=0

I wanted to quote MemyselfnI list here:

QUOTE(memyslfnI @ Feb 11 2007, 04:08 PM) [snapback]1097870[/snapback]

I will add that we have done pretty well here using the methods of traditional, literalary and new age alchemy together that we have been using since before OotP came out.

I would love to generate a list of things we spoke about that have come true or have become important in the series that have been posted by the wonderful alchemy posters, a few items we looked at before books five and six:

the idea that seven will be important in the series
sirius will die
dumbledore will die
The elements will be important and each house represents an element
We also dissected the four humours and how they relate to the houses (Ron is billious (Bile) Fleur is Phlegm)
harry will end up with ginny
There will be a wedding in the series (chemical wedding (though Bill and Fleur were a suprise!)
the idea of the quintessence and how Harry must balance the four elements (Harry reads Quintessence; A quest in HBP)
We also spoke of the four Hallows in relation ot the grail quest (Quest for gold)

I am not trying to brag, but I am just trying to get at the fact that we have a pretty good track record by embracing all alchemical theories and trying to expand on them or debate them in this thread. (And in the forum as a whole as well!) Have we been wrong? heck yeah! But its been a learning experience that I know I am grateful for!

We have also touched on very specific elements using alchemy that could possibly come true in DH

There will be a baby at the end of the series (and it will be a girl..Her name will use Spohia as its root)
there will be a huge revelation at the wedding itself (Harry will have an epiphany of sorts)
There will be an eclipse during the final book
Harry will die and be reborn (not literally..a symbolic rebirth)
Hagrid who marks the red stage will die



anyone else want to take a stab adding to these two lists? type.gif


I think there are some excellent points to go over here with the two lists provided. Expecially the idea of an Eclipse and possible "rebirth" for Harry. I feel there will be a point where Harry is in his "darkest" hour everything eclipsed by fear and an certain death, only to have the "hopeful Sun" shine out.

Posted by: EruditeWitch Feb 11 2007, 08:41 PM

What kind of metaphorical and alchemical significance is there in an eclipse?

I mean, I know there's the obvious, but is there anything else?

Posted by: Shard Feb 11 2007, 08:54 PM

I was thinking in the line of being in spritual Darkness, seeing things fall apart and Voldemort seemingly getting the upperhand. I've seen these kind of moments in other stories where for any amount of time the Hero thinks all is lost and that the villain has won. That's what I think of the Eclipse moment myself, another reason for this is the moment in the PoA movie where DD had said in even the darkest of hours, one only has to remember to turn on the light. He illustrates this by puting out the candle and then relighting it with a simple pass of the hand.


Posted by: memyslfnI Feb 11 2007, 10:21 PM

In many cultures the eclipse forshadows a natural disaster or the death of defeat of a ruler. In alchemy an eclipse is called "sol niger" and there is a beautiful drawing called "the Dark Sun" in the alchemical work called Splendor Solis

http://www.levity.com/alchemy/ss19.html



In ancient egypt an eclipse was thought to be the Eye of Horus. Horus IMHO, is where JKR got the term Horcrux. Horus (the child of the red king Osiris and the White Queen Isis in Egyptian Alchemy) is a symbol for death and ressurection. It is interesting that we learn about Horcruxes from Horace Slughorn.

my thought is that the final battle of Harry and Lord Voldemort will come after or during a solar eclipse. The sun and moon will be equal, in alignment, and will symbolize the downfall of Lord Voldemort




Posted by: galadriel12 Feb 12 2007, 05:39 AM

I agree with EW, I am really impressed by the lists of predictions. Of course we don´t know if the predictions from the second list come true, but already the things from the first list, wow. Brag on people. smile.gif

A few thoughts:

- the wedding: If I understand it correctly, the alchemical wedding is between the Red King and the White Queen. But, are Bill and Fleur important enough, are they connected enough with Harry and his journey to pass for Red King/White Queen?

- the baby: nice idea. But again, are Bill and Fleur important enough in the Hero´s journey to produce the alchemical child? It would be born at the end anyway and therefore I think it is sufficient to have a baby in the epilogue. Ron and Hermione could be one option for Red King/White Queen as well. We have several references to them as King (Weasley is our King) and Queen (Queen Slug Club), Harry dreaming of both of them as King and Queen.
Is it completely impossible that Harry and Ginny are the Red King and White Queen?

- I know the sibling theory and it never convinced me. Not in the least. Sorry. Apart from that: Having Harry and Hermione facing LV in the end corrupts two 'principles' of JKR´s writing.

First: The trio friendship. Ron and Hermione are equal important sidekicks to Harry, who have contributed equally throughout six books. By the end of HBP, the trio is almost perfectly balanced, IMO. Elevating Hermione to co-heroine status in having her fight LV at Harry´s side, is nullifying this balance JKR has been working on so hard for six books. It destroys the carefully built up trio structure. And where is Ron in that scenario anyway?

Second: The HP books are Harry´s hero journey, not Harry and Hermione´s journey. It has always been Harry alone (as in without his two best friends), who was in the final confrontation with LV in his various shapes (Quirrelmort, Diarymort, Babymort). In PS, CoS, GoF. In PoA and HBP there wasn´t this kind of final confrontation, in OotP Dumbledore was with him when he faced LV.
If JKR is going to break this pattern - I don´t think she will, but let´s assume - it would be all three of them in the final confrontation. We already addressed the special wand core connection of the trio.

Posted by: memyslfnI Feb 12 2007, 10:15 AM

QUOTE
- the baby: nice idea. But again, are Bill and Fleur important enough in the Hero´s journey to produce the alchemical child? It would be born at the end anyway and therefore I think it is sufficient to have a baby in the epilogue. Ron and Hermione could be one option for Red King/White Queen as well. We have several references to them as King (Weasley is our King) and Queen (Queen Slug Club), Harry dreaming of both of them as King and Queen.
Is it completely impossible that Harry and Ginny are the Red King and White Queen?


I think that its not how important they are to harry, but that they will be the start of a new cycle.(remember oroborus) the red King and White queen produce the stone. We usually see in alchemical images their death and regeneration through the hermaphroditic child of the sun and moon.

Another name for the red king is the sun king. One of the clues that leads me to believe JKR is using Bill in this role is Bill's Occupation. Bill is a Gringott's bank curse breaker. Apollo (the Sun God or Sun King) is called the curse breaker. Fleur, with her white hair fulfills her role as the white queen.

Would this have been my first choice? No. When we discussed the possibility of a wedding in the first alchemy thread, we thought it would be Hermione and Ron as the king and queen. But I read an interesting article on Harry Potter for Seekers that talks about the Weasley's and their symbolic role as the chakras. they surmise that Bill will be vital to Harry in the last book. We see him fight for the order and suffer terribly in book six and we also see Fleur stick by his side even in the face of terrible hardships. Her role changes dramatically from an object of ridicule to a strong woman who stands up to Molly and stands by Bill. She loves him and is willing to stay with him in spite of the fact that he has been bitten by a werewolf (even though he was not in that state, Lupin says there will be issues). If Bill and Fleur fulfill the role of the red king and white queen they will be vital to harry in book seven.

Posted by: mlwl Feb 12 2007, 10:18 AM

I agree, Bill & Fleur in themselves are not important enough to Harry to be THE Quarrelling Couple. However, I have a strong feeling that they do represent that imagery, and while it was already apparent Ron & Hermione were together at the end of HBP (IMHO, of course), I also think that something more significant will happen to draw the two of them together more apparently at that wedding. That days' activities are bound to be "anvil sized" hints, and not just about 'shipping.

Posted by: Weasle Diva Feb 12 2007, 04:09 PM

I think a big flock of dementors all swooped together will make up the eclipse, literally eclipsing a soul.

I think Bill's role is to teach the trio about curse-breaking. He is a background character who will not usurp the trio's role in horcrux locating and breaking. My guess is that Harry will think that the Weasley tiara has horcrux potential. Bill studies the tiara and shows the trio what to look out for.

The Egyptians, as a culture, went to great lengths to provide for an afterlife. Why wouldn't the Egyptian wizards be the first to explore horcrux-making? After all, many people were murdered/sacrificed to be companions to the Pharoah's.

The tiara in the RoR is the real Ravenclaw horcrux, IMHO.


Posted by: memyslfnI Feb 12 2007, 04:41 PM

I like your idea about Bill's role in DH using his skills as a curse breaker!!! Awesome as usual WD!! clap.gif


Posted by: Lunar Tides Feb 12 2007, 07:58 PM

Hey everyone,

Just a quick disclaimer: I know practically nothing about alchemy, so please excuse any ignorance I show in this thread.

When looking at the pictures of the OOTP movie that came out recently, I noticed the words "potassa carbonate" above Harry's head when he was sitting in Snape's office. After a little research, I found out that potassa carbonate, or more commonly known as potash, is used in making an Angel Stone. The properties of the Angel Stone share quite a bit of similarities with the plot line of OOTP such as anger, out-of-body travel, and the fifth chakra. Here's the link: http://www.rainbowcrystal.com/crystal/gems/angelite.html

Also, I learned about Hermes Trismegistus, supposedly a father figure in Western Alchemy. As Wikipeida states about the man (source: http://en.wikipedia.org/wiki/Hermes_Trismegistus) :
"The so-called "Hermetic literature", the Hermetica, is a category of papyri containing spells and induction procedures. In the dialogue called the Asclepius (after the Greek god of healing) the art of imprisoning the souls of demons or of angels in statues with the help of herbs, gems and odors, is described, such that the statue could speak and prophesy."

I would not be suprised if someone already figured this out, but just in case, this could be a big reason why JKR signed her name on the back of a statue of Hermes.

-Lunar Tides

Posted by: becky920 Feb 13 2007, 05:19 AM

QUOTE(Weasle Diva @ Feb 12 2007, 04:09 PM) [snapback]1099124[/snapback]

I think a big flock of dementors all swooped together will make up the eclipse, literally eclipsing a soul.

I think Bill's role is to teach the trio about curse-breaking. He is a background character who will not usurp the trio's role in horcrux locating and breaking. My guess is that Harry will think that the Weasley tiara has horcrux potential. Bill studies the tiara and shows the trio what to look out for.

The Egyptians, as a culture, went to great lengths to provide for an afterlife. Why wouldn't the Egyptian wizards be the first to explore horcrux-making? After all, many people were murdered/sacrificed to be companions to the Pharoah's.

The tiara in the RoR is the real Ravenclaw horcrux, IMHO.


I love the idea of Bill teaching the trio about curse breaking. It makes perfect sense.

I also had a thought about what you said re: dementors and an eclipse. Would you say we've seen that before -- in PoA and OotP? Would those qualify as "eclipse" events? If so, what did it mean for Harry at those points in the story?

QUOTE(Lunar Tides @ Feb 12 2007, 07:58 PM) [snapback]1099366[/snapback]

When looking at the pictures of the OOTP movie that came out recently, I noticed the words "potassa carbonate" above Harry's head when he was sitting in Snape's office. After a little research, I found out that potassa carbonate, or more commonly known as potash, is used in making an Angel Stone. The properties of the Angel Stone share quite a bit of similarities with the plot line of OOTP such as anger, out-of-body travel, and the fifth chakra. Here's the link: http://www.rainbowcrystal.com/crystal/gems/angelite.html


This is brilliant, Lunar Tides -- don't sell yourself short! Someone else here (and there are so many smart people that I can't remember which one) a while back suggested each book could represent a chakra (and also that certain characters could embody certain chakras). I didn't notice the potash in the OotP film pics, but that would be absolutely perfect if it was intentional. As it is the fifth book/movie, the connection to the fifth chakra makes sense.

Do you know whether the angel stone has any connection to the moonstone that Harry forgets to put in his potion back in GoF? And does anyone know whether either stone has an alchemical purpose?

Reason I ask -- http://www.gemstone.org/gem-by-gem/english/moonstone.html apparently are known as "dream stones" that give the wearer visions at night. It's also got some attachment to emotions and love, which tells me Snape was trying to tell Harry something more than just to be less careless.

Posted by: potterliterati Feb 13 2007, 02:14 PM

QUOTE(memyslfnI @ Feb 11 2007, 04:08 PM) [snapback]1097870[/snapback]

I will add that we have done pretty well here using the methods of traditional, literalary and new age alchemy together that we have been using since before OotP came out.

I would love to generate a list of things we spoke about that have come true or have become important in the series that have been posted by the wonderful alchemy posters, a few items we looked at before books five and six:

the idea that seven will be important in the series
sirius will die
dumbledore will die
The elements will be important and each house represents an element
We also dissected the four humours and how they relate to the houses (Ron is billious (Bile) Fleur is Phlegm)
harry will end up with ginny
There will be a wedding in the series (chemical wedding (though Bill and Fleur were a suprise!)
the idea of the quintessence and how Harry must balance the four elements (Harry reads Quintessence; A quest in HBP)
We also spoke of the four Hallows in relation ot the grail quest (Quest for gold)

I am not trying to brag, but I am just trying to get at the fact that we have a pretty good track record by embracing all alchemical theories and trying to expand on them or debate them in this thread. (And in the forum as a whole as well!) Have we been wrong? heck yeah! But its been a learning experience that I know I am grateful for!

We have also touched on very specific elements using alchemy that could possibly come true in DH

There will be a baby at the end of the series (and it will be a girl..Her name will use Spohia as its root)
there will be a huge revelation at the wedding itself (Harry will have an epiphany of sorts)
There will be an eclipse during the final book
Harry will die and be reborn (not literally..a symbolic rebirth)
Hagrid who marks the red stage will die

I know nothing about alchemy, but I am greatly impressed by y'all's successful predictions! From what I read, I am able to see some specific ways in which your general predictions might be carried out.

The wedding interests me, for one. Yes, Bill and Fleur are getting married, but you said it could be a symbolic marriage. That reminded me last night -- I'm thinking about Harry Potter in my sleep! -- of the Sorting Hat's lament that he had to divide the students, and he's afraid that might be harmful. Also of McGonagall's discussion with the staff about whether to open Hogwarts next year. It looks like quite a few students might not show up. Well, if less than half show up, it's not really feasible to put them in four different houses, is it? There might be only enough for one house. That would be a symbolic marriage, and a balancing of the elements. (On a side note, a reduced student population would also mean they might not need to replace their DADA and Transfiguration vacancies. The teachers would just teach more than one subject each.) JKR has said that the Quidditch matches in HBP were the last. This could be because Harry just won't see the matches, or because, if all the houses are joined into one, there won't be any matches. A joining of houses would also symbolize how a Slytherin who is ambitious might achieve an ambition of becoming a better person in some way. For example, those of us who believe Snape is Dd's man believe that he's achieved an ambition to be brave, like Gryffindor Dd. If RAB was Regulus, then Regulus seems to have become quite brave as well. I would also predict that of the students who show up next year, there are more Gryffindors than any other single house.

JKR has said that one of Harry's classmates will become a teacher at Hogwarts, but not the one we might think. That means that the end of the book will tell what happens to the characters several years after the final battle, since you don't become a teacher right out of school. Not even hugely talented LV could get a job from silly old Dippet, right out of school. So, perhaps the baby you predict could be Ron and Hermione's, or Neville and Luna's, or even Harry and Ginny's.

The eclipse idea is interesting, and I think it could be the dementors, quite easily. I am also reminded of the room in the Dept. of Mysteries that has all the planets in them. Perhaps Harry is injured in that room, near-fatally, and there's an eclipse? There's another room in the DoM that is full of love. I would think that has much potential for re-birth.

Here's an idea that I've had, and I wonder if and where it would fit into alchemical theories. I think LV hid something, or perhaps made a last horcrux during the shoot-out at Hogwarts; after all, you've got to really maximize your opportunity to get into Hogwarts, because you'll only get one shot at it. (Don't we wish the Marauder's Map had Tivo?) So, I think the final confrontation will be at Hogwarts. I think that Harry will continue to hate Snape until this confrontation, and will mortally wound Snape. BUT, Fawkes will show up to heal Snape, just as he healed Harry in the CoS when Harry showed Dd great loyalty. Then, Harry will see that Snape is on his side. What could this be, alchemically speaking? Could this be a kind of rebirth for Harry? It would be a sort of new sight, like in the story of Saul/Paul on the road to Emmaus. And one's awareness, IMO, determines one's life. So the new awareness would be a rebirth of sorts. But I don't know if that works according to alchemy.

A final confrontation at Hogwarts could easily lead to Hagrid's death -- but so could the now-hostile spiders and Centaurs. Would Hagrid's death mark the end of the red stage/final stage? That would be the end of the book. There's symmetry in such an ending, because Hagrid was the one who told Harry he was a wizard. And, I think Hagrid would not mind dying for Harry. He would consider he'd had a much better life than he could have expected, because of Dd's love, and that dying for the same cause as Dd, and for the boy he identifies with, would be a good way to end it. Also, Hagrid is in his 70s now, so he'll have felt he had his share of years. Very sad, but the kind of life you can celebrate.

Posted by: Lunar Tides Feb 13 2007, 07:08 PM

Thank you becky920 for mentioning the moonstone, I wouldn't be suprised if the moonstone and the angel's stone was one and the same, or if angel's was a type of moon.

Interestingly enough, the moonstone is used in making the Draught of Peace, which helps the user achieve emotional balance. It is ironic that this comes up in OOTP, where Harry's emotions are far from balanced, and maybe Snape was trying to help Harry control himself and succeed at Occlumency (just a maybe for Snape). On a side note, hellebore, an ingredient in the draught, can cause invisibility in its powdered form.

I always thought that the Egyptian references in the books would become important, and since sun worship is central to the culture, an eclipse sounds perfect in the story. I thought it was interesting also that Hermes Trismegistus (see my previous post) is the same as Thoth, who is the god of the moon in Egyptian mythology, so there might be a lunar eclipse.

Oh BTW, I totally support the tiara horcrux idea, since the High Priestess Tarot card has a tiara on, is wearing blue robes, and has a crescent moon underneath her feet.

-Lunar Tides

Posted by: madamros Feb 14 2007, 08:59 AM

Eclipses - there was an solar eclipse visible in Britain from Cornwall and parts of Devon on August 11th 1999, mid morning - happens to be Ginny's birthday and I think the Burrow is in Devon (Ottery St Mary, Otterton and the Tarka Trail are in Devon and JKR went to Exeter University and is familiar with the area). So will there be an eclipse over the Burrow on Ginny's Birthday? Will this also be the date of Bill and Fleur's wedding? After the eclipse, things can only get better! Or can they?

The 'alchemists 'did very well predicting a lot of events clap.gif though one Severus Snape doesn't seem to have been on the radar! Which is interesting. How's this for a suggestion - Snape as Red King marrying his White Queen? I don't see any of the students getting married anytime soon - they are far too young! Bill and Fleur, yes they are marrying, but they are relatively minor characters. We are going to be finding out a lot more about Snape in book 7, he's more than just the never-changing catalyst, vitriol.

Chakras and books - hpboy13 (or should that be 15 now! smile.gif) wrote an essay on the subject which is in the current issue of Scribbulus.

Posted by: memyslfnI Feb 14 2007, 10:32 AM

madamros, I agree there will be more to Snape that his role as vitriol.

we spoke about Snape as vitriol earlier in the last thread and if I remember correctly, at the end of the completion of the process the only thing that is left is salt and a "weak solution of sulfuric acid". That leads me to believe that either Snape will be in a weakened state, (which was why I thought he would be maimed, blinded, etc.) or he will have a "less acidic personality".

Snape has played both sides of the war for far too long to come out smelling like a rose. I think that his acidic personna is part of his charm and if he loses that , it will be a shame. It certainly is part of the storyline, alchemically, as the acid helps break down the "stone" so it can be transfigured into a more perfect state. I am betting on Snape getting his just desserts.

besides, No one kills albus dumbledore and gets away with it! LOL!
bruce.gif

Posted by: madamros Feb 14 2007, 11:06 AM

QUOTE(memyslfnI @ Feb 14 2007, 03:32 PM) [snapback]1101219[/snapback]

madamros, I agree there will be more to Snape that his role as vitriol.

we spoke about Snape as vitriol earlier in the last thread and if I remember correctly, at the end of the completion of the process the only thing that is left is salt and a "weak solution of sulfuric acid". That leads me to believe that either Snape will be in a weakened state, (which was why I thought he would be maimed, blinded, etc.) or he will have a "less acidic personality".

Snape has played both sides of the war for far too long to come out smelling like a rose. I think that his acidic personna is part of his charm and if he loses that , it will be a shame. It certainly is part of the storyline, alchemically, as the acid helps break down the "ston" so it can be transfigured into a more perfect state. I am betting on Snape getting his just desserts.

besides, No one kills albus dumblefore and gets away with it1 LOL!
bruce.gif


I don't see him being weakened memyslfnI, just he'll be less acidic, which is good. I agree that no-one gets away with killing Dumbledore - but who says Snape killed DD? Maimed/blinded - sounds like Rochester! We've been discussing Snape as Rochester in the Jane Eyre thread.

Posted by: memyslfnI Feb 14 2007, 12:37 PM

QUOTE
How's this for a suggestion - Snape as Red King marrying his White Queen? I don't see any of the students getting married anytime soon - they are far too young! Bill and Fleur, yes they are marrying, but they are relatively minor characters. We are going to be finding out a lot more about Snape in book 7


I do not see any "red king" in Snape. And who would be his "white queen"? Narcissa? She seems to be taken, unless we see Lucius come to his untimely end and she marry's Snape.

Bill , like Snape, I think will come into his own in book seven, there is no doubt that Snape will be important because of the way events unfolded in HBP. There are many characters, that at first glance, were considered minor. (Neville being one) I think WeaselDiva's idea that Bill, using his training as a curse breaker, will help Harry a great deal. I think she is spot on with that one!


Posted by: EruditeWitch Feb 14 2007, 12:44 PM

There is a theory I cooked up in my head after reading Spinner's End that could mark Snape as a Red King....

I think there is something more to him and Narcissa than just collegues in evil. Their interaction seemed far too intense for my tastes. Especially considering Snapes customarily "sunny" disposition. This could have all been a show, but if Snape turns out to be good, or even evil the question still haunts me...

Why?
Why make the vow?
He was clever enough to get out of it.

Posted by: memyslfnI Feb 14 2007, 12:49 PM

are you marking Snape as the red king because of his role as the vow breaker? Wow! I never even thought of that. (that would certainly put him as Appolo, the red, or sun king)

I think that we would be missing the obvious, though since we have a wedding glaring us right in the face! lol.gif But, that certainly is very intreguing idea EW. Maybe you are right. Very clever! thumbup.gif

Posted by: EruditeWitch Feb 14 2007, 01:10 PM

He made a vow, but did he break it?

And if we mark him as the Red King based on that, does that mean he WILL break it? Does that bode well for Draco?

Can there be more than one Red King in alchemical literature?

Also, I think that Fleur and Bill IS very obvious...I worry about their significance to the plot though.

Posted by: Lost Centaur Feb 14 2007, 03:02 PM

The Alchemy posts are so detailed and numerous that I can't remember if this has been pointed out; please forgive me if it has been discussed in full already:

Concerning the Felix Felicis potion in HBP, USA version, page 187:

-it is the color of molten gold (top of page)

-Slughorn says: "...Yes, it's a funny little potion...(snip)...Desperately tricky to make, and disastrous to get wrong." (halfway down the page)


The reference to its color and the consequences of going about it "wrong" seem to hint at the gold state and the necessary intentions for the preparation of the Philosopher's Stone. Possibly a hint for its appearance in the plot of the last book?


Posted by: susurrous Feb 14 2007, 05:19 PM

While we're talking about colours; Hermione seems to be associated with blue fire -

“The day before Harry’s first Quidditch match [when] the three of them were out in the freezing courtyard during break, and she had conjured them up in a bright blue fire which could be carried around in a jam jar” (11: 134).


At the Quidditch game where Hermione set Snape’s robes on fire:

“[…] she crouched down, pulled out her wand and whispered a few, well-chosen words. Bright blue flames shot from her wand on to the hem of Snape’s robes” (11: 140).


And when they were fighting the Devil’s Snare, Hermione conjures up the bluebell flames to save them:

“[…] and she whipped out her wand, waved it, muttered something and sent a jet of the same bluebell flames she had used on Snape at the plant. In a matter of seconds, the two boys felt it loosening its grip as it cringed away from the light and warmth” (11: 202).


It's interesting to note that: "Burning molten sulphur in either air or pure oxygen leads to a reaction, which produces a pale blue coloured flame. This looks quite impressive in a darkened room."

IPB Image

Bluebells anyone?

Posted by: memyslfnI Feb 14 2007, 08:36 PM

QUOTE(Lost Centaur @ Feb 14 2007, 03:02 PM) [snapback]1101588[/snapback]

The Alchemy posts are so detailed and numerous that I can't remember if this has been pointed out; please forgive me if it has been discussed in full already:

Concerning the Felix Felicis potion in HBP, USA version, page 187:

-it is the color of molten gold (top of page)

-Slughorn says: "...Yes, it's a funny little potion...(snip)...Desperately tricky to make, and disastrous to get wrong." (halfway down the page)


The reference to its color and the consequences of going about it "wrong" seem to hint at the gold state and the necessary intentions for the preparation of the Philosopher's Stone. Possibly a hint for its appearance in the plot of the last book?


I think this is brilliant! I never dissected the text about the Felix Felicis potion, I only looked at it as a whole! Itsounds like a description of Tom's journey to seek gold. The journey is desperately tricky,, and he did get it desasterously wrong. Look at the effects on him and on the entire world because he is going about it all wrong! He is looking for the easy way as opposed to the right way and he has distroyed his outward beauty as well as his soul. he is (IMO) beyond redemption and has no regard for anyone elses soul and many, many wizards and witches have suffered tremendously.

Posted by: madamros Feb 15 2007, 04:19 AM

QUOTE(memyslfnI @ Feb 14 2007, 05:37 PM) [snapback]1101390[/snapback]

QUOTE
How's this for a suggestion - Snape as Red King marrying his White Queen? I don't see any of the students getting married anytime soon - they are far too young! Bill and Fleur, yes they are marrying, but they are relatively minor characters. We are going to be finding out a lot more about Snape in book 7


I do not see any "red king" in Snape. And who would be his "white queen"? Narcissa? She seems to be taken, unless we see Lucius come to his untimely end and she marry's Snape.

Definitely not Narcissa! cold.gif
They have as much genuine feeling for each other as Rochester and Blanche Ingram! Bella has more genuine feelings for Snape than that cold, heartless she-devil.

memyselfnI I think Dumbledore is Apollo (which makes him a red king), with his brother Aberforth as Dionysus (those goats!) and Snape as Asclepios, the healer.

QUOTE

EruditeWitch said:
Why?
Why make the vow?
He was clever enough to get out of it.

Sorry, but I don't think he could get out of it, not will Bella making snide comments about how he would wriggle out of it. He was well and truly trapped.

Here is why I think Severus is a 'red king'
i) Bill is a red king partly because of his red hair. Red hair is the blond version of black hair.
ii) So far we have only had one example of someone refusing to go in the house the Sorting Hat planned for them initially - Harry refused to go in Slytherin ('Anything but Slytherin!') - this was partly based on his knowledge of Draco. I can easily imagine Snape saying the same thing (Anything but Gryffindor!) after meeting James and Sirius!
iii) Eileen Prince. The Prince heraldic colours are, yes, red and gold! Was Snape's mother a Gryffindor?
iv) In terms of LoTR, Snape is the 'hidden King' - he is Aragorn, I think. Definitely a King.

QUOTE

LostCentaur said:
The Alchemy posts are so detailed and numerous that I can't remember if this has been pointed out; please forgive me if it has been discussed in full already:

Concerning the Felix Felicis potion in HBP, USA version, page 187:

-it is the color of molten gold (top of page)

-Slughorn says: "...Yes, it's a funny little potion...(snip)...Desperately tricky to make, and disastrous to get wrong." (halfway down the page)


The reference to its color and the consequences of going about it "wrong" seem to hint at the gold state and the necessary intentions for the preparation of the Philosopher's Stone. Possibly a hint for its appearance in the plot of the last book?

Harry's luck is one of the main themes of HBP - mentioned by Snape at Spinner's End (and spin is apparently a term for good or bad luck in Australia and New Zealand). Harry 'luckily' remembered about bezoars and knew where to find one, thanks to Snape's potions book, when Ron was poisoned, and we have the whole felix felicis potion. Luck will feature heavily again in book 7 - maybe a huge dose of luck is needed to make a Philosopher's Stone - well, Harry is the lucky one!

Posted by: memyslfnI Feb 15 2007, 09:18 AM

QUOTE
Here is why I think Severus is a 'red king'
i) Bill is a red king partly because of his red hair. Red hair is the blond version of black hair.
ii) So far we have only had one example of someone refusing to go in the house the Sorting Hat planned for them initially - Harry refused to go in Slytherin ('Anything but Slytherin!') - this was partly based on his knowledge of Draco. I can easily imagine Snape saying the same thing (Anything but Gryffindor!) after meeting James and Sirius!
iii) Eileen Prince. The Prince heraldic colours are, yes, red and gold! Was Snape's mother a Gryffindor?
iv) In terms of LoTR, Snape is the 'hidden King' - he is Aragorn, I think. Definitely a King.


Actually Bill is the red king not only because of his red hair but also because of his role as the curse breaker. Apollo was called the curse breaker and the sun god. I do not think it is an accident that JKR gave him that occupation at Gringotts. Also he is after all the only one getting married so far. We can't overlook the obviuos.

In order for DD to be the red king in alchemy there must be a white queen. JKR speaks of DD not having a partner, an equal and how lonely that is in the mugglenet/TLC interview. The only other candidates in my opinion is Ron and Hermione.

Unfortunaltey, there is too much speculation to surmise that Snape is the red king. Alot of "what ifs". (What if Snape refused to go to Gryffndor, what if his mom was a Gryffindor) Snape and the red/black hair connection...I am sorry, I just don't agree with you.

QUOTE
Harry's luck is one of the main themes of HBP - mentioned by Snape at Spinner's End (and spin is apparently a term for good or bad luck in Australia and New Zealand). Harry 'luckily' remembered about bezoars and knew where to find one, thanks to Snape's potions book, when Ron was poisoned, and we have the whole felix felicis potion. Luck will feature heavily again in book 7 - maybe a huge dose of luck is needed to make a Philosopher's Stone - well, Harry is the lucky one!


Harry has been lucky, there is no doubt. But I think that Harry remembering about Bezoars was not luck, he read the information, retained it, and executed the act. (he used the tools at his disposal) We cannot forget that Harry, the hero of the story, has talent (the sorting Hat says this). He is no idiot. I disagree with you on the luck playing a huge role in book seven when it comes to Harry reaching enlightenment. Harry has been protected and helped by Dumbledore, the Order, Ron and Hermione, etc throughout the books. Yes, he has been lucky, but the bigger theme of the books, IMO, has been that shield he has had in his elders, his protection from his mothers sacrifice, the guidence from DD, Sirius, Lupin, etc. has slowly and surely been whittled away. Harry will (since this is his story) take all he has learned, use all his resources, to defeat Lord Voldemort. He needs to heed the warning of Snape and learn to close his mind, he will remember the life lessons from Dumbledore, the knowledge of the past from Sirius and Lupin, the lessons about the wizarding world from Ron and the intellectual knowledge form the brightest witch of the age, Hermione, and even to look outside the box from Luna.

There is no doubt that Harry, up to now, has been somewhat of an accidental hero, but the transition will be made from innocence to experience.

Posted by: madamros Feb 18 2007, 10:49 AM

QUOTE(memyslfnI @ Feb 15 2007, 02:18 PM) [snapback]1102517[/snapback]

Actually Bill is the red king not only because of his red hair but also because of his role as the curse breaker. Apollo was called the curse breaker and the sun god. I do not think it is an accident that JKR gave him that occupation at Gringotts. Also he is after all the only one getting married so far. We can't overlook the obviuos.

Curse-breaking is the only apollonian attribute of dear Bill Weasley. DD had red hair (it was described as auburn in the pensieve flashbacks). He tried to break the curse on the horcrux ring but was obviously unsuccessful, destroying the ring but nearly dying, until Snape the healer saved his life . DD has many apollonian attributes (and originally Apollo was more closely linked to lunar symbolism): Apollo symbolizes the acme of spiriualization and is one of the noblest symbols of the ascent of man. He symbolizes the defeat of violence, inspired self-control and the marriage of intuition and reason. His wisdom is aquired, not inherited. He has over 200 attributes, including that of shepherd & protector of flocks, a benefactor of mankind who heals and purifies, embodying the balance and harmony of the passions,achieved not by suppressing instinctive impulses but by directing them through the developmen of awareness towards an ever-increasing spiritualization. The opposite of his brother Dionysus. All of this says Dumbledore to me!
QUOTE

In order for DD to be the red king in alchemy there must be a white queen. JKR speaks of DD not having a partner, an equal and how lonely that is in the mugglenet/TLC interview. The only other candidates in my opinion is Ron and Hermione.

Well, I think there are four kings in HP: Harry, Ron, Dumbledore and Snape - just like a pack of cards!
QUOTE

Unfortunaltey, there is too much speculation to surmise that Snape is the red king. Alot of "what ifs". (What if Snape refused to go to Gryffndor, what if his mom was a Gryffindor) Snape and the red/black hair connection...I am sorry, I just don't agree with you.

Until book 7 is out, speculation is the name of the game!

Posted by: redshoes Feb 19 2007, 10:25 PM

Interesting speculation on the Red Kings. I agree that Bill has to be one of them, and Ron as well. Poor hapless Neville, a Leo, could be one too, although I believe JKR said something about him being the one “who was nearly King,” so maybe not.

But the “marriage” that matters is Harry’s, since he is the one being transformed. I finally pulled together my thoughts on CWs in HP, so for what it’s worth……….

(Apologies in advance for the quotes not working. sad.gif )

Chemical Weddings: Who, When, How—and Why?

A key stage in physical alchemy is the Chemical Wedding, when the alchemist combines philosophical Sulphur and philosophical Mercury to create the Philosopher’s Stone.

The famous alchemy emblems and engravings of the early modern period used a rich collection of symbolic images to depict the Chemical Wedding, drawing on the metaphors of the great alchemy texts. So who is involved in the Chemical Wedding? When does it happen—and how? What does a Chemical Wedding look like in a work of literary alchemy? And why does it happen? What is its role in the story?

Who

In alchemy texts and engravings Sulphur and Mercury in the final Chemical Wedding are represented as a man and woman, Sun and Moon, King Sol and Queen Luna, Red King and White Queen. It is these personifications that become the actual characters in alchemy plays and stories, including Harry Potter, which is a work of literary alchemy.

A Chemical Wedding is not an actual marriage, however. If Sulphur and Mercury DO marry, it’s at the end of the book, in the matrimoniathon, after the hero has accomplished his task, has achieved his destiny, his transformation. For example, in LOTR Tolkien broke the rule of a mixed gender trio by having HIS trio all-male--Frodo, Samwise, Gollum--thereby guaranteeing there would be no marriage within the trio.

When

There are many scenarios but the “standard” ones call for a Chemical Wedding in the 4th stage (the “coniunctio” or conjunction) and the 7th stage (the “rubedo”). The final Chemical Wedding is the climactic interaction of the entire opus, the joining that transforms the hero into the Philosopher’s Stone. (In Ripley’s influential Twelve Gates scheme, the final Chemical Wedding occurs at the 10th stage, the “exaltation.”)

So it’s almost certain that we haven’t seen the final CW in HP: that will come in the final book, Book 7. But we should have seen a preliminary CW somewhere in Books 1-6.

How

Alchemy emblems show the initial CWs as animal matings (“dog and bitch, hen and ----, birds of prey, winged and wingless dragons or serpents,” Lyndy Abraham, p. 36). Emblems for the final CW typically show a naked man and woman, standing next to each other or actually copulating, crowned, and/or marked as Sun and Moon.

Alchemy plays and stories have always taken literary license with the formula developed by alchemists like Flamel and Ripley and depicted by engravers like Johann Mylius and Michael Maier. A common tweaking of the formula is to have more than two Chemical Weddings for the hero and his or her partner in the course of the story, topped off by a “matrimoniathon” of other couples in the Happy Ending at the end of the story.

Almost all serious HP alchemy theorists have theorized about how JKR is writing the Chemical Wedding in her story. Most focus on trying to identify a Chemical Wedding in Book 4, which should correspond to the “coniunctio” stage. Here’s a sampling.

1. Drawing on Tarot as well as alchemy, this analysis argues that “the main conjunction in GOF is Tom and Harry.” http://kaskait.livejournal.com/45178.html
2. Another analysis suggests that the Chemical Wedding in GOF was between Harry (fire) and Cedric (earth), when they grabbed the Triwizard Cup at the same time.
3. In an editorial at Spinners End at Mugglenet, “Lady Lupin” argues that Harry will need to join with his “Anima” and “female counterpart,” Ginny.
4. Here at Leaky, the dominant theory, following John Granger, is that the Chemical Wedding has not yet taken place, but that there will be two in Book 7: between Bill and Fleur and between Ron and Hermione. According to this argument, Bill meeting Fleur in Book 4 served as the Chemical Wedding of the coniunctio stage. In this view, Harry does not undergo a Chemical Wedding as a direct participant himself, ever--because Harry is not Sulphur, Ron is.

This diversity of views proves one thing at least: There is no agreement on who will take part in the CW, when it has or will happen, or what it looks like.

Why

In physical alchemy, the joining of Philosophical Sulphur and Philosophical Mercury in the Chemical Wedding creates the Philosopher’s Stone. In a story, the Chemical Wedding joins the hero joins to his partner in order to accomplish a task or take an essential step on his hero’s journey.

Chemical Weddings in The Little White Horse and Harry Potter

How can we evaluate the different theories about Chemical Weddings in HP? One thing we can do is look at JKR’s literary influences to see if she has borrowed the imagery of the Chemical Wedding from another source. What does a Chemical Wedding look like?

The first place to look is at the book that JKR has said most influenced HP, and her favourite book since she was a child, Elizabeth Goudge’s The Little White Horse. Sure enough, as in so much else, Rowling borrowed and adapted the scenarios and images of the Chemical Weddings in HP from TLWH.

JKR has frequently acknowledged her debt to TLWH.

[quote] “My favourite book was The Little White Horse by Elizabeth Goudge….And perhaps more than any other book, it has a direct influence on the Harry Potter books.” – JKR, “Harry Potter – Harry and Me,” The Scotsman, November 2002 [/quote]

Briefly, the protagonist of the story, the one undergoing the alchemical process is Maria . Maria is a 13-year-old orphan in 19th century England who goes to live at Moonacre Manor with her cousin Sir Benjamin Merryweather when her parents die. Maria is explicitly marked as the moon (“Moon Princess”), the “pure spirit,” and, with her “straight reddish hair,” as fire. As the hero of the story, she corresponds to Harry.

Maria’s partner in her adventures is Robin. He is marked as the Sun, the “brave soul,” and earth. He corresponds to Hermione. Here’s how he is described:

[quote] He was sturdy and strong and red-cheeked, with a skin tanned brown by sun and wind. His dark eyes sparkling with fun and kindliness were set in thick short black lashes beneath strongly marked dark eyebrows. His nose was tip-tilted and a little impudent above his wide, laughing, generous mouth and strong cleft chin. His thick chestnut hair grew low on his forehead, curled all over his head as tightly as a lamb’s fleece, and at the back of his neck the final curl formed a comic sort of twist like a drake’s tail. He was dressed all in brown, a rough brown jerkin the colour of fallen beech leaves, brown leather breeches and leggings, and he wore upon the side of his head a battered old brown hat with a long green peacock’s feather in it. (p. 33). [/quote]

As we know Hermione has brown eyes and bushy brown hair. Born on September 19, she is a Virgo, an earth sign.

Maria spends her early years in London. Robin comes to her from Moonacre via astral travel and they play together in the Square Garden. Their first Chemical Wedding, however, is after her move to Moonacre.

Goudge uses circles to symbolize Chemical Weddings—first subtly, then clearly and overtly. As Lyndy Abraham writes, the circle is “the symbol of perfection. The circle signifies the perfect, eternal spiritual realm” as well as “the completed opus alchymicum.” (p. 41). The circle symbolizes the goal of alchemy, and is thus a commonplace symbol in alchemy stories. That Goudge and Rowling both use it—as in the spherical Golden Snitch Harry is always pursuing—is significant though hardly surprising.

What is more significant is Rowling’s borrowing of a more complex circle image from TLWH: Goudge uses animals circling around Maria and Robin as they hug to symbolize their final Chemical Wedding. That is distinctive. Rowling has borrowed that image in OOTP, when Pigwidgeon circles Harry and Hermione as they hug. I’ll post the two passages together below, but first let’s go back to consider Maria and Robin’s CWs in order.

The first Chemical Wedding – Rescuing Serena

Maria is out riding her mare Periwinkle when she hears a scream.

[quote] As she neared the bottom of the hollow the bushes thinned out, and she could see that down below there was a clear space of turf carpeted with primroses like a round embroidered green carpet. Maria would have exclaimed in delight at the beauty of the place, only the beauty was spoiled for her because on the center of the carpet was a trap, and caught in the trap was a screaming hare. (p. 71) [/quote]

One of the Men from the Dark Woods is about to kill the hare, when Maria screams at him:

[quote] ‘Let that rabbit alone!’ she cried, all her fear suddenly lost in a surge of hot anger and passionate love for the hare.’[/quote]

All seems lost until “the sudden appearance upon the scene of Someone Else.”

[quote] Maria, bewildered by her fear, still all in a fury of love and anger, was aware of a slim brown figure bounding towards her, of a curly head lowered like that of a butting goat, and then over went the man in black flat on his back, well and truly winded, while there rang through the hollow a laugh as merry and carefree as a cuckoo’s cry, a boy’s laugh, clear as a bell, a Puck’s laugh, full of impish glee. [/quote]

(First a couple of asides. If you’re wondering where Hermione’s original surname Puckle came from, there’s a clue. As well as her ‘periwinkle’ blue robes—azure is the color of the Quintessence, but JKR follows Goudge in using ‘periwinkle’ instead of ‘azure.’ They’re the same color—sky blue.)

So here, in Maria and Robin’s first Chemical Wedding, we have the two children reuniting on a round patch of hillside. And together, united, they take the first step in Maria’s hero’s journey: they save the hare from its trap. Maria names the hare Serena. (The animals in TLWH are heavily anthropomorphized.)

Goudge is writing for quite young children—JKR said she read the book when she was eight—so she very considerately has the characters explain the significance of events. So later in the book Robin lays it all out:

[quote] ‘Robin,’ Maria said, ‘how did you know that you and I together had to drive out the wickedness of the Men from the Dark Woods? The very first day I saw you here, you said we’d have to do it. How did you know?’
‘It was because of Serena,’ said Robin. ‘No one before has ever been able to save anything from those men, but you and I saved Serena. I knew then that we could save the whole valley….’ (p. 149) [/quote]

Apparently JKR liked the idea of her hero and heroine saving the cuddly animal together so much that she used it twice—first in SS, when Harry and Hermione saved the not-so-cute-and-cuddly Norbert, then in POA, when they rescued Buckbeak (and Sirius). Only the latter is accompanied by the symbolism of a CW, however.

The second Chemical Wedding – the Proposal

The second Chemical Wedding in TLWH is a unique scene that uses actual bridal imagery. Maria tries on what will eventually be her wedding dress. As per the alchemy formula, first she and Robin quarrel, for the first and last time in the book. Robin asks her, ‘When you do marry, who will you marry?’ She teases him and he blows up:

[quote] ‘I have not quite decided yet,’ she said demurely, ‘but I think I shall marry a boy I knew in London.’

‘What?’ yelled Robin. ‘Marry some mincing nincompoop of a Londoner with silk stockings and pomade in his hair and a face like a Cheshire cheese?’….

‘Why don’t you want me to marry that London boy?’ she asked.

Robin brought his fist down on the table with a crash that set all the china leaping. ‘Because you are going to marry me, he shouted. ‘Do you hear, Maria? You are going to marry me.’….

‘You can stop roaring, Robin,’ said Maria. ‘You can stop, because for the sake of peace and quiet I have suddenly made up my mind to marry you.’ (pp. 146-147) [/quote]

Right after they agree to marry they decide to take the next step in Maria’s mission of bringing harmony to Moonacre, to restore Paradise Hill to the church (p. 149). Goudge also has Robin’s mother point out the significance of their quarrel—and their coming union.

[quote] ‘A little while ago Robin was angry and Maria was being as aggravating as she knew how to be. You might have quarreled very badly. And you must never quarrel. If you do, you will wreck not only your own happiness but the happiness of the whole valley.’ [/quote]

In due course, Maria and Robin undertake several perilous adventures together. In a final confrontation, Maria tames the wicked villain Cocq de Noir and experiences transformation, when she sees a vision of hundreds of white horses coming in from the sea. She succeeds in bringing peace to Moonacre.

The third Chemical Wedding – The Hug in the Circle of the Animals

Despite its small cast of characters, Goudge manages a small matrimoniathon of three couples at the end of the book, including Sir Benjamin and Robin’s mother. Before the actual wedding ceremonies, Maria hosts a party to celebrate the reconciliation of all the people of Moonacre and the Dark Woods.

Maria asks Robin:

[quote] ‘Shall you mind Sir Benjamin marrying your mother, Robin?’
‘He can if he likes,’ said Robin. ‘I don’t care who marries who so long as you marry me.’
And he suddenly bellowed with joy in much the same way as Sir Benjamin had done, and flinging his arms round Maria enveloped her in a great bear hug that nearly took her breath away. And all the animals, Wrolf, Zachariah, Serena, Wiggins and Periwinkle (who had now come right into the hall), gathered round them in a circle and roared and miaowed and squeaked and barked and whinnied with joy, while Marmaduke Scarlet stood in the kitchen door with arms akimbo and smiled the very broadest of his smiles…. (pp. 230-231) [/quote]

We have already seen the parallel scene in HP, in OOTP, Chapter 4, “Number Twelve, Grimmauld Place”:

[quote] Harry caught a brief glimpse of a gloomy high-ceilinged, twin-bedded room, then there was a loud twittering noise, followed by an even louder shriek, and his vision was completely obscured by a large quantity of very bushy hair—Hermione had thrown himself onto him in a hug that nearly knocked him flat, while Ron’s tiny owl, Pigwidgeon, zoomed excitedly round and round their heads. [/quote]


So, based on these parallels, what theory can we develop about Chemical Weddings in HP? I think there have been three so far, in Books 1, 3, and 5, all between Harry and Hermione, with a final one to come in 7.

SS/PS
JKR wrote SS/PS as a stand-alone book, in case it was the only one she would ever get published. So it makes sense that she would include a Chemical Wedding toward the end of the book. The CW is very simple. First, Ron, the Body character, is knocked out of the action and left behind. Harry and Hermione go on together. Trapped between two walls of fire, Hermione hugs Harry and makes her famous speech:

[quote]Hermione's lip trembled, and she suddenly dashed at Harry and threw her
arms around him.
"Hermione!"
"Harry -- you're a great wizard, you know."
"I'm not as good as you," said Harry, very embarrassed, as she let go of
him.
"Me!" said Hermione. "Books! And cleverness! There are more important
things -- friendship and bravery and -- oh Harry -- be careful!" [/quote]

The imagery is very simple. The two children, corresponding to Sulphur and Mercury and thus representing the four elements, are in a rectilinear room between two walls of fire. Hermione’s words identify herself as mind and Harry as heart. She encircles him with her arms in the hug. Their “joining” unites fire and air with earth and water. The symbolism is complete.

The purpose of the CW is simple and clear: Hermione’s words and actions give Harry the support he needs to go on alone to the final test of the book, the confrontation with LV.

POA

The Chemical Wedding in POA draws on symbolism from both TLWH and LOTR. Standing together in the hospital ward, with Ron again knocked out of the action, Hermione encircles herself and Harry with the chain of her Timeturner. Just like Maria and Robin, Hermione and Harry undertake a dangerous rescue—they save a hippogriff rather than a hare and they also rescue Sirius.

Tolkien uses the imagery of the chain in LOTR. In The Two Towers, when Sam must briefly take over the role of Ringbearer from Frodo, he places the chain holding the ring around his neck.

[quote] And then he bent his own neck and put the chain upon it. And at once his head was bowed to the ground with the weight of the ring as if a great stone had been strung on him. [/quote]

(In the movie he merely puts it in his pocket, but that was a change from the book.) In taking on Frodo’s role Sam symbolically “joins” with him.

OOTP

The Chemical Wedding in OOTP is the 12 Grimmauld Place hug with Pigwidgeon circling their heads that I quoted earlier. The scene is significant in Harry’s journey because it marks his reunion with Hermione after a summer of being apart—and without news. His hero’s journey can now continue.

OOTP also offers these small bits of Harry/Hermione alchemical symbolism.

In the Murtlap scene:

[quote] Harry placed his bleeding, aching hand into the bowl and experienced a wonderful feeling of relief. Crookshanks curled around his legs, purring loudly, and then leapt into his lap and settled down. (p. 324) [/quote]

In TLWH Zachariah the Merryweather family cat shows his approval of Maria’s actions in the same way—by circling her legs.

[quote] Zachariah walked round and round her in circles, his tail held as usual in three coils over his back, pressing against her skirts, and purred and purred and purred. (p. 155) [/quote]

In HP Crookshank’s actions gain added significance because he is Hermione’s familiar.

There’s also an amusing scene in Transfiguration class.

[quote]'Well, yes, that occurred to me, too,' said Hermione, allowing her teacup to jog in neat little circles around Harry's, whose stubby little legs were still unable to touch the desktop, 'I've been wondering whether Mundungus has persuaded them to sell stolen goods or something awful. (“Grawp,” p. 680) [/quote]

This time it is an object of Hermione’s that circles Harry’s. The line is a throwaway—the event serves no purpose in the plot. It is purely symbolic, recalling the times that Hermione has encircled Harry with her arms.

HBP

There’s no obvious CW for Harry and Hermione in HBP. Hermione hugs Harry, in the “Phoenix Lament” chapter, but there’s no accompanying alchemical symbolism.

However, there is this tantalizing moment involving Buckbeak a few pages before the hug. Buckbeak has been indelibly associated with Harry and Hermione since they rescued him in POA. Referred to again as Buckbeak rather than by his Witherwings alias, the hippogriff saves Harry from being tortured by Snape.

[quote] Buckbeak had flown at Snape, who staggered backward as the razor-sharp claws slashed at him. As Harry raised himself into a sitting position, his head still swimming from its last contact with the ground, he saw Snape running as hard as he could, the enormous beast flapping behind him and screeching as Harry had never heard him screech—
Harry struggled to his feet, looking around groggily for his wand, hoping to give chase again, but even as his fingers fumbled in the grass, discarding twigs, he knew it would be too late, and sure enough, by the time he had located his wind, he turned only to see the hippogriff circling the gates. (“Flight of the Prince,” p. 605) [/quote]

Again, JKR is indebted to Goudge, for in TLWH, Serena, the hare Maria and Robin had saved, returns the favor by saving them from Cocq de Noir and his evil Men from the Dark Woods.

[quote] And then, suddenly, despair turned into joy, for a beam of sunlight, piercing through the darkness of the trees, shone upon a beautiful, silvery, long-eared form leaping along ahead of them.
‘It’s Serena!’ gasped Maria. ‘Serena to show us the way!’ (p. 196) [/quote]

HPDH

All anyone can do is speculate, but it would be consistent with most alchemy stories if there was a climactic Chemical Wedding for Harry and his female partner somewhere past the midpoint of the final book, with a number of actual weddings in a matrimoniathon at the very end--when all the Red Kings link up with their respective White Queens. heart.gif

Harry DOES need a female partner. The reason Dumbledore failed, according to JKR in the TLC/MN interview, was that he lacked a female partner.

[quote]But I would say that I think it has been demonstrated, particularly in books five and six that immense brainpower does not protect you from emotional mistakes and I think Dumbledore really exemplifies that. In fact, I would tend to think that being very, very intelligent might create some problems and it has done for Dumbledore, because his wisdom has isolated him, and I think you can see that in the books, because where is his equal, where is his confidante, where is his partner?
He has none of those things. He’s always the one who gives, he’s always the one who has the insight and has the knowledge. So I think that, while I ask the reader to accept that McGonagall is a very worthy second in command, she is not an equal. You have a slightly circuitous answer, but I can't get much closer than that.[/quote]

DD is mind, if you will, he makes "emotional mistakes." So for his partner DD needed "heart," and Minerva, named for the Roman goddess of wisdom, was "mind," the same.




Posted by: Clueniffler Feb 20 2007, 05:16 AM

QUOTE(redshoes @ Feb 19 2007, 10:25 PM) [snapback]1108287[/snapback]

All anyone can do is speculate, but it would be consistent with most alchemy stories if there was a climactic Chemical Wedding for Harry and his female partner somewhere past the midpoint of the final book, with a number of actual weddings in a matrimoniathon at the very end--when all the Red Kings link up with their respective White Queens. heart.gif

Could Hagrid be a Red King, too? I know it was predicted that he will die in the rubeus stage but I´m still clinging to the desperate hope that Rons speculation in GOF might come true that a baby from him and Madam Maxime will weight a ton. I´m not sure whether she´s a white queen or not, though. What do you think?

Posted by: becky920 Feb 20 2007, 05:48 AM

We can't discount the possibility that JKR has reversed the colors of the king and queen. Lily, with her red hair, is probably a red queen -- and James, the white stag, is her white king. Harry was the Stone that they produced. I think Harry and Ginny together could be another red queen/white king pairing, since Harry's patronus is also a white stag.

Posted by: galadriel12 Feb 20 2007, 06:13 AM

QUOTE(becky920 @ Feb 20 2007, 05:48 AM) [snapback]1108612[/snapback]

We can't discount the possibility that JKR has reversed the colors of the king and queen. Lily, with her red hair, is probably a red queen -- and James, the white stag, is her white king. Harry was the Stone that they produced. I think Harry and Ginny together could be another red queen/white king pairing, since Harry's patronus is also a white stag.
I was thinking about that as well. Harry as the Red King just doesn´t seem to fit, but when we reverse it.....

Harry and Hermione can´t be the Red King / White Queen, because it has been made painfully clear that they are not going to end up together. Sorry, but Pigwidgeon flying in cirlces around their heads (btw: Ron was in that room as well) and an object of Hermione´s encircling one of Harry´s has no alchemical or romantic connotation for me personally. It just does not fit with how the romantic pairings have been set up by JKR to try to lable them as such. But if we see Harry as white King and Ginny as Red Queen (JKR usually puts her own spin on everything anyway smile.gif ).

Thus, we have three options for the alchemical wedding:

Bill and Fleur - as 'traditional' Red King and White Queen

Ron and Hermione - as 'traditional' Red King and White Queen. We can´t discard the King and Queen references to them, IMO. Harry dreaming of Ron and Hermione as King and Queen, Weasley is our King, Queen Slug-Club chosing Ron as her King in the greenhouse scene, the banner telling us 'CONGRATULATIONS RON AND HERMIONE...' (for being made prefect of course, but I think there is a reference to pairing them up as well wink.gif )

Harry and Ginny - the 'non-traditional' White King and Red Queen.

The wonderful thing is, IMO, that we could have all three at the end of Deathly Hallows .....

Posted by: memyslfnI Feb 20 2007, 08:53 AM

I have been thinking about regulus a bit and wanted to share a few thoughts about what I have been thinking about. Especially about regulus according to alchemy.

We know that Regulus is a star in the leo constellation. It has often been called the "lions heart", I am assuming, because of its location in the constellation. In alchemy, the name is derived from the Latin regulus, meaning petty king.

Newton, the master mathematician and scientist was also an alchemist and was extremely interested in the the star of regulus of antimony in alchemy because of the crystalline form it took. a picture of it is http://webapp1.dlib.indiana.edu/collections/newton/chemprod/chemProd_01_thumb.jpg. Newton said that the "crystals shone inward" as opposed to outward.

What I found most interesting is the behavior of regulus. When heated, the star of regulus sinks to the bottom. Because the regulus of antimony combines readily with gold (the king of metals) it became important to the process of refining the precious metal and an object of considerable experimental interest to alchemists.

So we have three things here that I think is important.

One:

the regulus of antimony is called the star of regulus. How does this relate to HP? Did regulus Black align himselves with werewolves that worked with voldemort? Was he a werewolf? As a spy, was Lupin helping him and for some reason (it better be a good one!) not revealed this to Harry?

(remember antimony in alchemy was symbolized by the wolf)

Two:
The star of regulus sinks to the bottom. I wonder if Regulus was drowned and that is how he met his untimely end. I am speculating, based on this property of the regulus of antimony that after stealing the locket and hiding it and replacing the fake on in its place, Regulus was killed by drowning. I wonder if he is now an inferi on the cave? Sinking to the bottom of the lake.

Three:
regulus combines readily with gold. This tells me that the action of Regulus Black will directly influence Harry's transformation to gold. I wonder if there will be more clues written down for Harry to find from R.A.B. The clues will influence Harry's choices and his path to enlightenment.


ther eis also this quote about the symbolsim of the star of regulus that I thought was awesome:

QUOTE
Regulus. P 14. «And as soon as you see its star, follow it to its cradle; there you will see a beautiful infant, by separating him from his impurities. Honour this Royal off-spring, open your treasure to offer him gold; and after his death, he will give you of his meat and of his blood, a supreme medicine for the three kingdoms of earth.»


I wonder if regulus was at Godric's Hollow! Could he have followed Lv to Godrics Hallow and have been the one to take him from the rubble? (anyone know when he was killed?)



Becky920 said:
QUOTE
We can't discount the possibility that JKR has reversed the colors of the king and queen. Lily, with her red hair, is probably a red queen -- and James, the white stag, is her white king. Harry was the Stone that they produced. I think Harry and Ginny together could be another red queen/white king pairing, since Harry's patronus is also a white stag


I agree, everything is a circle (Oroborus). Lily and James the original white queen and red king produed Harry, the stone. I think that Bill and Fleur's child will also be the stone on the next era. Remember, she will have the blood from Veela, werewolf and wizard in her. (yes, I say her..the Sophic child of the chemical wedding in some texts is a girl). She will be a symbol for hope and acceptance of all races in the wizarding world.

I wonder if since Bill is in the order, Fleur will also participate. She might have been the weakest of the champions in GoF, but I think, that those beauxbatons are no pushovers. I wonder if her love for Bill will make her stronger. She has already stood up to Molly and I bet that book seven will be her time to shine.

Posted by: becky920 Feb 20 2007, 09:35 AM

QUOTE(memyslfnI @ Feb 20 2007, 08:53 AM) [snapback]1108734[/snapback]

Two:
The star of regulus sinks to the bottom. I wonder if Regulus was drowned and that is how he met his untimely end. I am speculating, based on this property of the regulus of antimony that after stealing the locket and hiding it and replacing the fake on in its place, Regulus was killed by drowning. I wonder if he is now an inferi on the cave? Sinking to the bottom of the lake.

Wow, m! I had wondered for a while now if that wasn't how Regulus met his end (or at least what happened to him after he met his end), but it's awesome to see potentially a good alchemical reason for my theory. You rock!

QUOTE(memyslfnI @ Feb 20 2007, 08:53 AM) [snapback]1108734[/snapback]

Becky920 said:
QUOTE
We can't discount the possibility that JKR has reversed the colors of the king and queen. Lily, with her red hair, is probably a red queen -- and James, the white stag, is her white king. Harry was the Stone that they produced. I think Harry and Ginny together could be another red queen/white king pairing, since Harry's patronus is also a white stag


I agree, everything is a circle (Oroborus). Lily and James the original white queen and red king produed Harry, the stone. I think that Bill and Fleur's child will also be the stone on the next era. Remember, she will have the blood from Veela, werewolf and wizard in her. (yes, I say her..the Sophic child of the chemical wedding in some texts is a girl). She will be a symbol for hope and acceptance of all races in the wizarding world.

I wonder if since Bill is in the order, Fleur will also participate. She might have been the weakest of the champions in GoF, but I think, that those beauxbatons are no pushovers. I wonder if her love for Bill will make her stronger. She has already stood up to Molly and I bet that book seven will be her time to shine.

I agree. There's more to Fleur than a pretty face. Look at how hard she fought to get back into the water to save her sister. I think it's a cinch Bill will introduce her to the Order if he hasn't done so already. I could also see there being more than one new stone, as Harry spreads the love and more people learn from his journey.

Posted by: memyslfnI Feb 20 2007, 10:07 AM

I also wanted to add this about the CW and its effect on Harry. According to the emerald tablet at the Chemical wedding:



All Obscurity will be clear to you," it is "the Glory of the Whole Universe."

This leads me to believe that a HUGE amount of hidden knowledge will be revealed at the wedding. Something big! This is the defining moment to Harry. All the teachings of Albus Dumbledore will sink in at the wedding. Will he see the power of love between Fleur and Bill? Not only that, weddings tend to bring out the love between couples. Will He also see this in Molly and Arthur? Hermione and Ron? Will he realize how much love he has for Ginny?

My point in bringing up the power of love is that even in the throws of war, Love will reign supreme. even if its just for that fleeting moment in time. I wonder if harry will realize this. Once source says this about the words of the Emerald Tablet "The goal of alchemy is to make this golden moment permanent in a state of consciousness called the Philosopher’s Stone". maybe Harry will have to remember this power, how at the moment of Fleur and Bill saying "I do" the war can not penetrate that moment.

I have long been a believer of a blood bath at the wedding, but I wonder if love will protect them all from that fate.

Posted by: PAM2002 Feb 20 2007, 10:18 AM

QUOTE(memyslfnI @ Feb 20 2007, 08:53 AM) [snapback]1108734[/snapback]
I wonder if regulus was at Godric's Hollow! Could he have followed Lv to Godrics Hallow and have been the one to take him from the rubble? (anyone know when he was killed?)
Unfortunately, the Black family tree says 1979. sad.gif

Posted by: becky920 Feb 20 2007, 11:31 AM

QUOTE(memyslfnI @ Feb 20 2007, 10:07 AM) [snapback]1108796[/snapback]

I also wanted to add this about the CW and its effect on Harry. According to the emerald tablet at the Chemical wedding:



All Obscurity will be clear to you," it is "the Glory of the Whole Universe."

This leads me to believe that a HUGE amount of hidden knowledge will be revealed at the wedding. Something big! This is the defining moment to Harry.

I agree -- even if it's just that he has kind of an "ah-ha" moment, to me, that's significant. Maybe his "ah-ha" will be something to do with the horcruxes. Or maybe it will be about going back to Hogwarts -- because even if he's not a student, I know he'll have to go back there.

Posted by: galadriel12 Feb 20 2007, 11:43 AM

QUOTE(memyslfnI @ Feb 20 2007, 10:07 AM) [snapback]1108796[/snapback]

All Obscurity will be clear to you," it is "the Glory of the Whole Universe."

This leads me to believe that a HUGE amount of hidden knowledge will be revealed at the wedding. Something big! This is the defining moment to Harry. All the teachings of Albus Dumbledore will sink in at the wedding. Will he see the power of love between Fleur and Bill? Not only that, weddings tend to bring out the love between couples. Will He also see this in Molly and Arthur? Hermione and Ron? Will he realize how much love he has for Ginny?

My point in bringing up the power of love is that even in the throws of war, Love will reign supreme. even if its just for that fleeting moment in time. I wonder if harry will realize this. Once source says this about the words of the Emerald Tablet "The goal of alchemy is to make this golden moment permanent in a state of consciousness called the Philosopher’s Stone". maybe Harry will have to remember this power, how at the moment of Fleur and Bill saying "I do" the war can not penetrate that moment.

I have long been a believer of a blood bath at the wedding, but I wonder if love will protect them all from that fate.
*nods vigorously*. Okay, I am obviously a complete Alchemy amateur who tries to put a toe in the water from time to time. smile.gif

About the wedding: Ignoring all possible alchemical references or significance, I have always thought the wedding will exactly be what Harry expects at the end of HBP: a last golden day of peace with Ron and Hermione. And, since JKR would not give us a chapter with the wedding just for the fun of it, I always thought that this would be a good opportunity for Harry and Co. to resolve some issues (Harry having a talk with Ginny, Ron and Hermione finally getting together come into mind) and to learn important new information. If the wedding is not just some small family affair, most probably the prominent Order members will attend, as well as Fleur´s family and friends (French wizardry; international cooperation), Bill´s friends and colleagues (Goblins!). Enough people with knowledge that could be valuable for Harry and Co. The wedding will be the starting point for the horcrux hunt and I completely agree with you that Harry will gain crucial knowledge there.

And about love: Dumbledore has always emphasized the power of love (but that was in reference to all shapes of love of course, not just the romantic). But the wedding, with all the love in the air, can show Harry something important about that as well. Not pushing your partner away in dangerous times just because this partner could be a target, for example.

Posted by: LadyMugwump Feb 20 2007, 11:59 AM

QUOTE(memyslfnI @ Feb 20 2007, 01:53 PM) [snapback]1108734[/snapback]

I have been thinking about regulus a bit and wanted to share a few thoughts about what I have been thinking about. Especially about regulus according to alchemy.


ther eis also this quote about the symbolsim of the star of regulus that I thought was awesome:

QUOTE
Regulus. P 14. «And as soon as you see its star, follow it to its cradle; there you will see a beautiful infant, by separating him from his impurities. Honour this Royal off-spring, open your treasure to offer him gold; and after his death, he will give you of his meat and of his blood, a supreme medicine for the three kingdoms of earth




This is my first time posting on this thread, I think, and I am not as versed in alchemy as I'd like to be. But, I have read many of the posts on the thread with great interest. This quote, memyslfn, is very interesting as it contains not only the alchemical symbolism, but also Christian symbolism as well. The beautiful infant, following it to its cradle by the star, the royal offspring, all represent theChristian nativity scene. The death reference, of meat and blood is clearly the Eucharist, "a supreme medicine." I would suppose that it fits in with the conception of the philosopher's stone as the grail, which is also associated with christ. What I find interesting is that it is associated with Regulus. Do we suppose that this will be reflected symbolically in Harry's journey - the discovery which he needs to make in order to defeat Voldemort? There is also the reference to flesh and blood - the ingredients of LV's perverse "resurrection."

I posted seomwhere, maybe on the Christian symbolism thread, that LV's re-birth is a reverse resurrection. The ingredient that makes the re-birth work is blood of the enemy, forcibly taken. In the Christian resurrection, blood, life, is given willingly. This quote again speaks to giving, to willingness: " he will give you"

This suggests that Harry will make some kind of sacrifice, willingly, and that will be instrumental in defeating LV. Whether it will be his actual life that is demanded, or whether his mere willingness to die is what fools LV and defeats him in some fashion is not clear. I think we have already seen in PS and in OOP Harry's willingness to die, and how it has already defeated LV. In PS, Harry nearly dies trying to keep the stone from LV. He goes down the trap door knowing that death is a possible result -it's dying sooner rather than later (not the exact quote) - but he is ready even then to do so. He doesn't surrender the stone to Quirrellmort, even though Quirrellmort is an adult and is attempting to strangle him to death.

In OOP, Harry's thought, kill me, and I'll be with Sirius, the emotion of love entwined with the willingness to die is what causes LV to flee and give up possessing Harry.

I have to think about this a bit more, as there are lots of other threads that go with it -- but the quote is a great catch.

And the quote goes exactly to the title of the thread -- the Golden Child.

Posted by: Snark Feb 21 2007, 02:57 AM

QUOTE
Is it completely impossible that Harry and Ginny are the Red King and White Queen?


I'm going to bed, but I have a question for the actual (and highly esteemed) alchemy scholars on this thread, as I have only recently dipped my toes. unsure.gif

What would be the alchemical significance (if any) of Ginny and Harry sharing that chocolate egg in OotP? It was 'decorated in small, iced Snitches,' and I'm coming to understand that some believe the Snitch is symbolic of the Stone.

I've also found that the Philosopher's Egg is the vessel in which the Stone is created.

Any thoughts?

ETA: And, can we be sure that Ginny is red? She is named after Guinevere, after all...

Posted by: memyslfnI Feb 21 2007, 09:11 AM

Ginny, is Harry's equal. JKR says this much in her interview:

QUOTE
MA: Had you been trying to get them —

JKR: Well I always knew that that was going to happen, that they were going to come together and then part.

ES: Were you always -----ing it? [We can’t figure out what Emerson actually said here.]

JKR: Well, no, not really, because the plan was, which I really hope I fulfilled, is that the reader, like Harry, would gradually discover Ginny as pretty much the ideal girl for Harry. She's tough, not in an unpleasant way, but she's gutsy. He needs to be with someone who can stand the demands of being with Harry Potter, because he's a scary boyfriend in a lot of ways. He's a marked man. I think she's funny, and I think that she's very warm and compassionate. These are all things that Harry requires in his ideal woman. But, I felt — and I'm talking years ago when all this was planned — initially, she's terrified by his image. I mean, he's a bit of a rock god to her when she sees him first, at 10 or 11, and he's this famous boy. So Ginny had to go through a journey as well. And rather like with Ron, I didn’t want Ginny to be the first girl that Harry ever kissed. That's something I meant to say, and it's kind of tied in.

One of the ways in which I tried to show that Harry has done a lot of growing up — in “Phoenix,” remember when Cho comes into the compartment, and he thinks, ‘I wish I could have been discovered sitting with better people,’ basically? He's with Luna and Neville. So literally the identical thing happens in “Prince,” and he's with Luna and Neville again, but this time, he has grown up, and as far as he's concerned he is with two of the coolest people on the train. They may not look that cool. Harry has really grown. And I feel that Ginny and Harry, in this book, they are total equals. They are worthy of each other. They've both gone through a big emotional journey, and they've really got over a lot of delusions, to use your word, together. So, I enjoyed writing that. I really like Ginny as a character.

MA: Does she have a larger importance; the Tom Riddle stufff, being the seventh girl —

JKR: The backstory with Ginny was, she was the first girl to arrive in the Weasley family in generations, but there's that old tradition of the seventh daughter of a seventh daughter and a seventh son of a seventh son, so that's why she's the seventh, because she is a gifted witch. I think you get hints of that, because she does some pretty impressive stuff here and there, and you'll see that again.


alchemically, I am not sure what this means. On one hand we Have Harry, who is the living breathing embodiment of the stone and we Have Ginny, who as JKR says herself, is his equal. She says also that both have gone through al journey. There is also the seventh thing. Seven equals perfection, not only alchemically, but in a pletheria of cultures and religions.

Maybe this is going to be the difference between Harry and Dumbledore. Dumbledore, the alchemist, had no equal, no partner.
QUOTE
ES: How can someone so -

JKR: Intelligent -

ES: be so blind with regard to certain things?

JKR: Well, there is information on that to come, in seven. But I would say that I think it has been demonstrated, particularly in books five and six that immense brainpower does not protect you from emotional mistakes and I think Dumbledore really exemplifies that. In fact, I would tend to think that being very, very intelligent might create some problems and it has done for Dumbledore, because his wisdom has isolated him, and I think you can see that in the books, because where is his equal, where is his confidante, where is his partner? He has none of those things. He’s always the one who gives, he’s always the one who has the insight and has the knowledge. So I think that, while I ask the reader to accept that McGonagall is a very worthy second in command, she is not an equal. You have a slightly circuitous answer, but I can't get much closer than that.

ES: No, that was a good answer.

MA: It's interesting about Dumbledore being lonely.

JKR: I see him as isolated, and a few people have said to me rightly I think, that he is detached.


Harry, is not detached. He has chosen a partner, I wonder if the important aspect here is whether he will learn from Dumbledore's mistakes. he has been told over and over that love is the key. Ginny is certainly willing to take the risk, hopefully in book seven he will not isolate himself from those he loves. even if he is doing it for honorable reasons.

QUOTE
What would be the alchemical significance (if any) of Ginny and Harry sharing that chocolate egg in OotP? It was 'decorated in small, iced Snitches,' and I'm coming to understand that some believe the Snitch is symbolic of the Stone.

I've also found that the Philosopher's Egg is the vessel in which the Stone is created.


The egg is extremely important in alchemy. This is why I feel that the horcrux spell has an "ovum" root to it. The word "hermetically sealed" has an alchemical source, looking at the word. From the alchemical dictionary:

QUOTE
The egg is symbolic of the hermetically sealed vessel of creation. Stoppered retorts, coffins, and sepulchres represent eggs in many alchemical drawings.



This term “Hermetically Sealed” is used to this day to refer to encapsulation that is air and water tight and free from contamination. The Hermetic seal was air-tight, and Hermetic has retained this meaning in common speech up to the present time. Alchemists traced the history of their science back to its mythical, Egyptian founder, Hermes Trismegistus (the thrice great Hermes); so alchemy was also known as the Hermetic practice.

One source says this:
QUOTE

During the alchemical process, the subject, Hermetically sealed in the Egg, would go through a symbolic death and rebirth. When the Egg was cracked, a new mystical substance emerged which was an elixir that prolonged life and acted as a catalyst capable of improving any substance that it came in contact with. This substance, called the Philosopher's Stone, could change lead into gold and change an ordinary person into an enlightened master. One of the symbols for this perfection was the ideal flower -- the rose.


Look at Dumbledore's funeral for example, He is in his tomb (sepulcher) and goes through a death and "rebirth" of sorts..(I am not saying he is alive). I am saying that he reached his own perfection, as an alchemist..And we see at the foot of his tomb in the chapter pictures, a bouquet of roses.

Harry and the egg. The first egg he has is obviously the egg in the tri wizards tournament. This is a rebirth for Harry of sorts. He goes in to the first task, with very few people cheering him on. After he gets the egg, this changes. Ron comes around as does many of the students at Hogwarts. He goes through a transformation of sorts, more experience. The egg he shares with Ginny, I am speculating shows a transformation of the two of them together, as equals.

The horcrux spell. I have always believed that it will have the ovum root (meaning egg) because I believe that LV, being on his own warped alchemical journey, hermetically encapsulates the soul bit in the egg for a time being, until it can be placed in the object that will protect it. the egg is the perfect symbol of this, as the alchemist knew centuries earlier. It is air tight, germ free, and the shell was relatively strong. A perfect symbol for the alchemists.

Arianhrod pointed out to me, many moons ago, a document called The Golden Bough, by Sir James J. Frasier, In this document, he traces the concept of hiding the soul in various objects throughout different cultures. Many of these folk tales described by Frasier involve the soul being encapsulated in the egg of a goose or other bird. One such story is summarized by Frasier as this:
QUOTE
Amongst peoples of the Teutonic stock stories of the external soul are not wanting. In a tale told by the Saxons of Transylvania it is said that a young man shot at a witch again and again. The bullets went clean through her but did her no harm, and she only laughed and mocked at him. “Silly earthworm,” she cried, “shoot as much as you like. It does me no harm. For know that my life resides not in me but far, far away. In a mountain is a pond, on the pond swims a duck, in the duck is an egg, in the egg burns a light, that light is my life. If you could put out that light, my life would be at an end. But that can never, never be.” However, the young man got hold of the egg, smashed it, and put out the light, and with it the witch’s life went out also.”


I am hoping that in book seven, maybe through a memory inthe pensieve, we will actually see the action of creating a horcrux spell! 149 days! thumbup.gif

Posted by: Snark Feb 21 2007, 12:39 PM

Thank you so much, memyslfnI!

I've been doing a great deal of thinking on Ginny (yes, I'm a 'shipper, but not really for that).

She seems to have gone on more of a personal journey than many of the other characters (Harry excluded).

I'm wondering if there wasn't some sort of chemical wedding in progress in the Chamber when Harry arrived -- as Riddle was using Ginny's soul (via the diary) to fashion himself a body.

Ginny seems to have some associations with Fawkes, and some phoenix imagery in general, which I go into in this thread:

http://www.leakylounge.com/index.php?showtopic=40279&pid=1107178&st=0&#entry1107178

It's all really interesting!

Posted by: PAM2002 Feb 21 2007, 02:32 PM

I am not sure I'm convinced Dumbledore never had an equal. If Harry has found his match in Ginny as a teenager, DD could have easily had a match long, long ago. But it's certainly true that as far as we know him he was isolated. But that could have been 100 years ago that he lost his partner. It's hard to imagine that he was such as successful wizard as well as alchemist without having someone worthy of him. (That probably doesn't sound right but hopefully my meaning is understood.)

Posted by: memyslfnI Feb 21 2007, 03:02 PM

I can certainly see that Pam2002. I wonder, if there was someone special, an equal, before Grindlewald? Maybe it was the defeat of this powerful evil wizard that caused him to isolate himself. (Maybe he lost her in the battle?) Maybe we are seeing a repeat of history in Harry?

Dumbledore certainly would know about cycles and that if there is one truly evil wizard, after his defeat, there will most likely be another. It could have been that he felt it was his duty to devote himself to the protection of the wizarding world.

(I am just guessing all this on course). I remember in the interview I quoted in my last post when Grindlewald was mentioned, JKR said "no comment", so I would hazard a guess that he will be mentioned in book seven.

Posted by: duchessa_bella Feb 21 2007, 03:12 PM

Is it possible that the type of ¨partner¨ referred to here is not necessarily a partner in the romantic sense ? I mean, what I got from that quote was that Dumbledore was isolated in general, not only in the romantic sense. So is it possible that what is meant is that while Dumbledore had many friend-type people, he never really had a confidante, a partner in crime, someone who was as knowledgable and could share in the more complicated of his endeavors and thought processes ?

I mean, I´ve seen plenty of people who are not married and yet would describe themselves as anything but ¨isolated¨.

Posted by: memyslfnI Feb 21 2007, 09:36 PM

We know he had an intellectual partner named Nicholas Flamel!

Posted by: Shard Feb 21 2007, 10:35 PM

QUOTE(PAM2002 @ Feb 21 2007, 02:32 PM) [snapback]1110356[/snapback]

I am not sure I'm convinced Dumbledore never had an equal. If Harry has found his match in Ginny as a teenager, DD could have easily had a match long, long ago. But it's certainly true that as far as we know him he was isolated. But that could have been 100 years ago that he lost his partner. It's hard to imagine that he was such as successful wizard as well as alchemist without having someone worthy of him. (That probably doesn't sound right but hopefully my meaning is understood.)


I agree with that statement I've always felt that if DD had anyone like that, they were long dead when the story happens. I think it adds to Albus's isolation, that he had his love but now was more focused on the Mission.

Posted by: EruditeWitch Feb 22 2007, 05:45 PM

Hey alchemists! I need your help.

I've currently been making the argument that there is no way to know that JKR used alchemy to create the romance in her books.

The answering argument is that literary alchemy is all encompassing, so since she said she used it, she had to use it in every area of her books.

I'm basically being told I know nothing about alchemy and I have to find a source that states that alchemy can be used in pieces and not the whole book.

Is my argument valid? I believe JKR is using alchemy in some ways and not others. I have no idea how to better make my point. What do you guys think?

Posted by: hpaddict Feb 22 2007, 07:50 PM

Oh dear.

So - I'm going to jump in and say a few things. I firmly believe that alchemic discussion as it pertains to the HP books belongs here - including shipping. However - shipping for the sake of shipping belongs over in sailed/sunk, not here. Prior to HBP in http://www.leakylounge.com/index.php?showtopic=3074 there were many shipping thoughts; I suggest people look there. Otherwise, chemical wedding and red stage, carry on!

hpaddict - LL Mod

Posted by: susurrous Feb 22 2007, 07:54 PM

QUOTE(EruditeWitch @ Feb 22 2007, 10:45 PM) [snapback]1111957[/snapback]
Is my argument valid? I believe JKR is using alchemy in some ways and not others. I have no idea how to better make my point. What do you guys think?


I tend to agree with you. Alchemy would point to a Sol/Gold/Leo/Harry union with either Luna/Silver/Virgo/Hermione or Luna/Silver/?/Luna. Since Jo has pretty much said H/Hr isn't going to happen, I don't think she's applied alchemy to Harry's lovelife.

Alchemically, I believe the coniunctio occurred long ago - on October 31st 1981, to be precise - so it's not a shipping issue.

Posted by: Weasle Diva Feb 22 2007, 08:10 PM

Where are these shipping alchemists that are giving you a hard time, Eruditewitch? I don't know why, but it sounds like an ongoing episode of Alchemy Gone Wild. biggrin.gif

There are a lot of alchemists in history. They did not all do things exactly the same way.

Is Rowling using Agrippa or Flamel as her guide? They both are mentioned in the first train ride. Later in the books, she mentions DeeJohn (John Dee) and Paracelsus. That's all I can think up right this minute.

Every one of those alchemists had their own take on the subject. Can the people debating you point with 100 percent clarity, which alchemist's theories Rowling fancies the most? Granted, Flamel seems the most likely. However, the whole Voldemort springing out of a cauldron in GoF, seems like a Paracelsus moment with his ideas regarding homunculus. Flamel, I don't think, ever wrote anything like that.

So Rowling is using different alchemy guys, in bits and pieces.

Also, if Rowling is serious about alchemy, why would she limit herself to reviewing just one alchemist? It is such an interesting subject.


Posted by: EruditeWitch Feb 22 2007, 08:27 PM

I agree, i think she's taking a little bit from everything when she makes her plots. And not just even alchemy, but other literary traditions. The question that we can only guess at is where and what goes where. I firmly believe that romance isn't as alchemical as some people think.

the site is www.emmawatson.net

it's the forums there under member forums and shipper forum. If anyone is interested.

Posted by: firephoenix Feb 22 2007, 11:28 PM

ponder.gif Ya know, A great man once said. . . . OK it was just Emmerson. lol.gif But he did have a point. No matter how much the answers are right in your face someone will come along and bend it to fit their purpose.

I used to post in the LL shipping thread and I have in the past used Alchemy to defend my ships. I posted about them earlier in this thread.

EruditeWitch, The best advice I can give you is to study Alchemy on your own. No argument can be beaten when you truely believe what you are stating. I bet Shard would be honored to guild you through HP101. biggrin.gif

Posted by: galadriel12 Feb 23 2007, 06:57 AM

QUOTE(EruditeWitch @ Feb 22 2007, 08:27 PM) [snapback]1112123[/snapback]

I agree, i think she's taking a little bit from everything when she makes her plots. And not just even alchemy, but other literary traditions. The question that we can only guess at is where and what goes where. I firmly believe that romance isn't as alchemical as some people think.

the site is www.emmawatson.net

it's the forums there under member forums and shipper forum. If anyone is interested.

I always felt, JKR borrows from/lets herself influence by a number of mythologies and literary history and puts her own spin on it. That is her contribution (to literary history) as an original, inventive writer. That would apply to alchemy as well. She has researched it to avoid making blunt mistakes, but I think, here as well, she puts her own spin on it, makes it her own story. That is part of the fun to analyse the books under various aspects, that is certainly a big part of the fun our alchemy masterminds on this thread have in discussing.

Now, shipping is mostly for the shipping thread, but I am convinced, from seeing what has been discussed on this thread and it´s previous versions, that, if we take a preconceived notion of a certain pairing, we could find alchemical 'evidence' for all of them. Be it Harry/Luna, Ron/Luna, Harry/Hermione, Ron/Hermione et al. Thus, to help us with this special issue, we have to look what actually is in the text (ideally corroborated by JKR´s interviews or her website) and see how that fits with Alchemy, try to find out what alchemical reference JKR might be using here.

Posted by: Shard Feb 23 2007, 11:43 AM

QUOTE(firephoenix @ Feb 22 2007, 11:28 PM) [snapback]1112260[/snapback]

EruditeWitch, The best advice I can give you is to study Alchemy on your own. No argument can be beaten when you truely believe what you are stating. I bet Shard would be honored to guild you through HP101. biggrin.gif


Yes we have a very extensive guide to Alchemy over at HP101 whish is found http://www.leakylounge.com/index.php?showtopic=37709&st=0&#

While reading the guide myself I found this interesting note:

QUOTE

THE SEVEN METALS

Lead
Gold
Silver
Tin
Iron
Mercury
Copper


Now I don't know if this relates to my theory on "there will be 7 including Harry who fight the last battle of DH" but I have seen these metals referred to the Trio, do the other metals relate to anyone else? Can the Second trio be related to these metals?

QUOTE

7. Conjunction -- The Red Stage or iosis, the ultimate and final stage of alchemical transformation, is called coagulation, when the elements of the first six stages coalesce into the highest stage of perfection. It is here that the Great Marriage is performed--the union of sulfur and mercury, king and queen, quicksilver and gold, sun and moon. It releases the Ultima materia of the soul—the Astral Body, which is the Philosopher's Stone. With the Stone, the alchemists believed they could exist on all planes of reality.

Coagulation is represented by Red Pulvis Solaris, which was in effect a red bezoar or a mixture of pure sulfur and mercury oxide. Pulvis solaris means "Powder of the Sun", and the alchemists believed it would instantly perfect any compound they added it to.


The 7th stage "Red" stage seems to indicate that the Marriage will bring out the final result needed to make the Golden Child. It's interesting that at the end of HBP that Harry would have a Golden day with Ron and Hermione. It could be that Harry has some sort of ephiany at the Wedding of Bill/Fleur, perhaps even R/Hr.

I understand that the Trio structure is very important but I feel that in order for Harry to succed he is going to need more help, forget finding the Horcruxes how is he going to even destroy them? This is another reason for my theory on Harry's personal inner team being 7. The trio are strong together, how much stronger would they be if they are 7? They already can number 6 and that only requires one more. So I'm asking if anyone feels that the second trio plus Draco can apply to the metals and stages.

Posted by: EruditeWitch Feb 23 2007, 11:55 AM

Thanks so much for your advice! I like what you said, too, Galadriel! I'll take all of this into consideration. I will definately look through the HP 101 stuff to see if I can formulate a really educated argument, or at least back up something someone else said.

On your post, Shard: FASCINATING!!!!! I love this theory. I think the trio and extended trio would really apply to this. However, why do you put Draco in the seventh spot?

Could Snape be there?
Voldemort?
Hagrid?


Posted by: Shard Feb 23 2007, 12:17 PM

Well the reason I was thinking Draco, was because whoever the 7th is to be (and it could be many) was first I think the Hogwarts houses have to be more united, thus someone from Slytherin. Then I think this 7th person has to be someone each of the 6 already know, and given the possiblity of Draco redeeming himself he could join Harry in the fight to take down Voldemort.

Posted by: EruditeWitch Feb 23 2007, 12:26 PM

You have no idea how much I would LOVE to see Draco in that role. I really hope beyond hope Draco redeems himself. There really aren't any other slytherins that are big enough in the books. And what about Hufflepuff? Could Zacharias Smith have a bigger role than just the possibility of being connected to Hepzibah?

Posted by: Alchemist Apprentice Feb 24 2007, 04:26 PM

YIKES! You have a baby three weeks early and look what I have to catch up on?????????????????? doh.gif lol.gif

ok So instead of rehashing a bunch of "old" stuff , I'll just add my two cents with the latest discussions...
firephoenix, couldn't have said it any better wink.gif

we know that Harry has to 'unite' the four houses. Now Draco would represent the slytherins, Luna is a Ravenclaw, the missing link for me is Hufflepuff- unless we count or consider Cedric- then Neville as Gryffindor...so if my addition is correct we have 4+3 (three being the trio)= 7
what do you think?


Posted by: mlwl Feb 24 2007, 04:45 PM

Maybe the Hufflepuff is Zach Smith? I dunno... I'm totally blanking on Hufflepuff members right now.
For the metals to which they respond, should we just consider the colors that Jo has already given us (those of their houses), or is there another side to the symbolism that we should consider? Is there any lore already associated with these that makes a good match?

By houses....

THE SEVEN METALS

Lead, Silver, Tin, Iron, Mercury - Slytherin? But which?

Gold - Gryffindor is the obvious, but does Hufflepuff count?
Copper - um, Bronze is kinda a coppery color.... Ravenclaw?


That doesn't lend itself as well as one would hope, and I don't really see Luna (moon) as being a copper. I'm going to have to think about this differently for it to match in my head properly.

Edit: found more on copper

QUOTE
represented the Greek God Venus and to the Greeks, it could protect against evil and attract love

QUOTE
Egyptian rites called for the use of Copper mirrors, which those preparing the bodies placed under the head of the body.

Those pesky mirrors again... Is there any alchemic use for those?
from http://www.jewelrysupplier.com/2_copper/copper_mythology.htm (there are a few more pieces of info on there as well).

Still looking for tin, since I know the next-least about taht, other than it's a "cheap metal"

Posted by: EruditeWitch Feb 24 2007, 04:47 PM

I've suggested Zacharias Smith. We can be almost certain that he will have a larger role to play in book seven as we can theorize he's connected with Hepzibah.

So if we say the trio is seperate, then we can get someone prominent to represent each house. However, I'm still not sure Draco will redeem himself. My fingers are crossed!

Posted by: Snark Feb 24 2007, 04:51 PM

QUOTE
Gold - Gryffindor is the obvious, but does Hufflepuff count?


I think Hufflepuff would be black, for iron.

QUOTE
Still looking for tin, since I know the next-least about taht, other than it's a "cheap metal"


Tin is related to water -- I found that last night. So, tin for Slytherin?

Posted by: EruditeWitch Feb 24 2007, 04:53 PM

Oooooh good one! I think that will make everything very even. Iron is also the most earthy of the suggested metals, IMO

Posted by: Snark Feb 24 2007, 04:55 PM

QUOTE(EruditeWitch @ Feb 24 2007, 02:53 PM) [snapback]1114008[/snapback]

Oooooh good one! I think that will make everything very even. Iron is also the most earthy of the suggested metals, IMO


*blush!*

Wasn't mine -- borrowed it from the 'Colour' thread. ^_^

Gryffindor -- Gold
Hufflepuff -- Iron
Slytherin -- Tin
Ravenclaw?

Posted by: becky920 Feb 24 2007, 06:38 PM

QUOTE(Alchemist Apprentice @ Feb 24 2007, 04:26 PM) [snapback]1113977[/snapback]

YIKES! You have a baby three weeks early and look what I have to catch up on?????????????????? doh.gif lol.gif

Welcome back, Al! And welcome to little baby Al... well done! clap.gif

I had a question about the seven metals. Maybe it would help us to identify the seven people for the seven metals if we have something more about their characteristics or functions. Does anyone have a definitive list like that for the metals?

Harry, Hermione, Ron, Neville, Ginny, Luna and Draco seem like the most likely grouping of seven to me just going on the importance of the characters to Harry's development and growth. If so, I'd call Neville your "Hufflepuff" rep. But as to which stands for each metal, I'd really want to know more about what each metal does so I could match it up with each character's skills or talents.


Posted by: EruditeWitch Feb 24 2007, 08:46 PM

I need an alchemist's help again!

i'm trying to figure out for another debate thread what the significance of Essence of Rue is. I know I've read something REALLY interesting, but I can't find it.

Also, is there a significance to weasels and mythology.

Posted by: scollins Feb 25 2007, 12:40 AM

QUOTE(becky920 @ Feb 24 2007, 04:38 PM) [snapback]1114111[/snapback]

I had a question about the seven metals. Maybe it would help us to identify the seven people for the seven metals if we have something more about their characteristics or functions. Does anyone have a definitive list like that for the metals?

Harry, Hermione, Ron, Neville, Ginny, Luna and Draco seem like the most likely grouping of seven to me just going on the importance of the characters to Harry's development and growth. If so, I'd call Neville your "Hufflepuff" rep. But as to which stands for each metal, I'd really want to know more about what each metal does so I could match it up with each character's skills or talents.


I found some interesting things about the symbolic meaning of the metals:

Copper-ruled by Venus, Goddess of Love-high in electrical and thermal conductivity, symbolically representing love, balance and feminine beauty.
Gold-ruled by Sol, the sun-the perfect metal, representing perfection in all matter, and the goal to obtain perfection in mind and spirit.
Iron-ruled by Mars, God of War-iron is dense and rigid, symbolically representing physical strength and male energy
Lead-Saturn, God of Time-dense and ductile,soft and malleable with poor conductivity but resistant to corrosion. Alchemically, when combined with silver creates a purified element called Philosophic Mercury.
Mercury-ruled by Mercury, Messenger God-heavy and liquid at room temperature, valued for this dual purpose. Symbolic of transcendence over struggles, mundane trivialities, and death. Also associated with mental capacity.
Silver-ruled by Luna, the moon-highest electrical conductivity, very ductile and malleable. Symbolically represents intuition, inner wisdom, and contemplation.
Tin-ruled by Jupiter, Leader of the Gods-malleable and ductile with a highly crystalline structure. Causes a "tin cry" when a bar of tin is bent. Tin acts as a catalyst when oxygen is in a solution and helps accelerate chemical attack. The philosophical lesson of tin is that it is weaker than if it is combined with another alchemy symbol element.

This information was found at www.whats-your-sign.com

Based on this info I would put:
Gold-Harry
Copper-Ginny
Lead-Neville
Mercury-Hermione
Silver-Luna

That leaves Iron and Tin up for grabs, personally I would put Hagrid as iron and Ron as tin.


QUOTE(EruditeWitch @ Feb 24 2007, 06:46 PM) [snapback]1114215[/snapback]

Also, is there a significance to weasels and mythology.

I'm not an alchemist, but I think I know the answer to this one (and I never know the answer to anything in here!).
The purifying scent of a weasel is capable of killing a basilisk; however, in order to get close enough to kill the basilisk, the weasel must sacrifice it's own life. Doesn't look too good for at least one Weasley.

Posted by: galadriel12 Feb 25 2007, 06:16 AM

QUOTE(scollins @ Feb 25 2007, 12:40 AM) [snapback]1114417[/snapback]

QUOTE(EruditeWitch @ Feb 24 2007, 06:46 PM) [snapback]1114215[/snapback]

Also, is there a significance to weasels and mythology.

I'm not an alchemist, but I think I know the answer to this one (and I never know the answer to anything in here!).
The purifying scent of a weasel is capable of killing a basilisk; however, in order to get close enough to kill the basilisk, the weasel must sacrifice it's own life. Doesn't look too good for at least one Weasley.
Well, I think, then we can just be glad JKR only borrows and puts her own spin on everything. And the Weasleys are no weasels of course. wink.gif

The basilisk is already defeated in CoS, and we could go so far as to say that a Weasley, Ginny, was involved, although she did not defeat the basilisk directly. Interestingly enough though, Ginny is the only one we have a definite scent assigned to. Harry smells something flowery in the Amortentia and recognizes it later as associated with Ginny.

Posted by: memyslfnI Feb 25 2007, 09:33 AM

I would put Ron as Mars wich would make him Iron

EW asked abbout Rue in a previous post. Ron is fed Essence of Rue in HBP after he was poisoned.

essence of Rue is also called the "herb of the Sun" and is assosciated with Mars. it was planted near the temple of mars in Roman times
Also as Ron IMHO, represents sufur, this would assign him to the metal Iron.

Al! I am soooooo glad to see you posting again! I hope you are feeling well after the birth of your own golden child!

FP! You presence has sorely been missed as well! I am glad to see you too! flowers.gif flowers.gif for you both!

Posted by: EruditeWitch Feb 25 2007, 01:58 PM

Wow Scollins! Those metals make some of the most sense I've ever seen in an alchemy argument. I like the metals you've assigned.

I would also put Ron as Iron. He is the most earthy of them all. He is tall and hearty, often powerful. He is also very overwhelmingly masculine. His quick temper and inherent strength make him very ruled by the God of War.

If we can consider Draco, he would definitely make a great tin. I am still on the fence about whether we can even put Draco in a redemptive role, but he fits so many equations when looked at that way. Especially the part about tin being a catalyst. Draco is often the source of a lot of emotions for a lot of people. He is the one who was ultimately responsible for the turning of the tides in HBP. He is weak alone, as we saw in the Sectumsempre scene. I think if Draco was to combine with another element (doesn't have to be romantic) then he can prove beneficial.

Going back to my earlier post on Hermes being the slayer of the Dragon of Ignorance. If Hermione is mercury, and Draco is tin, the Hermione can slay Draco's ignorance and bring him over to create that grand association of metals.

Thanks for all of the insights of essence of Rue. How's this for a theory. Ginny could be symbolic of that, as she is associated with a flowery scent. Considering the many references to Ginny's power and strength in the books, she could be Harry's rue.

Maybe one of the Weasleys will be responsible for bringing down Nagini. Begin mortal enemies and all. My money is on Arthur. He is the aging king, and he's had encounters with Nagini and lived to tell.

Posted by: Weasle Diva Feb 25 2007, 03:31 PM

Rue is a big deal when you factor in the basilisk/weasel connection.

I probably ought to explain that a bit more. smile.gif

In mythology, the basilisk can be killed by three things:
1.Rooster's crowing (Rowling included that in her CoS book)
2.Mirrors (Rowling included that in her CoS book)
3.Weasels (Oddly, enough, Not included in CoS book, just as an amazing coincidence has an entire family of Weasleys.)

Is it possible that Rowling stumbled upon only two of the three basilisk killers? Not likely.

Is it possible that she just decided that weasels, one of her favorite animals, is not important enough to mention this in CoS?

According to Bullfinches Mythology (and other sources such as T.H. White), weasels are immune to the stare of the basilisk.

And Ginny did open the Chamber of Secrets with no harm.

Weasels, however, can be killed by the poison of the basilisk. Unless they eat rue. This strengthens them to go "back into the battle."

Rue is also called the Herb of Grace. Priests used to sprinkle holy water on branches of rue and wave these branches over the people to protect them from disease.

So basically, grace defeats evil.

After poisoning, Rowling gives Ron Weasel-y rue of all things.
Which means that she is more than aware of the rue/weasle connection.

Also, in playing cards, the clubs symbol is taken from rue.
So Ron, of all things, uses a club to defeat a troll in the first book.

I think one can make a case that Ron will be defeating one of the horcruxes, probably Nagini, by himself (basilisk = Voldy metaphorically speaking).

Back to Alchemy:
Rue heals poison. So does a bezoar. So does phoenix tears. So does the Elixer of Life.

In the metal listings project:
Harry = Saturn which is lead (Harry's under the baleful influence of Saturn) Harry is "walking with leaden steps" a couple times in the books.

Ron = Tin (Tin is a poor metal) Ron also says that he "rides a broomstick to Jupiter")

Ginny - Copper - Venus - Love
Hermione - Mercury

Iron could be Hagrid.

I think silver and gold represent levels to be achieved, not actual people at the start.




Posted by: Alchemist Apprentice Feb 25 2007, 03:36 PM

QUOTE
Going back to my earlier post on Hermes being the slayer of the Dragon of Ignorance. If Hermione is mercury, and Draco is tin, the Hermione can slay Draco's ignorance and bring him over to create that grand association of metals.


Now I have said that Hermoine- kinda slayed the Dragon when she slapped Draco in POA- yet I never thought of her as the one to "sway"him ponder.gif - I like that!


QUOTE
Maybe one of the Weasleys will be responsible for bringing down Nagini. Begin mortal enemies and all. My money is on Arthur. He is the aging king, and he's had encounters with Nagini and lived to tell.


ok somewhere - sometime we discussed a 'second king' I do not remember on what basis but I wonder how that would relate to Arthur? I do like the Weasley and Nagini agrument you present but I just don' know if it will be Arthur- although I am sure he would love revenge from his encounter in OotP.

ps
thanks all- it is nice to be back- and although I do think of my little one as special- golden child? Well I will take it as a compliment and dutifully accept on his behalf the title of the LL golden child of alchemy thread

Posted by: EruditeWitch Feb 25 2007, 03:36 PM

That is exactly what I was looking for, Weasle Diva!!

I think maybe I've encountered you before, because I'm pretty sure I came across the rue and basilisk connection to Weasels on this forum.

Might I copy and paste on another forum your information on Rue?

I'll have to argue putting Hagrid in the list of metals. I just think we are probably focusing on the younger characters. Hagrid falls in line with father figures, and if we incorporate him, shall we incorporate all of the other men.

I would say, that if his role in the stories were different, though, that Hagrid more than meets up with Iron. The only exception is in connection with Mars. We know for a fact that Hagrid really isn't a fighter, he is a lover.

ETA: Alchemist Apprentice: I agree with your assessment of Arthur. It does seem more likely that Ron or Ginny would slay Nagini. Maybe that's the "amazing thing" we see from Ginny in DH? I still think Arthur is a second king of sorts, however. But he is no knight like so many of his children are personified. I just think that the Weasel connection and the Arthurian connection makes Arthur significant to something in DH.

Posted by: Weasle Diva Feb 25 2007, 06:43 PM

No problem, EruditeWitch, cut and paste as needed.

Yeah, let's keep Hagrid off of the metal list. He may, unfortunately, have a close encounter with the Red Stage.


Posted by: becky920 Feb 26 2007, 06:10 AM

Thanks for all the info on the metals, scollins...

I think the descriptions may lend a hint as to who might serve in what role if we look at their horoscopes. For example, you suggested Neville as Lead -- I think I'd go with Ron. Lead is ruled by Saturn, the god of Time, and we know Ron got a special new watch for his birthday. Plus it's described as soft and malleable, as is Pisces, Ron's sign. Then your description said Lead combined with Mercury (Hermione) creates "a purified element called Philosophic Mercury."

Neville, I'd put as tin -- because it's a weak metal on its own, but Neville with Harry made a pretty tough duo in OotP.

Giving this some further thought, I wonder what you all think about Ginny as Silver instead of Luna (or maybe in addition to Luna). I know she's Harry's love interest, but we see her several times helping Harry figure something out, and Silver represents intuition, inner wisdom, and contemplation according to this list. (I'm specifically thinking of how she calmly thought of a way for Harry to talk to Sirius, and how she helped him realize he wasn't being possessed at a time when he couldn't rely on his own intuition.)

Then -- and here's where I'm really going out on a limb -- since I took Ginny away from Copper, how about Fleur? If she doesn't represent feminine beauty I don't know who does. Which leaves Bill -- her partner -- for Iron, as it represents male energy.

So, my list:

Copper = Fleur
Gold = Harry
Iron = Bill
Lead = Ron
Mercury = Hermione
Silver = Ginny and/or Luna
Tin = Neville

I would leave Harry as Gold since his sign is Leo, which is ruled by the sun. But if you go with the "Harry isn't gold since he's the alchemist" argument, then I'd put Ginny or Neville in for gold -- probably Ginny since she's also a Leo, which would allow Luna to stay where she is.

Does anyone know Luna or Neville's "signs" so I can see whether my theory works for their birthdays with the metals?

Posted by: memyslfnI Feb 26 2007, 09:17 AM

I would put Neville as Lead. His pet is a Toad, which is the symbol for lead in alchemy. I have also listed the signs attributed to the metals and the planets alchemically.

Gold / the Sun = (Leo)

Silver / the Moon = (cancer)

Iron / Mars = (Scorpio, Ares)

Quicksilver / Mercury (Virgo, Gemini)

Tin / Jupiter (Pisces, Sagittarius)

Copper / Venus (Taurus, Libra)

Lead / Saturn = (Capricorn, Aquarius)

Changing gears completely! (sorry!)

I wonder, if we can look at this a bit differently. If we look at this as Harry's journey, then we look at this as stages he goes through to reach gold.

I also found this which I thought was very interesting. Could Lord Voldemort be Lead?

"Saturn biting the hand of an infant is suggestive of the mythological story of the use of infants’ blood for the mineral spirits of the metals."

We see Lord Voldemort stealing the blood of Harry, a child, in GoF to transform himself. There is also the myth that Kronos, (Saturn) kills his children as they are being born because his own death is foretold as occuring by one of his own children. Lord Voldemort also tries to kill the child that is prophesied to kill him.

Harry's journey begins with LV (Saturn, Lead) acting on the prophecy. I am not sure how the next six characters would play, but I would put hagrid or Draco next.(. I know many have put Ron as tin, which would sit him next on the journey as well as Hermione as Mercury who comes next. Not sure about mars, but I would put Luna and her influence on Harry to look outside what is traditional for silver and When Harry fully embraces what Dumbledore has taught him he will have reached gold.

LV or Neville=lead
Draco= copper (???)
Ron=Tin
Hermione=mercury
Hagrid=Iron
Luna=Silver
Dumbledore=Gold

Where does that leave Neville? Again, this is just a brainstorm, he possibly could be lead, although I really live LV in that role, Lead is symbolized by a toad which of course is Trevor, Neville's pet.

Thoughts oh brilliant ones???






Posted by: EruditeWitch Feb 26 2007, 09:44 AM

Your assessment makes sense, M. The people you put with the metals fit the descriptions and what they are ruled under. The only thing I would say to go against this is the root characterization.

I'm not accusing anyone in HERE, but it seems that some people rely far too much on just alchemy. It is my firm belief that characterization is the most important thing JKR focused on when making these characters. Their personalities come first, and the alchemic formula second. Which is why I think Ron is a pieces, but still has moments of Ares in him.

That being said, there are just some people on that list that dont' really fit to me. I think Hagrid, while very important, doesn't follow any sort of pattern. I think LV is the motivation for Harry, whether he be alchemist or already gold, and not really a part of the mixture. I think we need look only to the extended trio and an as yet named character to mark. When we get to book five, Harry begins to rely on others more. This becomes clear as we see who was at the DoM. Those were the same people holding down the fort when Harry came back from The Cave and those were the ones who got the Felix Felicis. I think this marks them as the important ones in the equasion. So all of them need to be placed somewhere in there.

Also, I think Luna is indisputably silver. Her wisdom following Sirius' death and just the nature of their fellow students leads me to believe she is the most contemplative. Hermione is smart, but Luna's introspection makes her far more silver.

I also think Ginny belongs as Copper. The obvious reason is her hair. Also, she is marked as pretty by people that don't even like her. She is the girl in the series *besides Fleur* who gets that description the most. Couple that with her flowery scent, and we have feminine beauty.

Harry can be gold and be the alchemist. The alchemist must make gold. Harry needs to use these other metals and experiences to make gold within himself and become that last ingredient. That being said, he may need to BECOME gold, but be lead right now. I think the most poignant argument in favor of this is his resistence to corrosion. Harry is still a very flawed character who doesn't quite understand his journey, but that doesn't keep him from sticking to is core values. That would leave us with no gaps as well.

I still stand by Ron as Iron, just because he seems to be marked as the most masculine and tempermental...which is all Mars to me.

Luna is silver and Hermione Mercury, those are very set for me.

That leave Neville as tin. When Neville is alone or put on the spot, he often retreats to this area of fear and low confidence. But we see Neville shine when put in the DA. With the support of his friends *the other metals* he gains a lot of skill.

Whew....does any of this make sense?

Posted by: becky920 Feb 26 2007, 11:30 AM

There's also the possibility that there are multiple metals. More than one iron, gold, lead, tin, etc., because there are more than one "alchemist." Just a thought.

Posted by: EruditeWitch Feb 26 2007, 11:51 AM

Who's the other alchemist? Is that Dumbledore? Or do you mean in the study of alchemy in general?

Posted by: Lost Centaur Feb 26 2007, 01:57 PM

FWIW...copper and tin alloy to Bronze...a very hard and beautiful metallic alloy. In the ancient world, bronze made for superior weaponry. It continued to be widely used for canon and armaments until a few centuries ago. It still is used to make great large bells.

Perhaps an alliance, if not a love relationship, between the copper figure and the tin could indicate a powerful weapon/warrior/alarm group for Harry.

Posted by: EruditeWitch Feb 26 2007, 02:07 PM

That could be an argument for Ron as Tin..then he and Ginny could unite and maybe do some powerful family stuff...

for lack of a more eloquent phrasing.

Posted by: memyslfnI Feb 26 2007, 02:39 PM

there is a quote somewhere I need to find, but it is basically "You need Gold to make Gold' Which would place, obvioulsy, Dumbledore sqarely in the gold position.



I am torn on the Ron/Tin thing myself. I truly believe Ron is Sulfur and therefore would put him as Iron. I need to look for more info on Iron/Mars (the rue thing is a convincing argument for Ron as Iron./Mars/)

Posted by: Alchemist Apprentice Feb 26 2007, 02:49 PM

ok quick question...If gold needs gold, does that mean DD and the stone? or does it refer to DD and another character?

Posted by: EruditeWitch Feb 26 2007, 02:54 PM

Dumbledore and Nicholas Flamel?

Cute baby by the way!!!!!!!

Posted by: memyslfnI Feb 26 2007, 04:16 PM

I interpreted that as, it is going to take Dumbledore (gold) to mold Harry, to transform Harry into gold

Posted by: EruditeWitch Feb 26 2007, 04:19 PM

Interesting....

That begs the question: IS Harry now gold after HBP, or did DD not finish his job.

Or..

When JKR said "Dumbledore is giving me trouble" while writing book seven...Will he finish his Make Harry Gold quest posthumously.

Posted by: memyslfnI Feb 26 2007, 05:25 PM

I believe that Harry will not reach gold until after the wedding. If Bill and fleur's wedding is the Chemical wedding (I think it is), then this must occur first.

I hope we don't have an "Obi Wan' moment where Harry is asked to remember the force so to speak. tongue.gif the only thing I can thing I can think of is if he is given information , as Prongs Patronus so elequenly put in her essay featured on www.harrypotterseven.com: http://www.the-leaky-cauldron.org/#static:bookseven/blood

QUOTE
Harry is his heir in duty, but we will surely see Harry inherit more than that from the late Headmaster; there is the Pensieve and the memories so painstakingly gathered, and there is surcease at Hogwarts after duty is fulfilled. Dumbledore has whetted his dagger; from beyond the Veil Dumbledore throws The Boy Who Loves at the shriveled heart and soul of the Dark Lord


I think this is much more likely. I would agree with Prongs Patronus idea that everything he needs to know is in the pensieve.

Posted by: Shard Feb 26 2007, 05:47 PM

I wanted to ask a clarifying Question here, Is it Harry as the Alchemist that will defeat LV or as the Philospher's stone? I'm kinda under the impression that Harry is the Stone, that DD was the Alchemist who made or helped guide HArry into being the Stone.

Posted by: EruditeWitch Feb 26 2007, 06:05 PM

I tend to move toward Harry making the stone. The stone representing a repaired wizarding world and a more perfect self. But then agian, your version sounds just as likely.

ACH

Posted by: memyslfnI Feb 26 2007, 06:23 PM

My impressions are that Harry is the Stone. dumbledore, the alchemist is helping mold that stone into gold. The stone starts out as the "first thing" the "prima materia", the "one thing" salt..it has many names but through the alchemical process, is transformed to gold.

Posted by: galadriel12 Feb 27 2007, 06:46 AM

Accio Quote has unearthed nine older interviews of JKR´s from 1998. Most of you will already have read that on the TLC. I have not read them, but TLC gives a few short quotes. She specifically mentions alchemy in one of them.

JKR: To invent this wizard world, I´ve learned a ridiculous amount of alchemy. Perhaps much of it I´ll never use in the books, but I have to know in detail what magic can and cannot do in order to set the parameters and establish the stories´internal logic.

To me, this confirms my suspicion about how and to what she applies alchemy. She is not setting up the whole story, including all aspects, according to a certain alchemical concept. We know that, since in 1998, long after she has planned out the whole story, she is still not sure how much of her knowledge will be used in the HP books. Alchemy was guideline for her to believably create the wizarding world.

Alchemy is important for her:

- to know what magic can or cannot do

- parameters of the wizarding world and magic

- internal logic

Now, that really leaves all possibilities open, and for us the opportunity to analyse and speculate freely. smile.gif

Posted by: EruditeWitch Feb 27 2007, 11:05 AM

I'm going to copy and paste this, Galadriel. Can I have your permission? Also, you can just go over to the ummm...misguided forums and post for yourself if you want.

Posted by: coach Feb 27 2007, 11:09 AM

Couldn't Harry be the Alchemist and his soul is the stone?

Posted by: galadriel12 Feb 27 2007, 11:44 AM

QUOTE(EruditeWitch @ Feb 27 2007, 11:05 AM) [snapback]1116747[/snapback]

I'm going to copy and paste this, Galadriel. Can I have your permission? Also, you can just go over to the ummm...misguided forums and post for yourself if you want.
Feel free to copy and paste. I am not sure I have the nerves at the moment to deal with people who, IMHO, err - deny canon so fiercely. smile.gif

This quote of JKR´s about alchemy can be found on Accio Quote http://www.accio-quote.org/articles/1998/1298-herald-simpson.html


About Harry: I don´t know if it is possible to be both, alchemist and stone. I always thought Harry is the matter that undergoes the transformation through the several stages to become the stone (=gold?)

Posted by: Alchemist Apprentice Feb 27 2007, 01:10 PM

QUOTE
Couldn't Harry be the Alchemist and his soul is the stone?


OHHHHHHHhhh""(rubs hands with gleeful and almost mad scientist kinda way) coach I love this idea! not sure how the logistics of this works- I have to think on this a bit more. Yet the idea of the soul being the stone or symbolic of the stone kinda ties in the RiH theory sorry M! It also for me anyway also relates to the whole above and below of alchemy. Yeah I know how??? Well the soul is the above (heaven , god like ) and the body the below( the physical, tied to earth) So Harry as the body goes through the hero journey and all the tasks his soul is untouched because it is above and not attached to the journey- does that make sense?

Posted by: memyslfnI Feb 27 2007, 02:04 PM

hahahaha! AL tongue.gif As I was reading Coach's post and wondering myself if this could be true I was leaning towards my opinion being a no, but wondering to myself "How could I explain it"? and "Why do I believe this"?

Alchemically speaking, the stone is not only made up of Soul, but is also made up of the body and the spirit.

Sulfur=spirit
Mercury=Soul
Salt = body.

I always thought in JKR's magical alchemical world, the transmutation to a higher state allows you to create the stone. The stone is a symbol of this higher state of knowledge. It represented more than just the soul. There needs to be a total transformation (including body and spirit) to be able to create the stone.

I certainly could be way off base on this. Its a question I never thought of before! I would like to hear more about this thought Coach! smile.gif I hope you post more thoughts on this.






Posted by: SillyPutty Feb 27 2007, 03:11 PM

Okay, I am sorry to interrupt but I know next to nothing about Alchemy but I am reading on the Divine Femeine in the Arthurian legends and it was speaking about Alchemy and its connection with the ancient Goddess of all... how the 3 images of the goddess: Maiden, Mother, Hag are represented by the three colours of Alchemy.

Maiden - White
Mother - Red or Red/White
Hag - Black or Black/White

These three women also represent three women in the champions life. I am not sure where I am going with this but I wanted to know if I am reading this passage correctly? I figured this was the best place to ask because supposibly the three goddess also represent three aspects of the chamopions journey?

Posted by: firephoenix Feb 27 2007, 04:21 PM

QUOTE(coach @ Feb 27 2007, 10:09 AM) [snapback]1116750[/snapback]

Couldn't Harry be the Alchemist and his soul is the stone?
Hey Coach! I believe that Harry is the living Sorcerer's Stone. As Mem said that would be that he has his body (capsule), mind, soul and spirit. (alchemy defines soul & spirit as two separate things) Harry's life experiences and how he deals with them is the "chemicals" mixing around inside of him.

If you then believe that the 13 treasures of England are indeed LV's Horcruxes; La fail (the stone) = Harry Potter or as AL said, "RiH". (Riddle in Harry) thumbup.gif

QUOTE(SillyPutty Posted Today @ 02:11 PM )

Okay, I am sorry to interrupt but I know next to nothing about Alchemy but I am reading on the Divine Femeine in the Arthurian legends and it was speaking about Alchemy and its connection with the ancient Goddess of all... how the 3 images of the goddess: Maiden, Mother, Hag are represented by the three colours of Alchemy.

This has everything to do with Alchemy in fact we had the debate about the three Godesses not to long ago.

Maiden - White - Ginny whos name means white.

Mother - Red or Red/White - Lily who conceived Harry after the first Chemical Wedding. The combining of Red and White.

Hag - Black or Black/White -


SillyPutty are you sure that the third is called the Hag? We were referring to the third as the Witch and this is the part that we were debating. I thought it might be Mrs. Figg. We did see her at the beginning of the Black stage (OotP) but not at all in the White Stage. ponder.gif

Posted by: coach Feb 27 2007, 04:31 PM

QUOTE(memyslfnI @ Feb 27 2007, 02:04 PM) [snapback]1116903[/snapback]

hahahaha! AL tongue.gif As I was reading Coach's post and wondering myself if this could be true I was leaning towards my opinion being a no, but wondering to myself "How could I explain it"? and "Why do I believe this"?

Alchemically speaking, the stone is not only made up of Soul, but is also made up of the body and the spirit.

Sulfur=spirit
Mercury=Soul
Salt = body.

I always thought in JKR's magical alchemical world, the transmutation to a higher state allows you to create the stone. The stone is a symbol of this higher state of knowledge. It represented more than just the soul. There needs to be a total transformation (including body and spirit) to be able to create the stone.

I certainly could be way off base on this. Its a question I never thought of before! I would like to hear more about this thought Coach! smile.gif I hope you post more thoughts on this.



Well, despite having read virtually every alchemy post for the past year, I still don't think I know anything about it. The question just occured to me while reading Shard's post about whether or not DD or Harry were the alchemist.

I do think that Harry's journey can be pretty well described in alchemical terms, (which number thread is this now?) though not exclusively. I've seen him, in these threads, described as both being the alchemist and being the thing that is transformed, the stone I guess. What I wonder, or I guess the thought I had was that the stone is really just a symbol that more or less proves an alchemist has found enlightenment, nirvana, whatever you'd like to call it. It's a symbol they always had, it just took successful completion of the journey to extract it.

Harry is the actor in the story, and he is also the one being acted upon. He is taking the journey himself, and at the same time is transforming himself via the journey. I suppose I connected that in my mind as he was the alchemist and his soul the stone because he is both the actor and the acted upon.

To contrast it, though DD is a teacher and helper to him, I don't think that DD is "molding" or actively transforming him. That would make DD the one seeking enlightenment(which he may already have) and Harry simply being the materials he used to get there.

I don't know, that's all I've got.

Posted by: Shard Feb 27 2007, 04:34 PM

SillyPutty

I have noted the Three women as well, for me I think it's three females that are close to the Hero, in my opnion that being Ginny, Hermione and Luna.

Posted by: SillyPutty Feb 27 2007, 05:29 PM

QUOTE
SillyPutty are you sure that the third is called the Hag? We were referring to the third as the Witch and this is the part that we were debating. I thought it might be Mrs. Figg. We did see her at the beginning of the Black stage (OotP) but not at all in the White Stage. ponder.gif
In my book she is called the Hag or The Black Maiden...
other infoPersonally I felt that the Black Maiden is best represented with Hermione. When I read the part of the resourceful companion, she is the first one that came to mind.

Posted by: PAM2002 Feb 27 2007, 06:28 PM

QUOTE(SillyPutty @ Feb 27 2007, 05:29 PM) [snapback]1117150[/snapback]

QUOTE
SillyPutty are you sure that the third is called the Hag? We were referring to the third as the Witch and this is the part that we were debating. I thought it might be Mrs. Figg. We did see her at the beginning of the Black stage (OotP) but not at all in the White Stage. ponder.gif
In my book she is called the Hag or The Black Maiden...
other info
  • "that of the woman warrior who often acts as bodyguard or resourceful companion to the champion."
  • also noted as the role of tutor in some stories.
  • She is the loathly lady, dark woman of knowledge.
  • She guides and warns the champion.
  • She battles hard to bring her protege to self-knowledge and responsbile action.
  • corresponds with the a male figure idetified as the Provoker of Strife - troublemaker who we can precieve the role of the Sovereignty's guardian
Who would this male figure be? Then work backward from there, perhaps.
QUOTE
Personally I felt that the Black Maiden is best represented with Hermione. When I read the part of the resourceful companion, she is the first one that came to mind.
I believe this woman is also refered to as the crone. I think it has to be an older woman, unless like Shard says, they are all three the same age (more or less).

Posted by: redshoes Feb 27 2007, 11:33 PM

QUOTE(coach @ Feb 27 2007, 11:09 AM) [snapback]1116750[/snapback]

Couldn't Harry be the Alchemist and his soul is the stone?


In a work of literary alchemy--a play or a story like Harry Potter--the hero is not the alchemist.

In fact, one of the most obvious differences between works of literary alchemy and texts on inner, spiritual alchemy is the role of the alchemist. As a reader of Hauck’s Emerald Tablet: The Alchemy of Personal Transformation, for example, you, the reader, can consciously seek to achieve enlightenment. You are your own alchemist, if you will.

In an alchemy play or story, things are different. The hero does not know he is being transformed. He has a task to perform, ordeals to undergo, a Ring to destroy, an evil wizard to finish off. The author has a story to tell, consonant with the traditions of the hero’s journey story that go back even earlier than Alexandrian alchemy, all the way back to Homer. However, that does not mean that there isn’t an alchemist—or two—in an alchemy story.

In his study of two alchemy plays by Shakespeare, “Alchemy, Nature and Time in Pericles and The Winter’s Tale, Rodger Dale Sorensen devotes an entire chapter to studying the alchemists in the plays.

First, here is his brief description of the alchemists and their role in Pericles.

QUOTE
There are two alchemists in Shakespeare’s Pericles: Gower and Cerimon. As an alchemist, Gower assists Nature by manipulating the rhythms of time to accomplish the end of the opus. He takes Pericles on his alchemical journey. He helps Nature generate the White Stone, and then unites the White Queen with the Red King, resulting in exaltation. Complementing Gower, Cerimon is a physician. He also aids nature in her work. He knows the natural workings of the animal, vegetable, and mineral kingdoms, including their temporal rhythms. He knows how to use his understanding of the organic world to help Nature effect cures, restore health, renew life, and exalt souls.


To make sure his audience understood Gower’s role, Shakespeare named him after a famous alchemist, Sir John Gower.

Next, Sorensen discusses the alchemists in The Winter’s Tale. This play is of special interest to us because JKR has said she took the name Hermione from Queen Hermione in this play, and not from the Greek myth.

QUOTE
The alchemists in The Winter’s Tale include Camillo, Mamillius, Paulina, and Time…. Time-the-Chorus and Mamillius [are] sovereigns of temporal rhythms in The Winter’s Tale. Camillo is a minor alchemist….Paulina is a master of the “secret art” whose work culminates in the Philosopher’s Stone, reunion of the major players, and the climax of the play.


Sorensen lays out all the details in a long, 42-page chapter, but this gives you the gist. The alchemist in a story manipulates time and guides the hero on his journey.

So, is anyone playing the role of alchemist in HP? If so, who? And is there more than one?

JKR has marked one person, Albus Dumbledore in canon as an alchemist, through his description on his Chocolate Frog card in SS/PS. But is that just a label, or does he actually play the alchemist’s role? We may never know for certain, but I suspect he IS an alchemist.

Dumbledore is the one who placed Harry in his original crucible, the Dursleys. He is the one who has guided him on many of his journeys, most dramatically in the voyage to the Cave in HBP. He allowed the Triwizard Tournament to go on: as an alchemist he would have understood the need for Harry to be purged and tested, dissolved and coagulated. He smiled when he found out that Voldemort had used some of Harry’s blood for his regeneration. What does Dumbledore know that Harry—and the reader—do not? The alchemist always knows better than the hero what has to happen for the transformation to occur. You can see this with Gandalf in LOTR as well.

If there is a second alchemist, it would most likely be Minerva McGonagall, marked as a source of “wisdom” by her name and her position as Deputy Headmaster. The defining role of an alchemist is to manipulate time. In the medieval worldview, everything in creation was alive, including metals. Metals “grew,” and they grew toward perfection. Given enough time, all metals would naturally grow into gold. All the alchemist did was to accelerate time. (See Mircea Eliade, The Forge and the Crucible: The Origins and Structures of Alchemy for a full explanation.)

McGonagall has custody of the Hogwarts Timeturner, and she gives it to Hermione. Hermione first uses it to manipulate time to double up on her classes, then, at Dumbledore’s explicit direction, encloses herself and Harry in the Timeturner chain to go back in time to rescue Buckbeak and Sirius. McGonagall also chooses Harry to be the Gryffindor Seeker: she marks him as the hero being transformed. In OOTP she says she will do everything in her power to make sure Harry becomes an “Auror,” a person becoming gold (Aur = gold; -or = person).

So I think McGonagall may be an alchemist as well. It will be interesting to see if she plays a more important role in guiding Harry in HPDH now that Dumbledore is gone.





Posted by: SillyPutty Feb 28 2007, 12:40 AM

QUOTE
QUOTE
  • corresponds with the a male figure idetified as the Provoker of Strife - troublemaker who we can precieve the role of the Sovereignty's guardian
Who would this male figure be? Then work backward from there, perhaps.
that is a hard one because Sovereignty is the land - the goddess as a whole. This would be what the champion strives to bring balance to... My mind goes to Snape or Ron... depending on the role of the hag/matron
QUOTE
QUOTE
Personally I felt that the Black Maiden is best represented with Hermione. When I read the part of the resourceful companion, she is the first one that came to mind.
I believe this woman is also refered to as the crone. I think it has to be an older woman, unless like Shard says, they are all three the same age (more or less).
well, the goddess can be any age - it is as she deciedes to be viewed by the champion. It is the aspect she represents... innocence, protection, wisdom (in my mind)... which corresponds I think well with the 3 father figures we see in the Potterverse for Harry that represent the white, red and black.

Posted by: Snark Feb 28 2007, 01:18 AM

QUOTE
well, the goddess can be any age - it is as she deciedes to be viewed by the champion. It is the aspect she represents... innocence, protection, wisdom (in my mind)... which corresponds I think well with the 3 father figures we see in the Potterverse for Harry that represent the white, red and black.


This is challenging. In terms of Arthurian legend, Ginny got part of Guinevere's story (the abduction/seduction), but the role of Maiden, Mother, Crone is more far-reaching in terms of Harry's whole story.

Ginny should be Maiden, since she is desired (by Harry).
Hermione (to me) fits more with Mother, as she nurtures/protects.
Luna, I think, should be Crone, as she is connected to death and spiritual matters. That's more the realm of the Crone.

Posted by: madamros Feb 28 2007, 04:09 AM

QUOTE(Snark @ Feb 28 2007, 06:18 AM) [snapback]1117646[/snapback]

QUOTE
well, the goddess can be any age - it is as she deciedes to be viewed by the champion. It is the aspect she represents... innocence, protection, wisdom (in my mind)... which corresponds I think well with the 3 father figures we see in the Potterverse for Harry that represent the white, red and black.


This is challenging. In terms of Arthurian legend, Ginny got part of Guinevere's story (the abduction/seduction), but the role of Maiden, Mother, Crone is more far-reaching in terms of Harry's whole story.

Ginny should be Maiden, since she is desired (by Harry).
Hermione (to me) fits more with Mother, as she nurtures/protects.
Luna, I think, should be Crone, as she is connected to death and spiritual matters. That's more the realm of the Crone.


In the LoTR thread I posted recently how the three key women (at least two of them goddesses - Galadriel and Arwen) each had three aspects represented in HP - with Luna as the Maiden aspect of Galadriel, Madam Pince as the Mother aspect (if PAM2002's theory of Irma Pince= Eileen Prince is correct, as I think it is! But read about it in her essay from tomorrow) and Trelawney as the Crone aspect. Ginny is the maiden aspect of Arwen, I think. (Tonks is the Maiden aspect of Eowyn, with Lily as the Mother and Bella as the Crone) On the subject of Alchemy, HP and LoTR, just found out there's a book called Alchemy in Middle-Earth: The Significance of J. R. R. Tolkien's the Lord of the Rings by Mahmoud Shelton (Thanks to theredwitch for the heads-up) The one on HP isn't out yet - maybe someone should write it after DH!

As for who else might be an alchemist in HP - there's always Snape! The obvious candidate in some ways, with his 'gently-simmering cauldron' and draughts that can stopper death. We know he's a catalyst, vitriol, but he's much more than that - and catalysts drive reactions, they speed them up!

Posted by: Kidney Pie Feb 28 2007, 11:20 AM

--------------------------------------------------------------------------------

http://en.wikipedia.org/wiki/Equivalent_Exchange

This is an interesting article. I think the laws of equivalent exchange were written for Full Metal Alchemist, but I am not sure. It seems as though they do have their roots in real alchemy. Basically, to make something out of something else, one must lose something of equivalent value. This got me to thinking about Voldemort and why he would have liked to get the Philosophers stone, which FMA can bypass this law.
I think that this is also something the stone is thought of to be able to do in real life, by real alchemists, because FMA had to get the idea from somewhere.


Well according to Full Metal Alchemist it can bypass this law. If it is something to do with real alchemy, then perhaps it too can find it's way into the Harry Potter world, if Jo has studied her alchemy.

You see, Voldemort is losing what humanity he has every time he makes a horcrux, becoming more and more reptillian looking or at least less human. Maybe that is the price he must pay, the exchange he must make. Maybe the stone would have helped him to retain some humanness. There could be more sacrifices he was willing to make, we just are not sure what he has lost. He has perhaps lost quite a bit that we are unaware of at this time.


Also the gate of Alchemy in FMA reminds me of the veil very much. I have never watched this series, so fans of the series here must tell me if I am wrong.



Also interesing as it says this was never shown:

The only component of human transmutation never shown is the extraction of the soul of a deceased human from the gate.

The stone could be used to make a pure body and also get a soul into the body, basically bringing someone back to life. Now Jo says that she will never do this, but maybe the Veil doesn't really represent death, just a holding place for souls. In that case, she wouldn't be bringing anyone back from the dead, since they are not technically dead, just held in some halfway point.


SO could the Philosophers stone be used to create a perfect body and remove a soul from the veil, bringing Sirius back to life?

But the stone was destroyed. And it is also suggested that thousands of people must die to make a stone, as it is souls that give the stone it's power, and that souls are used up sooner or later, so a stone will decay sooner or later anyway, unless repowered.

Actually the FMA stone does not sound very nice at all.

We never learned how the Harry Potter stone was made. We do know that Dumbledore was best friends with Nicolas. If it really required thousands of souls to power the stone, then either Dumbledore is evil too, or he was unaware of what Nicolas did to make the stone. But I can't see Dumbledore not knowing what Nicolas did to make the stone. And the deaths of thousands of people wouldn't go unnoticed. But perhaps Nicolas aquired the stone from Grindlewald or something. But it did say on his card he was the maker of the stone. So the stone in Harry Potter must have been made a different way. I can't see it being made in an evil way. It is interesting to compare it to the stone of FMA though, where that stone required thousands of souls to power it. Maybe this one is powered by love or some other means.


Maybe there is another way of getting souls for your stone, if you have thousands of friends all willing to give a peice of soul for a good cause. Then maybe it would not be evil. I've read other stories in which people are able to share souls or offer up a peice of soul for someone. I've read a story in which someone has no soul, but someone gives them half of theirs. Then they both have half a soul, and each peice regrows into a full soul. So maybe a stone could be made with peices of donated souls I guess. Since there is no stone, maybe Harry and his friends can start one in order to bring Sirius back from the veil, if the veil represents a halfway point, that is, not really death. So they aren't bringing someone back from the dead.
Or maybe Harry himself would fall into the veil, only to be brought back by thousands of friends who all donate some of their soul for the stone. Or maybe the trio figure out how to make a stone or power it in the love room or something.

Anyway, it would be interesting what some of the FMA fans or at least people who have watched this series think about comparing it to Harry Potter. I am not sure if we will see any simularities, but there does seem to be some.

Voldemort can not have a perfect body, he loses his humanity each time he splits his soul. He wanted the stone and there could be more than one reason why he wanted it. It could have helped him to have a perfect body.

There may be a good horcrux, that is, one may be able to use the stone to get their soul out and make a horcrux without killing anyone. Voldemort might have like this, but not for any noble reasons, just it is convenient for him.

The Gate of Alchemy and the Veil seem very simular. I don't know if the gate were just invented for the FMA series of if it has it's roots in real alchemy.

Also when reading about the Full Metal Alchemist series, there is an object like a horcrux that people can make using a Blood seal to bind a soul to an object. Sounds very simular.

Posted by: firephoenix Feb 28 2007, 02:44 PM

QUOTE(coach Posted Yesterday @ 03:31 PM )

Harry is the actor in the story, and he is also the one being acted upon. He is taking the journey himself, and at the same time is transforming himself via the journey. I suppose I connected that in my mind as he was the alchemist and his soul the stone because he is both the actor and the acted upon.
I don't know if I am the best person here to explan this, but I will give it a shot. Alchemy is the study of religion and science. In SS/PS the reader is shown the end product of the science part of Alchemy with the Sorcerer's Stone. It can turn lead to gold. Alchemist believed that a similar process could turn the soul that we are born with (sinners) to elightenment. The next 7 books shows JKR version on how that can happen. The reason why I say JKR version is, because the Alchemists believed this imformation to be quite dangerous if it were to fall into the wrong hands so they hide all of the final notes on how to achieve both processes.

Harry is the Alchemist. JKR makes this clear by making him the "seeker" and how she is guiding him through the stages. The question is whether he really is the "living" stone. IMO, he is. Harry was born from the first Chemical Wedding and no matter what life throws at him his soul has remained pure. He started his journey into the Wizarding World as "just Harry" and he will end it as. . .

Posted by: SillyPutty Feb 28 2007, 03:22 PM

I think I am understanding this... it is sort of since Harry is the opposite of Voldemort, whose soul has been fractured in his journey towards enlightment, Harry's soul stays pure and compelet at the end?

Just trying to understand it...

eta - still thinking on the triple goddess and will post more about it later.

Posted by: memyslfnI Feb 28 2007, 06:32 PM

Bingo Sillyputty!

One of the endproducts, of the creation of the stone, as we all know, is the Elixir of Life. Flamel had it, Voldemort wanted it! Only the very few are worthy of the journey, as an alchemist, to create the stone. Tom Riddle was smart enough, but could not comprehend the journey. He tried shortcuts to become immortal, to reach perfection while Harry, whose only desire is the love of family, was able to hold the stone in PS/SS. Why? Because he was worthy of the journey.

Tom can never be an alchemist because he absolutely cannot sacrifice himself for the love of another. (Dumbledore has done this in HBP) We see Harry, who has this "saving people thing" do this constantly.

I am wondering how JKR will do this, because I believe that Harry will have to sacrifice himself but I do not believe he will die. This is probably what I want to read the most. What wil happen after Harry destroys the final horcrux.
Ooooh! 139 days!

Posted by: davidenglish Feb 28 2007, 06:54 PM

QUOTE(redshoes @ Feb 28 2007, 04:33 AM) [snapback]1117580[/snapback]

To make sure his audience understood Gower’s role, Shakespeare named him after a famous alchemist, Sir John Gower.
I'm not sure where this comes from. John Gower was a famous English poet and contemporary of Chaucer. He was not a famous alchemist. And I am unaware that alchemy played any part in his life outside of the odd tale told in his work Confessio Amantis. His role in Pericles is to underscore the 'tall tale' quality of it. Just as Henry V has Chorus and The Winter's Tale has Father Time.

Posted by: redshoes Feb 28 2007, 10:37 PM

QUOTE(davidenglish @ Feb 28 2007, 06:54 PM) [snapback]1118473[/snapback]

QUOTE(redshoes @ Feb 28 2007, 04:33 AM) [snapback]1117580[/snapback]

To make sure his audience understood Gower’s role, Shakespeare named him after a famous alchemist, Sir John Gower.
I'm not sure where this comes from. John Gower was a famous English poet and contemporary of Chaucer. He was not a famous alchemist. And I am unaware that alchemy played any part in his life outside of the odd tale told in his work Confessio Amantis. His role in Pericles is to underscore the 'tall tale' quality of it. Just as Henry V has Chorus and The Winter's Tale has Father Time.


It comes from Elias Ashmole, Theatrum Chemicum Britannicum. Original edition, 1652, reprint 1967, with an introduction by Allen G. Debus.

Here's a quote for you:

QUOTE
Now as Concerning Chaucer...he is ranked among the Hermetic Philosophers, and his Master in this Science was Sir John Gower. (p. 470)


Ashmole's collection of English alchemical texts included John Gower Concerning the Philosopher's Stone.

Chaucer used literary alchemy in his work, e.g., the Canon's Yeoman's Tale. If you search the text you can find albedo, citrinitas, imbibation, sal ammoniac, vitriol, etc. etc.

For the complete explanation of the role of alchemists in Pericles and The Winter's Tale, see Sorensen's study cited above. For a general introduction to alchemy in Shakespeare the classic work is Frances A. Yates, Shakespeare's Last Plays: A New Approach (1975).

Posted by: davidenglish Mar 1 2007, 12:13 AM

QUOTE(redshoes @ Mar 1 2007, 03:37 AM) [snapback]1118714[/snapback]

QUOTE(davidenglish @ Feb 28 2007, 06:54 PM) [snapback]1118473[/snapback]

QUOTE(redshoes @ Feb 28 2007, 04:33 AM) [snapback]1117580[/snapback]

To make sure his audience understood Gower’s role, Shakespeare named him after a famous alchemist, Sir John Gower.
I'm not sure where this comes from. John Gower was a famous English poet and contemporary of Chaucer. He was not a famous alchemist. And I am unaware that alchemy played any part in his life outside of the odd tale told in his work Confessio Amantis. His role in Pericles is to underscore the 'tall tale' quality of it. Just as Henry V has Chorus and The Winter's Tale has Father Time.


It comes from Elias Ashmole, Theatrum Chemicum Britannicum. Original edition, 1652, reprint 1967, with an introduction by Allen G. Debus.

Here's a quote for you:

QUOTE
Now as Concerning Chaucer...he is ranked among the Hermetic Philosophers, and his Master in this Science was Sir John Gower. (p. 470)


Ashmole's collection of English alchemical texts included John Gower Concerning the Philosopher's Stone.

Chaucer used literary alchemy in his work, e.g., the Canon's Yeoman's Tale. If you search the text you can find albedo, citrinitas, imbibation, sal ammoniac, vitriol, etc. etc.

For the complete explanation of the role of alchemists in Pericles and The Winter's Tale, see Sorensen's study cited above. For a general introduction to alchemy in Shakespeare the classic work is Frances A. Yates, Shakespeare's Last Plays: A New Approach (1975).
Well, Ashmole is hardly a reliable source. And he was cobbling together an anthology of verse 250 years after Gower & Chaucer had died. The only lines by Gower related to the Philosopher's Stone occur in his rather long and rambling poem on Love and Lore Confessio Amantis. The specific lines are in the second half of book four http://omacl.org/Confess/2quar.html. But they've been cribbed from somewhere else and there's no sense, given the context, that Gower believes any of this.

Of course all those alchemical terms are in Chaucer's Canon's Yeoman's Tale. It's generally regarded as a send up of alchemists and arcane knowledge.

As for Frances Yates and Rodger Dale Sorensen, I don't take this Rosicrucian stuff too seriously. And Yates's take on the Last Plays of Shakespeare is rather over the top. It all smacks a bit too much of the Bacon is Shakespeare nonsense.

Posted by: Shard Mar 1 2007, 12:19 AM

QUOTE(memyslfnI @ Feb 28 2007, 06:32 PM) [snapback]1118450[/snapback]

Bingo Sillyputty!

One of the endproducts, of the creation of the stone, as we all know, is the Elixir of Life. Flamel had it, Voldemort wanted it! Only the very few are worthy of the journey, as an alchemist, to create the stone. Tom Riddle was smart enough, but could not comprehend the journey. He tried shortcuts to become immortal, to reach perfection while Harry, whose only desire is the love of family, was able to hold the stone in PS/SS. Why? Because he was worthy of the journey.

Tom can never be an alchemist because he absolutely cannot sacrifice himself for the love of another. (Dumbledore has done this in HBP) We see Harry, who has this "saving people thing" do this constantly.

I am wondering how JKR will do this, because I believe that Harry will have to sacrifice himself but I do not believe he will die. This is probably what I want to read the most. What wil happen after Harry destroys the final horcrux.
Ooooh! 139 days!


I have these same worries as well, I fear that Harry's "Saving People" does include self sacrifice. I have seen several stories have the sacrficing character "repreived" because the intent was enough.

I do tend to think that Dumbledore was the Alchemist who set Harry on the path to becoming or aquiring the Stone.

Posted by: hpaddict Mar 1 2007, 12:07 PM

We've got a great alchemy thread already in progress where this will fit quite nicely.

Hold on to your hat - we're going to apparate on over...

A LA PEANUTBUTTER SANDWICHES!

hpaddict - LL Mod



ETA:



I moved/merged a bit late and the post by kidney pie got bumped back. Since I was the one who was tardy, I'll copy their post again so that it won't get left in the shuffle. smile.gif

QUOTE
http://en.wikipedia.org/wiki/Equivalent_Exchange

This is an interesting article. I think the laws of equivalent exchange were written for Full Metal Alchemist, but I am not sure. It seems as though they do have their roots in real alchemy. Basically, to make something out of something else, one must lose something of equivalent value. This got me to thinking about Voldemort and why he would have liked to get the Philosophers stone, which FMA can bypass this law.
I think that this is also something the stone is thought of to be able to do in real life, by real alchemists, because FMA had to get the idea from somewhere.


Well according to Full Metal Alchemist it can bypass this law. If it is something to do with real alchemy, then perhaps it too can find it's way into the Harry Potter world, if Jo has studied her alchemy.

You see, Voldemort is losing what humanity he has every time he makes a horcrux, becoming more and more reptillian looking or at least less human. Maybe that is the price he must pay, the exchange he must make. Maybe the stone would have helped him to retain some humanness. There could be more sacrifices he was willing to make, we just are not sure what he has lost. He has perhaps lost quite a bit that we are unaware of at this time.


Also the gate of Alchemy in FMA reminds me of the veil very much. I have never watched this series, so fans of the series here must tell me if I am wrong.



Also interesing as it says this was never shown:

The only component of human transmutation never shown is the extraction of the soul of a deceased human from the gate.

The stone could be used to make a pure body and also get a soul into the body, basically bringing someone back to life. Now Jo says that she will never do this, but maybe the Veil doesn't really represent death, just a holding place for souls. In that case, she wouldn't be bringing anyone back from the dead, since they are not technically dead, just held in some halfway point.


SO could the Philosophers stone be used to create a perfect body and remove a soul from the veil, bringing Sirius back to life?

But the stone was destroyed. And it is also suggested that thousands of people must die to make a stone, as it is souls that give the stone it's power, and that souls are used up sooner or later, so a stone will decay sooner or later anyway, unless repowered.

Actually the FMA stone does not sound very nice at all.

We never learned how the Harry Potter stone was made. We do know that Dumbledore was best friends with Nicolas. If it really required thousands of souls to power the stone, then either Dumbledore is evil too, or he was unaware of what Nicolas did to make the stone. But I can't see Dumbledore not knowing what Nicolas did to make the stone. And the deaths of thousands of people wouldn't go unnoticed. But perhaps Nicolas aquired the stone from Grindlewald or something. But it did say on his card he was the maker of the stone. So the stone in Harry Potter must have been made a different way. I can't see it being made in an evil way. It is interesting to compare it to the stone of FMA though, where that stone required thousands of souls to power it. Maybe this one is powered by love or some other means.


Maybe there is another way of getting souls for your stone, if you have thousands of friends all willing to give a peice of soul for a good cause. Then maybe it would not be evil. I've read other stories in which people are able to share souls or offer up a peice of soul for someone. I've read a story in which someone has no soul, but someone gives them half of theirs. Then they both have half a soul, and each peice regrows into a full soul. So maybe a stone could be made with peices of donated souls I guess. Since there is no stone, maybe Harry and his friends can start one in order to bring Sirius back from the veil, if the veil represents a halfway point, that is, not really death. So they aren't bringing someone back from the dead.
Or maybe Harry himself would fall into the veil, only to be brought back by thousands of friends who all donate some of their soul for the stone. Or maybe the trio figure out how to make a stone or power it in the love room or something.

Anyway, it would be interesting what some of the FMA fans or at least people who have watched this series think about comparing it to Harry Potter. I am not sure if we will see any simularities, but there does seem to be some.

Voldemort can not have a perfect body, he loses his humanity each time he splits his soul. He wanted the stone and there could be more than one reason why he wanted it. It could have helped him to have a perfect body.

There may be a good horcrux, that is, one may be able to use the stone to get their soul out and make a horcrux without killing anyone. Voldemort might have like this, but not for any noble reasons, just it is convenient for him.

The Gate of Alchemy and the Veil seem very simular. I don't know if the gate were just invented for the FMA series of if it has it's roots in real alchemy.

Also when reading about the Full Metal Alchemist series, there is an object like a horcrux that people can make using a Blood seal to bind a soul to an object. Sounds very simular.







Posted by: memyslfnI Mar 1 2007, 01:22 PM

We spoke of the metals and who might be related to what. I found this when looking into Ron's Birthday.

March 1 is the http://www.pantheon.org/articles/m/mars.html or the Feast of Mars.

Could be another clue as to the role of Ron as Iron along with the rue correlation.

Posted by: EruditeWitch Mar 1 2007, 01:30 PM

Oh excellent, M! I am even more convinced now that Ron is ruled completely by mars. He is very symbolic of Iron to me.

Another way this can be true is by looking to what I believe is Ron's character symbolism. Starting at the chess game, I find Ron to be characterized in Knightly ways. What is the principle way a Knight protects and fights? With metal armor and metal swords, which used to be based in Iron.

Posted by: SillyPutty Mar 1 2007, 05:23 PM

QUOTE
Tom can never be an alchemist because he absolutely cannot sacrifice himself for the love of another. (Dumbledore has done this in HBP) We see Harry, who has this "saving people thing" do this constantly.
So in a way... it is about total selflessness, the ability to love completely and not expect anything in return. Whereas Tom's actions are always about his needs and desires - utter selfishness.

I have to say after reading some I am in agreement with coach on the stone being Harry's soul...

Posted by: Shard Mar 1 2007, 05:39 PM

So going with that logic, Harry's Pure soul can destroy Voldemort's 1/7th, Unicorn tainted soul?

In the end Power, Skill and ability will not have mattered, but the fact that Harry's open and accepting and perhaps Forgiving Heart will be key to destroying the impure Voldemort.

Posted by: firephoenix Mar 1 2007, 11:35 PM

QUOTE(Shard Posted Yesterday @ 11:19 PM )

I have these same worries as well, I fear that Harry's "Saving People" does include self sacrifice. I have seen several stories have the sacrficing character "repreived" because the intent was enough.

I do tend to think that Dumbledore was the Alchemist who set Harry on the path to becoming or aquiring the Stone.

My personal opinion is that both Dumbledore and Harry are Alchemists. DD's journey was more literal (science) whereas Harry's journey is more symbolic (religious).

But for arguement sake lets say for a moment that Harry is just the stone. Wouldn't it of been Voldemort then that set Harry on his path and not DD? Voldemort is the one who choose Harry not DD.

Posted by: Shard Mar 2 2007, 12:46 AM

True but then it was Albus who has been his guide, then again I think Harry has had many guides really. Albus however was the one with the master plan on how to set things up. PLacing Harry with the Dursleys for instance.

Posted by: SillyPutty Mar 4 2007, 01:22 PM

QUOTE(Snark @ Feb 27 2007, 11:18 PM) [snapback]1117646[/snapback]
QUOTE
well, the goddess can be any age - it is as she deciedes to be viewed by the champion. It is the aspect she represents... innocence, protection, wisdom (in my mind)... which corresponds I think well with the 3 father figures we see in the Potterverse for Harry that represent the white, red and black.


This is challenging. In terms of Arthurian legend, Ginny got part of Guinevere's story (the abduction/seduction), but the role of Maiden, Mother, Crone is more far-reaching in terms of Harry's whole story.

Ginny should be Maiden, since she is desired (by Harry).
Hermione (to me) fits more with Mother, as she nurtures/protects.
Luna, I think, should be Crone, as she is connected to death and spiritual matters. That's more the realm of the Crone.
I agree the Hermione nutures and protects but she is also the one who guides Harry with the wisdom she gains. It may seem callous but I don't see Luna as playing a major role of a female/goddess in Harry's life. I see the Crone/Hag as the older woman who has the knowledge the hero needs to commit and succeed in his trials - Hermione is the one who does this.

I can see why you had a huge debate on this in the past biggrin.gif

Posted by: Snark Mar 4 2007, 09:36 PM

QUOTE
It may seem callous but I don't see Luna as playing a major role of a female/goddess in Harry's life.


I don't think its callous, but I think anytime Harry opens up to someone there's a powerful connection, because it is exceptional for him to do so. Luna filled a role in OotP, with regard to Sirius' death, that Hermione, with all of her brains and wisdom, couldn't have filled.

Of course, each face of the goddess blends into the other two. On the Tarot deck, for example, Luna is inarguably the High Priestess, who is generally connected to the Maiden, as potential unfulfilled. But the High Priestess is the keeper of the secrets, bearer of the veil, whisperer to the unknown, etc., which are all, IMO, characteristics of the Crone, if you look at most other renditions of the Triple Goddess. The Maiden is supposed to be joyous youth, passion, potential, beauty -- though we have some 'maiden' goddesses who are dangerous, or at the least, reserved, the determined virgins, like Artemis and Athena. And Persephone is an interesting case -- she is the Maiden who gets dragged into the realm of Death every year, where she becomes cold and heartless. She never, as far as I know, becomes a Mother.

Wow, need a tangent? biggrin.gif

Posted by: memyslfnI Mar 5 2007, 12:50 AM

I look at Luna as the one who is the "anti-Hermione". She shows him the things that Hermione can't. Hermione is logic and cannot look outside the box, while Luna will achieve this role. She could very well be important to HArry in book seven as she can see Thestrals, and also can hear what lies beyond the veil. What that means in the triple goddes theory? I am not sure.

QUOTE
The Maiden represents enchantment, inception, expansion, the female principle, the promise of new beginnings, youth, excitement, and a carefree erotic aura. The Maiden in Greek Mythology is Persephone - purity - and a representation of new beginnings. Other maiden goddesses include: Brigid, Nimue, among others.

The Mother represents ripeness, fertility, fulfillment, stability, and power. The Mother Goddess in Greek mythology is Demeter, represtning wellspring of life, giving and compassionate. Other mother goddesses include: Aa, Ambika, Ceres, Astarte, Lakshmi.

The Crone represents wisdom, repose, and compassion. The Crone in Greek mythology is Hecate - wise, knowing, a culmination of a lifetime of experience. Crone goddesses include: Hel, Maman Brigitte, Oya, Sedna, Skuld, and others.


"It goes on to state "These aspects may also represent the cycle of birth, life and death (and rebirth)" They have been linked to the waxing and waning of the moon which would add to the birth/death/rebirth idea.

This was interesting:
QUOTE

The Willow Tree, Saille, symbolizes The Moon, its gemstone is Moonstone, its flower is the Primrose, and its animal associates are The Serpent, and Two Scarlet Eggs hidden in the Willow Tree.. The Archetypal Character associated with this fifth sign of the Lunar Zodiac is Morgan LeFay. The overall influence is the transformation or magical aspect of the triple goddess; in particular the transformation process of the young woman—the virgin aspect of the goddess—into the mother goddess.
We know Lily is the first "White Queen" and that she also has a willow wand. She could be the Mother aspect. I still feel Ginny is the maiden adn since the crone is wisdom, I would place Hermione in that position.

Posted by: SillyPutty Mar 5 2007, 12:56 PM

you make a good point Snark - I guess in some ways, each book has the goddess' in them just as their are HJ steps in each book and Alchemy seems to encompass the whole

Posted by: Snark Mar 5 2007, 01:01 PM

QUOTE(SillyPutty @ Mar 5 2007, 10:56 AM) [snapback]1125261[/snapback]

you make a good point Snark - I guess in some ways, each book has the goddess' in them just as their are HJ steps in each book and Alchemy seems to encompass the whole


I also see alchemy (what I can understand of it) as some sort of archtypal umbrella over everything, as it is being used in HP.

Posted by: memyslfnI Mar 6 2007, 06:03 PM

I thought this was interesting:

The Rosicrucians:

The Rosicrucians were said to follow the teachings of Paracelsus.

Rosicrucian Concepts

1. The origin of the universe is divine.
2. The soul is a spark of the divine consciousness in the universe.
3. The moral law is the basic law of the universe.
4. The soul-force possesses potenially the powers of the divine principle at work in the universe.
5. Life has a purpose. Life is not meaningless.
6. Man has free choice.
7. Since the individual soul is part of the universal soul, man has access to powers he does not know, but which time, knowledge, and experience will gradually reveal to him.

WE have talked about the Chemical Wedding of CR in this thread a few times and I see much of what Dumbledore is trying to teach HArry in these seven concepts. The idea of Choice is paramount. I also see Dumbledore's idea that through knowledge and experience Harry will be able to understand the power of love.

Posted by: scollins Mar 7 2007, 08:45 PM

QUOTE
A way through which the alchemical work on the "Path of Initiation" has been expressed to the world, according to occultists such as Corinne Heline (1882-1975), is through classical music. To wit, the nine symphonies of Beethoven (1770-1827) were divided into two groups. The first, the third, the fifth, and the seventh are vigorous, powerful and of command, representing the intellect. The second, the fourth, the sixth and the eighth are elegant, ternurent, gracious and beautiful, representing the heart (intuition). They culminate in the symphony with human voices, the ninth symphony, in which the equilibrium between mind and heart or the "Chymical Wedding" ritual, where the Christ Within – the Adept – is born ("consumatun est").


I was researching "Rosicrucians", thanks to mem's post, and ran across this interesting tidbit in Wikipedia. Now, I still have a lot to learn, but I wonder if the HP series can be divided in this way as well. The first, third, and fifth having parallels to the intellect, and the second, fourth, and sixth representing intuition. The seventh achieving the balance of the mind and the heart.

The first book relies on plain old intellect, to figure out what the Stone was, where it was, and how to get it. The fifth could also be intellect, Harry is studying for O.W.L.'s as a prominent plot point, and his lack of knowledge is what creates some of the problems he has. Also, as Harry educates the D.A.

The second could be heart, as the diary deceives his mind, and Harry trusts it. The sixth is definitely more subdued, as Harry spends time getting to know Tom Riddle's past, rather than learning cool fighting techniques from Dumbledore.

Any thoughts? I had trouble classifying PoA and GoF, so maybe I am barking up the wrong Whomping Willow.

Posted by: memyslfnI Mar 8 2007, 10:27 AM

Using your idea that would place DH as a book based on intellect. this makes total sense to me. Harry is going to have to take EVERYTHING he has learned from Ron, Hermione, Luna, Hagrid, Dumbledore, Lupin, etc and apply it in the books. If this is the case, I bet we see a lot of "Harry thought of Hermione's words when she..." or Harry remembered Dumbledore's warning..." type of sentences in DH.

as far as PoA and GF I wounder if they are
:

GF Intellect - Harry spent alot of time learning about how to master each task. He mastered the Accio spell and spent alot of time in the library to learn how ot survive each task.

My initial thought is that PoA would be a heart book, because he finds Sirius, but he learns a lot about his past in this book. He learns about the treachery of Peter and the truth is discovered about Sirius' past


Posted by: firephoenix Mar 8 2007, 02:20 PM

QUOTE(Shard @ Mar 1 2007, 11:46 PM) [snapback]1119992[/snapback]

True but then it was Albus who has been his guide, then again I think Harry has had many guides really. Albus however was the one with the master plan on how to set things up. PLacing Harry with the Dursleys for instance.
Prongs Patronus and I were having a silmar conversation in the PM system. I believe that Lily was an Alchemist and, as PP pointed out, most likely worked as an Unspeakable for the DoM. IMO, Lily is the actual Alchemist that set Harry on his path. She is also the one who may have made Harry the living stone.

Posted by: EruditeWitch Mar 8 2007, 02:51 PM

That is an excellent theory!

Is Harry the Stone, or does he have to make The Stone?

And if he is The Stone or has to make the Stone, then the belief of the ingredients he needs, where does that come into play?

Will that make Ron Sulphur? Or do you not NEED sulphur if the stone is already made?

Posted by: SillyPutty Mar 8 2007, 04:18 PM

so her final sacrifice would of set him on the path of becoming the stone?

Posted by: Narya Mar 8 2007, 05:00 PM

QUOTE(memyslfnI @ Mar 8 2007, 03:27 PM) [snapback]1129434[/snapback]

Using your idea that would place DH as a book based on intellect. this makes total sense to me. Harry is going to have to take EVERYTHING he has learned from Ron, Hermione, Luna, Hagrid, Dumbledore, Lupin, etc and apply it in the books.


I can see this too, M ... but I can also see DH being a book of the heart as well. I'm sure that Harry's heart is as pure as his soul - one can't exist without the other, and Harry has to give everything he has to what needs to be done, throwing himself into his task with body (heart), mind (intellect) and of course his soul. Does that make sense? Without love, Harry is nothing. All the intellect in the world won't help him defeat LV if he forgets who he truly is ... he's a child of the heart because his mother loved him so much, sacrificing herself for him. Her heart lives on in her son.

QUOTE(firephoenix @ Mar 8 2007, 07:20 PM) [snapback]1129719[/snapback]

I believe that Lily was an Alchemist and, as PP pointed out, most likely worked as an Unspeakable for the DoM. IMO, Lily is the actual Alchemist that set Harry on his path. She is also the one who may have made Harry the living stone.


I was trawling around an alchemy website, and found this ... it might have been posted before, but it's relevant here too, I think ...

QUOTE
As there is oil in sesame seed and a spark in flint, thus your Beloved is in your body. Wake it if you can. As the pupil is in the eye so is the creator in the body. The fool does not know this secret and runs outside
looking for it in vain. That what you seek is in the four corners of the earth.
It is inside, you do not see it, because it lives behind the veils of illusion.
(Kabir Sahib)


from: http://www.soul-guidance.com/houseofthesun/alchemy_3.htm

FP, to me, this snippet seems to tie in with the idea that Harry is the "living stone." Just as DD was the "epitome of goodness," according to JKR, so Harry is now picking up that mantle on his journey to quintessence. So many factors made Harry what he is today, but Harry definitely embodies what Lily stood for in terms of his courage and willingness to sacrifice himself - if the need arises of course. It may not.

As for PP's idea that Lily might have been an Unspeakable, this would make sense in one way because of the mystery which surrounds her. We know so little about her, only seeing her in retrospect. Could Broderick Bode have worked with her on some alchemical project? Pure speculation of course, until DH arrives with the answers. I've often wondered, though, if there is more of an alchemical link with Godric's Hollow and Bowman Wright - is there a link between metallurgy and alchemy?

Posted by: firephoenix Mar 8 2007, 11:11 PM

QUOTE(SillyPutty Posted Today @ 03:18 PM )

so her final sacrifice would of set him on the path of becoming the stone?
Yes & No. LV could have not marked Harry as his equal if it wasn't for Lily. I think Harry was born the chosen one, but the events of Godric Hallows had to take place to set Harry on his Alchmey journey.

QUOTE(EruditeWitch Posted Today @ 01:51 PM )

That is an excellent theory!

Is Harry the Stone, or does he have to make The Stone?

And if he is The Stone or has to make the Stone, then the belief of the ingredients he needs, where does that come into play?

Will that make Ron Sulphur? Or do you not NEED sulphur if the stone is already made?
I believe that Harry is the "Living Stone". The Sorcerer's Stone's ingredients are not the same as the metals. Ari and AW have a great conversation about this on the first page of the first thread.

The Sorcerer's Stone needs Snake vemon, Unicorn blood, and Dragon blood. There maybe are more. We had this conversation so long ago. M! ARI! HELP! lol.gif

In SS Harry gets Unicorn blood on himself and in CoS Harry gets bitten by the Baslick. All he needs is the dragon's blood and he will have all the ingredients of the Sorcerer's stone.

QUOTE(Narya Posted Today @ 04:00 PM )

FP, to me, this snippet seems to tie in with the idea that Harry is the "living stone." Just as DD was the "epitome of goodness," according to JKR, so Harry is now picking up that mantle on his journey to quintessence. So many factors made Harry what he is today, but Harry definitely embodies what Lily stood for in terms of his courage and willingness to sacrifice himself - if the need arises of course. It may not.


That is why I said Lily set him on his path. There are so many people that have touched his life and in doing so changed him into the person we see today. I feel Harry was born special and Lily did indeed give him something that helped him get though 10 years of abuse by the Dursleys.

Shard and I were debating whether Harry was the "living stone", the Alchemist or both.

QUOTE
As for PP's idea that Lily might have been an Unspeakable, this would make sense in one way because of the mystery which surrounds her. We know so little about her, only seeing her in retrospect. Could Broderick Bode have worked with her on some alchemical project? Pure speculation of course, until DH arrives with the answers. I've often wondered, though, if there is more of an alchemical link with Godric's Hollow and Bowman Wright - is there a link between metallurgy and alchemy?
My best guess is that Lily was a metal charmer. Ever time I read in GoF when LV states that it was old magic that he had forgotten. I think of the locked door and that Lily most likely thought about it everyday.

Posted by: memyslfnI Mar 12 2007, 08:39 AM

I had to post this stuff on Celtic alchemy because I thought it was really interesting! I will bold the things that I thought were relevant to HP! (cinnebar is also called Dragon's blood)

QUOTE
Celtic Alchemy can be defined as the Art of Cherishing Red, or Cinnabar, which is a substance that can be transformed for creating a certain force. Mastering the art of Cinnabar would enable you to have a significant impact on the quality of your energy during its transformation. Thanks to the Art of Cherishing Red, the properties of this energy can keep changing until it has completely materialized.

In Christianity the color red related to Cinnabar was perceived as a negative color, i.e. the color beyond human control and something that would manifest human weaknesses. It was believed that red intensifies everything negative like a storm, especially if a person is not capable of controlling the transforming power of Cinnabar. In the times of Christianity red became a symbol of the Devil, which symbolized the belief that force can be acquired only from God, but not within. So on the one hand, red represented infernal creatures, but on the other hand, it was a symbol of power and force. Hence the fact that Celts perceived all red-heads as people from another world.

Symbols and forms of transformations in Celtic Alchemy

The main symbol of Celtic Alchemy is an all-producing pot owned by the Dagda Deity (the patron of Celtic Alchemy) and well-hidden on Isle of Man located by the northern shore of Wales. This pot symbolizes both power and the process of transformation. Furthermore, it is a hidden source of knowledge that creates all processes related to alchemic transformations. Similar to the Holy Grail, this pot brings the dead back to life and nurtures the living.

Celtic Alchemy studied the process of transformation by any forms of the material world including color and sound. Color is the most significant form symbolizing the process of transformation. White, black, and red were the main three colors. White used to symbolize movement; black – stillness; and red was the color of internal force and transformation.

In Celtic Alchemy sounds (rhythm), items, characters, and clothes were second to the main transformation forms. Then there were separate parts of the whole including body parts. For instance, the cut-head cult was related to worshiping a separate living part of the whole. Nowadays in traditional pumpkin carving for Halloween (October 31st; corresponds to Celtic New Year – Samhain Holiday) we can see the reflection of customs dating back to Celtic worship of heads as trophies protecting from evil.

The concept of alchemic rhythm is one of the key concepts in Celtic Alchemy. At first it was based on the cult of development (growth), and then it became a cult of celebrating. Working with rhythm makes Celtic Alchemy similar to African magic. This link is due to the fact that the Iberian tribe moved to Europe from northern Africa and mixed with Pyrenean Celts. The Art of listening and working with rhythm gave birth to the art of music, dance, poetry, and interactions, and also to different crafts and a tradition of celebrating seasonal holidays – the points of energy changes in space connected to rhythm. The Celtic Deity Pantheon also symbolized a certain alchemic rhythm and a combination of vitally important vibrations, each of them represented by another deity. The same process occurred within the spirits of nature – plants and sacred animals; and with the development of the Celtic Deity Pantheon people started considering them to be forces possessing certain qualities.

Celtic Pantheon

Perhaps some Celtic deities used to merely perform some limited functions and were considered to be some temporary concepts. There were over ten deities, which performed ‘multiple functions’, and others were hardly ever mentioned. With the development of religious concepts certain forces, natural events, and animals obtained divine meaning. Weapon-making was also a part of some cult and would be performed during certain rituals. The expansion and strengthening of territories controlled by Celts had a certain impact on the fact that more and more cults emerged every day.

The rhythm of alchemic transformations was controlled by Brigit – the goddess of fertility and rhythm, Dagda’s daughter. Tara Hill is considered to be a central point of Celtic Alchemy; the ancient capital of Ireland is a symbol of fire; and Boyne River is the symbol of water. Boyne is the name of Dagda’s alchemic spouse.

Dagda transferred his knowledge of Celtic Alchemy to Oengus (MacOk) - God of Love; to Midhir - God of the Underground Kingdom; to Lear – God of the Seas; and his son Manannan (Isle of Man is named after him) – the head of an underground laboratory in Gelta and Loog Dirg Mountains, where different alchemic transformations occurred in the past.

Due to the constant migration of Celts, their life-rhythms also changed; therefore, each tribe created its own Pantheon, though preserved the main deities that had common features and performed multiple functions. It is no wonder that the Celtic history includes such characters as King Arthur, Merlin-the-Wizard, Tristan and Isolde, and King Lear. They represented a collective figure of Celtic Warrior, Celtic Alchemist, Celtic Woman; thereby manifesting the unique features of Celtic culture – the qualities of connection and synthesis.

Main characters of Celtic Epos and Alchemy

The whole Celtic Alchemy consists of different cycles, each of them describing the full process of alchemic change and transformation. Celtic epic cycles represented a literary reflection of different stages of the alchemic process. It is quite logical that alchemic processes were described by the means of literature because priests that possessed alchemic knowledge were not allowed to write it down, and up to the 18th Century they passed all their knowledge verbally and it was written down much later.

The Mythological cycle is the most ancient, and it describes the first alchemists – the deities of the Danu tribe. It also tells about the origins of Celtic Alchemy and Alchemic Deity Pantheon. The other two main Celtic alchemy cycles include the Ulad and Ossian cycles. Each is like a geometrical form and it describes certain events that are used as reference points of this geometrical form. Celts considered the art of building geometrical forms as an opportunity to note and preserve the knowledge by lining up rhythms, cycles, letters, and pictures.

When studying Celtic Alchemy, it is necessary to understand that the process of chronicling in this culture is not as important as in many others, because Celtic knowledge is least related to the concept of time, i.e. it is completely beyond time. Celtic Alchemic culture is the source of knowledge about links, which can be created in space. In Celtic Alchemy the main knowledge is related to understanding the spatial dimension and connecting different forms and terms in space.

Kuhulin – a warrior and an alchemist – is the most important character of the Ulad Cycle and the whole Celtic epos. He and Finn MacKumall - the main Ossian Cycle character –had a significant impact on the development of Celtic Alchemy as a science. When analyzing this character’s personality and exploits, the researchers came to a conclusion that he is a master, who apparently used Celtic Alchemy as a way to achieve immortality in real life. This science considers physical properties to be a part of the internal transformation process that changes the power and capabilities of joints and tendons, and even facial expressions.

During transformation Kuhulin’s energy body became very dense and he got so powerful in terms of the development of his inner fire that it made people perceive his body as a source of light and heat. Kuhulin would descend such force on his enemies that it would produce storms and eclipses. It even says in one of the main Celtic Alchemic works named ‘Táin Bó Cúalnge’ (Ravishing a bull from Cualnge), Kuhulin, who mastered the art of internal transformation, could change his appearance and make not only his arms and legs strong, but even his hair. All systems of his body had strong forces and links. Blood gave fire and helped Kuhulin transform his surroundings; the energy of his muscles could change air density; and his skin was like the sails of a boat catching a strong wind.

It should be noted that the development of Celtic Alchemy at the times of Kuhulin was related to women. Some of them helped him, others – opposed; but he still managed to obtain most of his knowledge from them. As a result all great lady-warriors and goddesses used to interact with Kuhulin. Even his death (Kuhulin killed himself by breaking one of his own gaces (laws) – eating dog-meat) should be considered to be a manifestation of his knowledge that he applied against himself by striking with his own weapon. After this Kuhulin freed his spirit from the body and underwent a miraculous transformation.

Gaces

The main contribution of Celtic Alchemy into the world culture is the gaces of the art of action. These gaces enabled people to understand the tasks that they had to perform. It should also be noted that gaces are the foundation of all the rules that still control human lives. Gaces are the rules and individual behavior standards, which regulate human life and represent certain types of Celtic pledges. For instance, Kuhulin – an epic hero – had to be responsible for his words; he was forbidden to help women, eat dog-meat, and allow anyone to pass through his land without his consent. Gaces were developed by some druid priests, and they were based on the macro-cosmic principles manifested in everyday life.

From the Alchemic point of view, the gaces are important because they enable people to produce an internal effort, i.e. when people not only take responsibility for their actions, but also have to constantly keep their rules in mind and master their practice. Gaces are not an abstract concept; instead, they perform an important function helping people to stay consciously connected to their internal world and preserve the secret of weak and strong points of someone’s character. Losing control over a gace meant losing power and energy, and this would lead to physical sickness.

The gace principle was later inherited by many knight’s orders and became very important for the Knights Templars. They managed to keep an order in the whole organization for many centuries by following their internal codes, which consisted of different gaces.

Thereby, Celtic Alchemy established a certain scale of moral values based on power, law, and principles that were set in order to make some people or their actions better in terms of quality. Breaching the law would always lead to a disaster and partially destroy the universe.

Links principle

As time passed, the internal links materialized into the external links, i.e. at first internal energy links were applied in external life and supported it. Later external links were created – the external level being more material and hard. Celts considered even buildings and natural landscapes to be a part of space, in which special conditions were created for certain energy transformations.

Everything that Celts did – from conquering neighborhood tribes to building their own home or ritual center – followed a well-arranged process of transformation and created an independent spirit. Thereby, internal energy changes in people were considered to be a process of building up or otherwise losing the power of spirit. Often these processes corresponded to caves or areas inhabited by bears.

In Celtic Alchemy stones (and later trees) were considered to be a symbol or a form that followed the links principle. These stones had crystalline structure that can be transformed and modified. From olden days stones were considered to be the knots of knowledge, which absorbed the energy of their surroundings. Different roles were attributed to stones based on their crystalline structure.

History and system of Celtic Alchemic Education

Celts settled in the British Isles in about 4th Century BC. They mixed with local tribes and gave birth to a new type of Celts. They built their own training centers based on their druid and pagan understanding of the development. As a result of this process, they developed a strong magical system based on either previously acquired knowledge or their attempts to achieve immortality. On the British Isles Celts synthesized the knowledge of Pythagoreans, Aryans, Iberians, Nords, and local tribes, and this process enabled them to create a harmonious system of beliefs in immortality.

The druids created special training centers with 20-year long education programs, and the curriculum of these centers included studying 20 thousand poems. This educational system consisted of four transitional stages. Three of them were related to different stages of self-perfection, and one of them had no name. Druids were very consistent with the quality and understanding of how this knowledge should be absorbed.

The training consisted of stages called Phion’s Stairs. Each stage represented a lesson learnt or a new phase of life noted as the Celtic alphabetic symbol – Ogam. One year corresponded to making one pattern and symbolized the process of mastering different arts and skills. The main goal in life is constant self-perfection . This series of lessons and the chain of regenerations represents a druid concept of soul migration. According to some Celtic works, souls get regenerated while moving upwards through different stages, and with every regeneration they get closer to the True Spirit. Some other sources say that human souls get transferred to the next generation.
Secret of Celtic Alchemy Code

Celtic Alchemy is the art of communicating with the forces of nature and living by laws regulated with a strict order of actions in a certain rhythm. As mentioned, this rhythm is the main principle of transformation. Another noteworthy peculiarity of Celtic Alchemy includes its focus on forces and skills set by nature. Celtic Alchemy does not develop energy; it links and redistributes it instead. One might assume that the main objective of Celtic Alchemy is to link the whole material world with the world of spirits and deities. There is a belief in Celtic culture that the area originally inhabited by Celts has its own dimension of time different from the common perception of time.

Whatever efforts we apply in order to discover and decipher the codes of Celtic Alchemy, we would still be unable to achieve this goal because the most important goal of Celts was the distribution of knowledge. Combination of links is a significant part of the process of discovering the Celtic knowledge. Only through the combination of different knowledge can one answer the main question - partial knowledge would not enable you to find the answer. Many researchers, such as Saint Patrick and Saint Columba tried to discover the knowledge of Celts, but instead they merely became a part of this knowledge. The knowledge of Celtic Alchemy is a spectrum, in which one can get immersed but cannot envelope it.

Thereby, thanks to Celtic Alchemy modern European cultures incidentally inherited not only different forms of knowledge, but also a valuable methodology consisting of the system of developing the knowledge and the principles of teaching it. It was Celts who created the concept of building the society as a structure that develops in set order and purposefully. In reality Celtic Alchemy was a direction for the development of the whole European civilization and all its development trends.

Celts also had a certain impact on the system of public relations. In this system the principle of proportion got modified into a form now called ‘democratic existence’. The main modern financial institutions were also formed due to Celts because they were the ones who created the foundation of main financial relations.

Thanks to the Celts the art of monastic existence was created. Later this concept was developed by the Knights Templars and Freemasons. Basically the concept of a knights order as an institute of perfection originated in the Celtic culture because it was the Celts that showed the world the importance and the significance of the links principle for achieving a common goal.

Having set strict laws for their lives, the Celts created a certain model of religious society, which has never existed before; and many Christian leaders tried to apply this model in real life. It developed most effectively within the organizational structure of the Knights Templars.

Furthermore, it seems that Celts were responsible for the fact that in our times we can not only consume high-quality beverages and food, but we can also do so graciously.

According to the Celtic Alchemy, people can achieve immortality in the point where eight arts cross. The link between many parameters in terms of their quality enables people to acquire magical skills. Any action – from everyday routines to sacral rituals of eating sacred salmon (fish of wisdom that enables us to understand the past and the future) – was considered by Celtic Alchemy to be the art of gathering together.

Therefore, even modern people trying to perform several tasks at the same time act in accordance with the principles of the Celtic Alchemy. Linkage can physically transform different objects. However, we need to remember that the main character of Celtic epos, alchemist and warrior Finn MacKumal can put his magical pot on the fire, and make the immortality elixir only in the place that has some support, i.e. the place where three to eight processes occur simultaneously. In Celtic Alchemy such place is called ’the eight Fenian stones’. In order to join this secret process of the ancient Celtic art of transforming yourself we (present-day people) cannot do without some support.

Gaces of the art of action:

* the art of discovering the code of life;
* eating and drinking as a way of discovering the magical qualities of a body;
* the art of preserving silence for understanding the depth of knowledge;
* the art of crystallization;
* actions as part of linking process;
* actions of a woman defined by her destruction are different from actions of a man;
* actions should not be targeted at those who exist beyond the laws of actions;
* actions should not be lost (in links with unnecessary people, animals, and forces);
* actions fill but do not empty;
* actions are quality, they cannot be little;
* abuse and threats destroy; but calmness punishes;
* every action has its master;
* actions should never leave knowledge;
* actions are defined not only externally, but also internally (spreading ungrounded opinions makes one lose his power);
* time spent unconsciously will not go unpunished;
* force should be controlled;
* the truth is in rhythm; power is in links; and filling is in actions.



Anyone else think that the idea of Celtic alchemy is worth exploring?

Look at the things I have bolded.

The cut head cult. Interesting that Harry's head was cut on Halloween.
the all producing pot reminds me of the rebirthing ceremony
The idea of immortality occuring where three to eight process occuring simultanously
The idea of perfecting the soul and also that the sould can migrate

thoughts?

*edited to fix quote tags*

Posted by: firephoenix Mar 12 2007, 09:55 PM

Mem - I just love this and with St. Patty's Day fast approching it seems only fitting that we discuss Celtic Alchemy! biggrin.gif

The rhythm of Celtic Alchemy reminds me of the music threads that have been started. ponder.gif

QUOTE
Due to the constant migration of Celts, their life-rhythms also changed; therefore, each tribe created its own Pantheon, though preserved the main deities that had common features and performed multiple functions. It is no wonder that the Celtic history includes such characters as King Arthur, Merlin-the-Wizard, Tristan and Isolde, and King Lear. They represented a collective figure of Celtic Warrior, Celtic Alchemist, Celtic Woman; thereby manifesting the unique features of Celtic culture – the qualities of connection and synthesis.
This makes me think of Harry, Dumbledore, Hermione and Ron. I do remember that the Arthurian thread started in this thread. Was it broke off from the first thread? The Weasley family does link us to Celtic Alchemy. They are all named after knights of the round table.

QUOTE
When studying Celtic Alchemy, it is necessary to understand that the process of chronicling in this culture is not as important as in many others, because Celtic knowledge is least related to the concept of time, i.e. it is completely beyond time. Celtic Alchemic culture is the source of knowledge about links, which can be created in space. In Celtic Alchemy the main knowledge is related to understanding the spatial dimension and connecting different forms and terms in space.
This reminds me of three things.When Harry goes [i]below the water to face the 4 types of love. (The third task in GoF) When he comes back above[b] his watch is no longer working; Molly's clock that doesn't keep time at all and Dumbledores watch that has the plants and stars moving around the outer edge.

QUOTE
It should be noted that the development of Celtic Alchemy at the times of Kuhulin was related to women. Some of them helped him, others – opposed; but he still managed to obtain most of his knowledge from them.

Not surprising. lol.gif

QUOTE
In Celtic Alchemy stones (and later trees) were considered to be a symbol or a form that followed the links principle. These stones had crystalline structure that can be transformed and modified. From olden days stones were considered to be the knots of knowledge, which absorbed the energy of their surroundings. Different roles were attributed to stones based on their crystalline structure.
It was said that the runic stones were placed by the Druids. Are these the runes?




Posted by: Snark Mar 12 2007, 10:22 PM

QUOTE
The Art of listening and working with rhythm gave birth to the art of music, dance, poetry, and interactions, and also to different crafts and a tradition of celebrating seasonal holidays – the points of energy changes in space connected to rhythm.


This reminds me of DD's line in PS about music being a greater magic than all they do at Hogwarts (paraphrasing), and also of the Phoenix song, and how Harry describes it as within and without -- Harry 'felt it vibrating in his own ribs' the first time he heard it, and subsequent accounts are similar.

This Celtic Alchemy sounds much more formless and basic that t'other stuff -- much less 'decorated,' to borrow from Charlotte Guest. Similar to my own image of how Lily's sacrifice saved Harry -- her love being honoured by some greater power, rather than a spell being cast.

Posted by: memyslfnI Mar 13 2007, 11:10 AM

I was thinking more about the "cult of the cut head" which was referenced in the post about Celtic Alchemy. I am wondering if it is not a refereence to the cut on Harry's head but as a reference to "the Headless hunt"?

QUOTE
"Amongst the Celts the human head was venerated above all else, since the head was to the Celt the soul, center of the emotions as well as of life itself, a symbol of divinity and of the powers of the other-world."
- Paul Jacobsthal, Early Celtic Art



and
QUOTE


In the cult of the severed head the ancient Celts believed "that the heads of vanquished adversaries should therefore be severed and preserved."
- Baigent & Leigh, The Temple and the Lodge

"When their enemies fall, they cut off their heads and fasten them about the necks of their horses...and carry them off as booty, singing a paean over them and striking up a song of victory, and these first fruits of battle they fasten by nails upon their houses...The heads of their most distinguished enemies they embalm in cedar oil and carefully preserve in a chest, and these they exhibit to strangers, gravely maintaining that in exchange for this head someone among their ancestors, or the speaker himself, refused the offer of a great sum of money. And some men among them, we are told, boast that they have not accepted an equal weight of gold for the head they show..."
- Diordus Sciculus (1st Century AD)

one more
QUOTE

The severed head "figures perhaps most prominently in the myth of Brân the Blessed, whose head, according to tradition, was buried as a protective talisman outside London [White Hill], face turned towards France. Not only did it protect the city from attack. It also ensured the fertility of the surrounding countryside and warded off plague from England as a whole."
- Baigent & Leigh, The Temple and the Lodge

"All the evidence for Celtic religion emphasizes the fundamental importance of the human head to early Celtic society. It was a prized trophy in battle; but much more than this it was a potent symbol of the total religious attitudes of the Celtic peoples. The head stood for divinity. It was the supreme conveyer of hospitality, the distributor of the divine feast. It had powers of prophecy, healing, fertility, speech, independent movement and incorruptible life. If was regarded as the essence of being, the seat of the soul, the symbol of evil-averting divine power. Its meaning for the early Celtic peoples is clear throughout their history - it can truly be said to contain the essence of their religious philosophy and to be the most distinctive and powerful of all their cults."
- Ann Ross, "Head", Man, Myth & Magic, An Illustrated Encyclopedia of the Supernatural


It certainly makes me think of the idea that will be explored in book seven about ghosts and going through the veil.

I also wonder if there actually is something to the tiara horcrux theory since it is connected with the head. (Yet so is Harry's scar)







Posted by: Pat_Rorrythe Mar 13 2007, 04:52 PM

It was evoqued sin Scribbulus 's topics that Harry's head could have been chosen to be the sixth horcruxe, like the so nammed "fetiche", which was a head of a killed child which was supposed to tell the future thanks to the spirit who could speak through his mouth.
And those heads appears also in the films in the magic bus doesn't it ?

Posted by: Weasle Diva Mar 13 2007, 06:05 PM

I am very much in favor of the Celtic references to alchemy. I believe wherever we can get an alliance on a Celtic, esp Arthurian, Egyptian, Christian, and Alchemical image, we have hit the HP plot paydirt.

QUOTE
I also wonder if there actually is something to the tiara horcrux theory since it is connected with the head. (Yet so is Harry's scar)


1.The diary had to be written on to take the soul of the writer.

2.A good guess is that the ring had to be worn to get at the horcrux. So good thing Dumbledore had a Philsopher Stone golden soul. He took some damage in the arm, but could not be taken over by Voldemort.

3. A locket has to be worn. No one put the Grimmald Place locket on, hence, nothing happened. (Personally I think the locket is now empty and that horcrux is the one inside Harry.)

4. If a tiara-horcrux is placed on a head, it would attempt to take over that head.

This fits with the Celtic cult of the head and the term caput draconis.

The final battle will have Voldy and Harry face off on the spiritual plane.

I can see Harry (during the moments he is lucid and free from Voldy) asking to be killed before Voldy takes over. Probably the weapon at hand to do this deed is the Sword of Gryffindor.

So let's say white queen candidate Ginny did put on the tiara, she would have to fight Voldy again. (assuming also that the tiara in the Weasley family

Harry + Voldy inside gains extra powers such as Parseltongue.
Therefore, Ginny + Voldy inside would gain extra power as well. Ginny is already magically gifted via the seventh child situation.

If Ginny is fighting the tiara, while Harry is simultaneously wrestling Voldy out of his head, then we have a white queen (Voldy) and white king (Voldy) trying to take over Harry and his mate from the inside.

Therefore, if Voldy wins, he gets to marry himself.

*insert sickly wretching sounds*

We are talking major bass-akwards chemical wedding!

Posted by: firephoenix Mar 13 2007, 10:16 PM

Mem, I think you maybe are on to something. We once talked about the mind, boby, spirit and soul having to be together in order to work. They need each other and can not fuction without the rest.

Nearly Headless Nick explans that he choose to leave an imprint on the Earth, because he was to much of a coward to move on. The Headless Hunt members seem to be more respected by the other ghosts. With their soul & mind (head) seperated from their flesh & spirit (body) I wonder if they had the choice to pass through the veil or if they had to stay, because they were no longer whole. ponder.gif

QUOTE(Pat_Rorrythe Posted Today @ 04:52 PM )

It was evoqued sin Scribbulus 's topics that Harry's head could have been chosen to be the sixth horcruxe, like the so nammed "fetiche", which was a head of a killed child which was supposed to tell the future thanks to the spirit who could speak through his mouth.
And those heads appears also in the films in the magic bus doesn't it?
I remember when I first read that in Kidas' essay the thought sicken me and yet it was the most brillant thing I had read in along time.

There are shunken heads in PoA the movie. In the interview on that DVD JKR says she wishes she would have thought of that.

QUOTE(Weasle Diva Posted Today @ 06:05 PM )

1.The diary had to be written on to take the soul of the writer.
The diary is the "head" so to speak. LV placed his mind and soul into it.

QUOTE
2.A good guess is that the ring had to be worn to get at the horcrux. So good thing Dumbledore had a Philsopher Stone golden soul. He took some damage in the arm, but could not be taken over by Voldemort.

3. A locket has to be worn. No one put the Grimmald Place locket on, hence, nothing happened. (Personally I think the locket is now empty and that horcrux is the one inside Harry.)

4. If a tiara-horcrux is placed on a head, it would attempt to take over that head.
clap.gif Brillant! Other then that I am speachless. You gave me a starting point on what the aniti-Horcruxes might be, but that is another thread.

QUOTE
Therefore, if Voldy wins, he gets to marry himself.

*insert sickly wretching sounds*

We are talking major bass-akwards chemical wedding!

The only person he has ever loved. tongue.gif

WD, You should write fanfic. I would love to read your version of DH! biggrin.gif

ETA:

Narya, Ari sent me this on metallurgist.
From http://www.crystalinks.com/alchemy.html
QUOTE

Nature and significance

That both astrology and alchemy may be regarded as fundamental aspects of thought is indicated by their apparent universality. It is notable, however, that the evidence is not equally substantial in all times and places. Evidence from ancient Middle America (Aztecs, Mayans) is still almost nonexistent; evidence from India is tenuous and from ancient China, Greece, and Islamic lands is only relatively more plentiful. A single manuscript of some 80,000 words is the principal source for the history of Greek alchemy. Chinese alchemy is largely recorded in about 100 "books" that are part of the Taoist canon. Neither Indian nor Islamic alchemy has ever been collected, and scholars are thus dependent for their knowledge of the subject on occasional allusions in works of natural philosophy and medicine, plus a few specifically alchemical works.
Nor is it really clear what alchemy was (or is). The word is a European one, derived from Arabic, but the origin of the root word, chem, is uncertain. Words similar to it have been found in most ancient languages, with different meanings, but conceivably somehow related to alchemy. In fact, the Greeks, Chinese, and Indians usually referred to what Westerners call alchemy as "The Art," or by terms denoting change or transmutation.

The chemistry of alchemy

Superficially, the chemistry involved in alchemy appears a hopelessly complicated succession of heatings of multiple mixtures of obscurely named materials, but it seems likely that a relative simplicity underlies this complexity. The metals gold, silver, copper, lead, iron, and tin were all known before the rise of alchemy. Mercury, the liquid metal, certainly known before 300 BC, when it appears in both Eastern and Western sources, was crucial to alchemy. Sulfur, "the stone that burns," was also crucial. It was known from prehistoric times in native deposits and was also given off in metallurgic processes (the "roasting" of sulfide ores). Mercury united with most of the other metals, and the amalgam formed coloured powders (the sulfides) when treated with sulfur. Mercury itself occurs in nature in a red sulfide, cinnabar, which can also be made artificially. All of these, except possibly the last, were operations known to the metallurgist and were adopted by the alchemist.

The alchemist added the action on metals of a number of corrosive salts, mainly the vitriols (copper and iron sulfates), alums (the aluminum sulfates of potassium and ammonium), and the chlorides of sodium and ammonium. And he made much of arsenic's property of colouring metals. All of these materials, except the chloride of ammonia, were known in ancient times. Known as sal ammoniac in the West, nao sha in China, nao sadar in India, and nushadir in Persia and Arabic lands, the chloride of ammonia first became known to the West in the Chou-i ts'an t'ung ch'i, a Chinese treatise of the 2nd century AD. It was to be crucial to alchemy, for on sublimation it dissociates into antagonistic corrosive materials, ammonia and hydrochloric acid, which readily attack the metals. Until the 9th century it seems to have come from a single source, the Flame Mountain (Huo-yen Shan) near T'u-lu-p'an (Turfan), in Central Asia.

Finally, the manipulation of these materials was to lead to the discovery of the mineral acids, the history of which began in Europe in the 13th century. The first was probably nitric acid, made by distilling together saltpetre (potassium nitrate) and vitriol or alum. More difficult to discover was sulfuric acid, which was distilled from vitriol or alum alone but required apparatus resistant to corrosion and heat. And most difficult was hydrochloric acid, distilled from common salt or sal ammoniac and vitriol or alum, for the vapours of this acid cannot be simply condensed but must be dissolved in water.

Goals

"Transmutation" is the key word characterizing alchemy, and it may be understood in several ways: in the changes that are called chemical, in physiological changes such as passing from sickness to health, in a hoped-for transformation from old age to youth, or even in passing from an earthly to a supernatural existence. Alchemical changes seem always to have been positive, never involving degradation except as an intermediate stage in a process having a "happy ending." Alchemy aimed at the great human "goods": wealth, longevity, and immortality.

Alchemy was not original in seeking these goals, for it had been preceded by religion, medicine, and metallurgy. The first chemists were metallurgists, who were perhaps the most successful practitioners of the arts in antiquity. Their theories seem to have come not from science but from folklore and religion. The miner and metallurgist, like the agriculturalist, in this view, accelerate the normal maturation of the fruits of the earth, in a magico-religious relationship with nature. In primitive societies the metallurgist is often a member of an occult religious society.

Posted by: becky920 Mar 14 2007, 05:00 AM

QUOTE(Weasle Diva @ Mar 13 2007, 07:05 PM) [snapback]1136284[/snapback]

If Ginny is fighting the tiara, while Harry is simultaneously wrestling Voldy out of his head, then we have a white queen (Voldy) and white king (Voldy) trying to take over Harry and his mate from the inside.

Therefore, if Voldy wins, he gets to marry himself.

*insert sickly wretching sounds*

We are talking major bass-akwards chemical wedding!

You know what, though, that sounds plausible. Because so far, we've seen Voldemort pervert alchemy in a number of other ways. Look at his "rebirthing" ceremony. If one major goal is to create life from death, then on the surface his flesh, blood and bone potion succeeds. But at what cost? And at whose expense? He goes through the motions of alchemical processes, but it's just not the same.

I need to ask a novice question. We've been talking about the chemical wedding. Christian Rosycross's version is divided into seven days. How do you see those seven days manifesting in book seven? Or am I oversimplifying?

Posted by: Alchemist Apprentice Mar 14 2007, 01:01 PM

Wait maybe I am over simplifiling??? But isn't the possibility of the tiara more for Fluer? I mean for the upcoming wedding rather than Ginny?
So what will that marriage be then LV and the werwolf??? or if the tiara is part of the ceremony will Bill's mild reaction to the bite become more intense?

Posted by: SillyPutty Mar 15 2007, 12:25 PM

I am entirely confused by the last page of posts... can someone please clear it up for me? There is a lot of discussion suddenly on the horocruxes, which I am trying to figure out the connection to alchemy.

I thought the tiara was for Fluer as well but then again I do not think that Voldemort would create a horocrux and then leave it in the possession of the owners. So maybe that is why I am confused? conf.gif

Posted by: Weasle Diva Mar 15 2007, 03:07 PM

The tiara is a Weasley family heirloom. Therefore, it is used at Weasley weddings. After Fleur's wedding, one can assume, it goes back on the shelf awaiting the next wedding.

Since Ginny will probably marry Harry, eventually she would wear the tiara.
Since Hermione will probably marry Ron, eventually she would also wear the tiara.

The alchemy of it, is this - towards the end stage of the process of making a stone, you have the Chemical Wedding. Many of the alchemy drawings have kings & queens who wearing crowns and tiaras.

I have been on the bandwagon that Voldemort does alchemy backwards. Hence, he can't join with anything to produce anything of merit. He is stuck with himself.

So I hope that helps a bit, SillyPutty.

Posted by: firephoenix Mar 15 2007, 07:52 PM

SillyPutty - We are discussing the "cut-head cult" from Celtic Alchemy and how it might relate to Harry Potter.

memyslfnI's March 13 post:

QUOTE
In the cult of the severed head the ancient Celts believed "that the heads of vanquished adversaries should therefore be severed and preserved."
- Baigent & Leigh, The Temple and the Lodge

"When their enemies fall, they cut off their heads and fasten them about the necks of their horses...and carry them off as booty, singing a paean over them and striking up a song of victory, and these first fruits of battle they fasten by nails upon their houses...The heads of their most distinguished enemies they embalm in cedar oil and carefully preserve in a chest, and these they exhibit to strangers, gravely maintaining that in exchange for this head someone among their ancestors, or the speaker himself, refused the offer of a great sum of money. And some men among them, we are told, boast that they have not accepted an equal weight of gold for the head they show..."
- Diordus Sciculus (1st Century AD)


I think DD said that the Horcruxes would be well protected. I, too, have my douts about the tiara being a Horcrux.

Posted by: memyslfnI Mar 16 2007, 10:08 PM

and in a brilliant email from Arianhrod she writes:

QUOTE
Hi guys! About the cult (of the cut head) in Celtic alchemy...what about the elf's heads lining the walls at 12 GP?

and what about those elves? Isn't it amazng that the elves strive fo this honor?

His life's ambition is to have his head cut off and stuck up on a plaque just like his mother" p76 OotP

Does the house eleves have anything to do with immortality?

Does antone else think its a coincidence?

A fountain has long been a symbol for the philosphers stone. (think Fountain of youth)


We have house eleves living on in their "deaths heads" any thoughts? We have spoken of hte "Caput motem" in alchemy

There is also cabot mortem. According to Wiki:
QUOTE

Caput Mortuum is a Latin term meaning 'death's head'. In alchemy, it signified a useless substance left over from a chemical operation such as sublimation. Alchemists represented this residue with a stylized human skull, a literal death's head. In its current limited usage, the caput mortuum represents decline and entropy.


we certainly see the decline of the House of Black!

Posted by: SillyPutty Mar 17 2007, 12:04 PM

so another question (just trying to get all this filed into things I already know) the substances that can represent the horocruxes - being 7 of them... would be representative also of maybe the chakras?


Posted by: Pat_Rorrythe Mar 17 2007, 07:24 PM

7 horcruxes in connection with the chakras, yes, but up to now it is difficult to attribute a horcruxe to a chakra :
top of the head : the book of jedusor ? (seat of the memory)
third eye : Harry 's scar ?
throat :
solar plexus : Nagini ? (Boehm pictures shows a snake surroundig the heart)
belly bottom : the ring ?
genital parts :
root : the locket ?

Posted by: SillyPutty Mar 18 2007, 03:52 PM

wouldn't the locket be the neck? maybe we should look at what the horocruxes stand for... and their connections that way?

Posted by: memyslfnI Mar 18 2007, 04:57 PM

I am not sure about the chakras relationship with the horcruxes. I think it might be a stretch, some fit while others we need to struggle to get to make sense.

I am still not convinced that the Weasley tiara is a horcrux. I think that all of them will be well protected and Harry will have alot of work to do just getting to the item that holds it. Look at what happened in the cave.


Alchemically "cabut mortem means desths head (a great use of it in the story is not only the idea of the house elves heads on the wall, but the dark mark as well.) I think its extrememy interesting that Nick wants to join the headless hunt and cannot do so because his head is still attached. We also have the idea that Nick's fear to "go to the light" so to speak and remain an impring on this earth. Would Lord Voldemort, who fears death so strongly do the same thing? As dumbledore says, "Death is the next adventure" yes the headless haunt and Nick do not believe this.


I wonder if there is anything to the beheadding of buckbeak? The caput mortuum is also associated with the black crow as well.

Posted by: Weasle Diva Mar 18 2007, 05:48 PM

The locket could be neck. Or the locket is heart - Lockheart?

Definitely third eye = Harry's scar.

In alchemy, most HP alchemy fans connect Lockheart with the peacock's tail, sometimes called the peacock's fan.

I am slow, but only today I realized that Lockheart, with a peacock's feather, writes to his fans! smile.gif

***
Firephoenix, I am inclined to think that there are anti-horcruxes as well: The sword, a stone, a cauldron (The Leaky Cauldron!) and a spear. Here are the Hallow items per Celtic lore.

***

Regarding the Cult of the Head, Voldemort is certainly in on the fun with the Death-eater skull sky symbol and tattoo. Caput motem, indeed.

***

I am currently re-reading PoA and find myself very fearful of Hagrid getting the chop. I can see the trial now, with Ron and Hermione using their law studies from book three to try to save Hagrid.

"As long as Hagrid keeps his head this time..." Professor Trelawney's Prediction from PoA p. 320.

But perhaps, we will be led to think that Hagrid got beheaded, when actually they used a Headless hat for fool the bad guys.

***

Also, I can see Voldemort finally defeated once and for all...Harry finally opens up a can of whoop a** on Voldemort by turning loose his two best friends who are...wait for it...LAWYERS!

You see, Ron and Hermione's bickering was all practice for their stint as legal defence attorneys.

Final sentence of book seven:
...And the Dark Lord was vanquished under a stack of legal parchment and there was a hoot of laughter from the kid with the scar. smile.gifsmile.gif

***

I have been studying the Waterstone of the Wise, a Christian alchemical text.

http://www.levity.com/alchemy/hydrolit.html

QUOTE
There are seven cities, seven metals, seven days, and the number seven; seven letters, seven words in order meet, seven times, and as many plates; seven herbs, seven arts, and seven stones. Divide seven by three, and thou shalt be wise. No one will then strive to precipitate the half. In brief, all will proceed favourably in this number.


I found this quote that may be useful to those thread regulars who study the number seven.

Another quote from the same source:

QUOTE
AN ENIGMA OF THE SAGES.
In which the underlying substance of the Art, called the Phoenix of the Sages, is found to be thrice threefold.

If I tell you three parts of a thing you have no cause to complain. Seek one of three, and of the three one will be there: for where there is body and soul, there is also Spirit and there shine salt, sulphur, and mercury. Trust my word, seek the grass that is trefoil. Thou knowest the name, and art wise and cunning if thou findest it.


This must refer to the trio.

"Trefoil grass" could match with rue."

Posted by: SillyPutty Mar 19 2007, 12:04 AM

memyselfnadi - okay I see what you mean about the chakras and I guess that answers my questions on it. biggrin.gif

QUOTE
There are seven cities, seven metals, seven days, and the number seven; seven letters, seven words in order meet, seven times, and as many plates; seven herbs, seven arts, and seven stones. Divide seven by three, and thou shalt be wise. No one will then strive to precipitate the half. In brief, all will proceed favourably in this number.
and Harry is represented by a seven in arithmancy....

Posted by: memyslfnI Mar 19 2007, 04:29 PM

QUOTE(Weasle Diva @ Mar 18 2007, 06:48 PM) [snapback]1144179[/snapback]

QUOTE
AN ENIGMA OF THE SAGES.
In which the underlying substance of the Art, called the Phoenix of the Sages, is found to be thrice threefold.

If I tell you three parts of a thing you have no cause to complain. Seek one of three, and of the three one will be there: for where there is body and soul, there is also Spirit and there shine salt, sulphur, and mercury. Trust my word, seek the grass that is trefoil. Thou knowest the name, and art wise and cunning if thou findest it.


This must refer to the trio.

"Trefoil grass" could match with rue."


trefoil grass I believe, is also a shamrock! Have we seen any instances of shamrocks in the books? Of course there is at the quidditch world cup when ireland makes the finals, but do we see this anywhere else? is there more to it at the Quidditch worl cup. Or is there more to Seamus Finnegan?

Posted by: madamros Mar 20 2007, 07:09 AM

QUOTE(memyslfnI @ Mar 19 2007, 09:29 PM) [snapback]1145369[/snapback]

QUOTE(Weasle Diva @ Mar 18 2007, 06:48 PM) [snapback]1144179[/snapback]

QUOTE
AN ENIGMA OF THE SAGES.
In which the underlying substance of the Art, called the Phoenix of the Sages, is found to be thrice threefold.

If I tell you three parts of a thing you have no cause to complain. Seek one of three, and of the three one will be there: for where there is body and soul, there is also Spirit and there shine salt, sulphur, and mercury. Trust my word, seek the grass that is trefoil. Thou knowest the name, and art wise and cunning if thou findest it.


This must refer to the trio.

"Trefoil grass" could match with rue."


trefoil grass I believe, is also a shamrock! Have we seen any instances of shamrocks in the books? Of course there is at the quidditch world cup when ireland makes the finals, but do we see this anywhere else? is there more to it at the Quidditch worl cup. Or is there more to Seamus Finnegan?

Shamrocks are also symbols of luck, something which Harry has had in abundance, so far. Luck is especially given prominence in book 6. It gets mentioned in the Spinner's End chapter, right near the beginning of the book, and it features in the form of the golden potion, felix felicis.

Posted by: Weasle Diva Mar 21 2007, 02:57 PM

This post sounds like the redneck version of alchemy. biggrin.gif

(Since I am half Hoosier and half Kentuckian, I must speak my own language.)

I am striving to get the process broken down into very simple sentences which are the kind of sentences most useful to my brain.

Let me know if I have it wrong.

***

If you start with dragonblood, (alias cinnabar, pure mercury sulfide) and add that to the lead (or tin, copper, iron etc.) and heat it all up, can the "cut to the chase" alchemist go straight to the Chemical Wedding and avoid the blackening, whitening, and reddening and vitriol?

Aren't those steps only needed to get pure sulphur and pure mercury? The lead can't transform to gold until the sulphur and mercury get it together.

I mean, usually the alchemists started with impure sulphur and mercury and applied them to the lead at the very start. Then they had one heck of a time in the lab with black stuff, then white stuff, and finally red stuff all over the place oozing through with that greasy vitriol. You have to dissolve and recombine the chemicals many times. If this isn't tough enough, you have to drop everything and draw little ravens, swans, pelicans, stars, planets, etc. mostly because the lead and mercury poisoning has gotten to you.

(You have to feel sorry for the alchemist's housekeepers because they didn't have Mr. Clean back then.)

So finally you have pure sulphur, pure mercury, and lead. (maybe sprinkle in a little salt if you are going to be all Paracelsus about it). You apply the fire, and the heat makes all the solids become liquid. Then the impurities from the lead leeches out and the whole mess becomes putrid. You have to wait awhile, but eventually you can scoop out the g--k that sank (That's called the Regulus).

During this three day waiting period, the good stuff (the King) putrifies because the yucky impurities are drowning the King. Eventually, the crud (Regulus) is scooped out and the reamaining red liquid becomes a purified solid. Then it is called the Red Stone, Philospher's Stone, or Red Lion.

You can then draw pictures of happy kings and queens wearing crowns holding roses and lilies with suns and moons hanging over them.

So once you have the Stone, you can scrape off some of it. This is a Red Powder. You can sprinkle the red powder, like paprika, into water and it makes an Elixer and use it to heal injuries and/or extend your life.

Or you can sprinkle the red powder on lead, which Shazaam! turns to gold on the spot without all the previous trouble. Quite the time saver.

When you use the powder from the stone, either as a health drink or as a gold-maker, you then can draw pictures of Phoenixes, because, to quote a great alchemist, Larry the Cable Guy, you just "Got 'er Done!"




Posted by: becky920 Mar 22 2007, 08:30 AM

Can I ask you guys a really out-of-the-way question? I need some good basic info websites -- so I can point a friend toward some "Alchemy for dummies" reference points, preferably non HP sites. Any ideas? Levity.com seems almost like too much information to inundate her with at the moment.

Posted by: scollins Mar 23 2007, 09:46 AM

Thanks, Weasle Diva! That was a very clear-cut (and very entertaining biggrin.gif ) description of the process. I can't tell you if there are any errors, but I have been trying to "get" alchemy simply from the spiritual aspect, and it helps to have a description of the actual process.

Also, in my readings, I have come across a description of a specific "order" in transforming the lead to gold. I have seen the process described as lead-tin-silver-mercury-iron-copper-gold. Am I understanding correctly that the original lead changes into each of these metals before it becomes gold? Do the books consistently reflect this order as well? I ask because in reading OotP for reading groups I noticed at the end of ch. seven iron bolts, iron keyholes, iron locks, and an iron doorhandle, and I wondered if all of the references to iron were describing Harry's transformation into that "metal" on his way to gold.

Posted by: EruditeWitch Mar 23 2007, 10:23 AM

QUOTE
If you start with dragonblood, (alias cinnabar, pure mercury sulfide) and add that to the lead (or tin, copper, iron etc.) and heat it all up, can the "cut to the chase" alchemist go straight to the Chemical Wedding and avoid the blackening, whitening, and reddening and vitriol?


I don't understand this...So avoid the complicated process and just combine the elements? Which characters do YOU associate with those elements?

QUOTE
Aren't those steps only needed to get pure sulphur and pure mercury? The lead can't transform to gold until the sulphur and mercury get it together.


Harry and Hermione? Snape and Someone?

QUOTE
I mean, usually the alchemists started with impure sulphur and mercury and applied them to the lead at the very start. Then they had one heck of a time in the lab with black stuff, then white stuff, and finally red stuff all over the place oozing through with that greasy vitriol. You have to dissolve and recombine the chemicals many times. If this isn't tough enough, you have to drop everything and draw little ravens, swans, pelicans, stars, planets, etc. mostly because the lead and mercury poisoning has gotten to you.


Could this be an argument for the trio more powerful together than apart?

QUOTE
So finally you have pure sulphur, pure mercury, and lead. (maybe sprinkle in a little salt if you are going to be all Paracelsus about it). You apply the fire, and the heat makes all the solids become liquid. Then the impurities from the lead leeches out and the whole mess becomes putrid. You have to wait awhile, but eventually you can scoop out the g--k that sank (That's called the Regulus).


Don't we want Regulus Black in our formula though? Sorry...I'm just trying to wrap my head around this and how it applies with the plot. There are so many possibilities!

QUOTE
So once you have the Stone, you can scrape off some of it. This is a Red Powder. You can sprinkle the red powder, like paprika, into water and it makes an Elixer and use it to heal injuries and/or extend your life.


Essence of rue perhaps? Maybe they can tweak it a smidge!

QUOTE
Or you can sprinkle the red powder on lead, which Shazaam! turns to gold on the spot without all the previous trouble. Quite the time saver.


Sprinkle little bits of the trio over Snape? Sorry, I just need metaphors. This is the best explained process of alchemy I've ever seen and my gears are grinding!

Thanks for the clarity, Weasle Diva thumbup.gif

Posted by: faerenach Mar 28 2007, 12:17 PM

To do with the new book covers:

So do any alchemy specialists have an idea about the symbol on the spine of the new jacket cover? It's a triangle, with a circle enscribed in it, and a line running vertically through from base to vertex. Any hypotheses?

*edited to remove spoiler tags*

Posted by: EruditeWitch Mar 28 2007, 12:30 PM

Well H/Hr shippers say this points to the chemical wedding and that they were right all along.

I think it's a little different.

The center is SUPPOSED to represent the Man/Woman chemical wedding. But we have no figures in the center of the book symbol. Which points to my belief that alchemy in HP has very little to do with Romance.

The sqaure is supposed to represent the elements. So surrounding this chemical wedding is DD, Sirius, and Hagrid in my opinion, as they represent stages and elements in the series.

The triangle is the joining of above and below. Slytherin and Gryffindor? The Deathly Hallows themselves? Harry aligning with someone thought to be evil?


What about you guys?
Do you think this points to H/Hr?

Posted by: mlwl Mar 28 2007, 09:43 PM

No, I never think it points to H/Hr.
Your analysis is a great one, though! I was going to echo your thoughts, but now there is no need. smile.gif

What am I excited about? IT'S GOLD!!!!! We called that one two years ago!!!

Posted by: EruditeWitch Mar 28 2007, 09:46 PM

I think when everyone gets around to it...someone should point out what has been proven correct on this cover in regards to the predictions you've made.

But of course it's gold!

Posted by: SillyPutty Mar 28 2007, 11:28 PM

QUOTE(EruditeWitch @ Mar 28 2007, 11:30 AM) [snapback]1155314[/snapback]
Well H/Hr shippers say this points to the chemical wedding and that they were right all along.
What about you guys?
Do you think this points to H/Hr?
um, I think I am lost - what has anything on the cover say anything about the H/Hr ship?

Posted by: EruditeWitch Mar 28 2007, 11:35 PM

They say that the triangle and circle is a symbol of the chemical wedding...and they think that wedding will occur between Harry and Hermione.

I think that the absence of the square, as Ari points out, invalidates this as that sort of symbol.

Posted by: KyleJRM Mar 29 2007, 01:08 AM

QUOTE(EruditeWitch @ Mar 29 2007, 02:46 AM) [snapback]1156417[/snapback]

I think when everyone gets around to it...someone should point out what has been proven correct on this cover in regards to the predictions you've made.

But of course it's gold!


I would love to congratulate them, but first you'll have to explain what that means. I'm pretty far behind on the alchemy/HP connection.

Posted by: faerenach Mar 29 2007, 07:50 AM

What I think everyone is doing with the symbol is breaking it up to analyze it. I was trying to find a symbol as a whole that closely resembled the one on the spine. But apparently one doesn't exist.

Posted by: Alchemist Apprentice Mar 29 2007, 09:45 AM

QUOTE(KyleJRM @ Mar 29 2007, 01:08 AM) [snapback]1156607[/snapback]

QUOTE(EruditeWitch @ Mar 29 2007, 02:46 AM) [snapback]1156417[/snapback]

I think when everyone gets around to it...someone should point out what has been proven correct on this cover in regards to the predictions you've made.

But of course it's gold!


I would love to congratulate them, but first you'll have to explain what that means. I'm pretty far behind on the alchemy/HP connection.



heheheheh I'll make it real simple (there is more to it than this but) Seven books- seven stages of alchemy within stages of alchemy we move through stages in color and chemicals. The final stage is the making of gold from lead. So final book gold smile.gif

Also M and Ari were discussing the geometric illustration and within the symbols is what she believes to be the symbol of salt. The circle with a line thru it.
Now the connection she has alluded to is the fact it may include all the trio?? wait let me get the email so you have her and Ari's words.



QUOTE
A circle with a line through it represents salt!

We talked about that somewhere in the alchemy thread, didn't we? In the last thread, when we were discussing sacred geometry .......snip...I can't place it, though...does anyone know what it is?

http://webapp1.dlib.indiana.edu/newton/reference/symbols.do;jsessionid=09B740CAB861A82BC91A5BD60500C889
I could be wrong on this, the line seems to run horizontally, not vertically
It looks very similar to the geometric figure for the PS!!
We know that a circle signifies gold or the sun and a triangle signifies fire. An I right on that?

Could it also represent the trio? Maybe that Harry will need to be united with them?


Again as silly as it sounds the combo of the trio reminds me of something I posted about a Buffy the Vampire episode- I know it is silly but I can't help it doh.gif
and mlwl glad to see you again!


Posted by: SillyPutty Mar 29 2007, 12:21 PM

QUOTE(EruditeWitch @ Mar 28 2007, 10:35 PM) [snapback]1156550[/snapback]
They say that the triangle and circle is a symbol of the chemical wedding...and they think that wedding will occur between Harry and Hermione.

I think that the absence of the square, as Ari points out, invalidates this as that sort of symbol.
well that makes no sense, the chemical wedding wouldn't be between Harry and Hermione... but enough of that.

Now, with the UK children's editions - were there symbols on each of the spines?

Posted by: EruditeWitch Mar 29 2007, 12:25 PM

Yes there were...I believe it went Wizard, Owl, Dog/Were-something, another Owl (I think), Phoenix?, and Slytherin's Ring...

I'm not sure if I'm correct, but they all mean something to the books.

Posted by: Madame Batwoman Mar 29 2007, 01:03 PM

I'm new here and I just wanted to point out a quick observation.

I think we're going about analyzing the symbol all wrong. Trying to find the meaning of the symbol to the book is, I think, going to lead us on a wild goose chase.

Usually the bits on the spine are things that Harry actually observes. They're objects of significance, not messages in themselves.

I don't think the symbol is telling us anything about the plot. I think it's going to be on something that Harry sees or uses. It could be on a rock in Godric's Hollow. It could be on a goblet or the side of a pensieve. I think it may be the key the trio (probably Hermione mostly) uses to decipher the use or the power of an object.

Posted by: EruditeWitch Mar 29 2007, 01:08 PM

I agree! I think it is marking something important, however.

Maybe it's on the statue of paracelsus near the owlery...and it marks one of the seven passages...
Or maybe since it's representative of the PS it could be marking Flamel's grave or possessions and they may find something important there.

The ring itself wasn't that important, but it was part of a much larger and important concept.

Posted by: Weasle Diva Mar 29 2007, 06:32 PM

Well, the new symbol has a triangle. That would be three points and three sides.

So this means Harry and Hermione, some folks say?

Well, certainly, they continually miss and/or misrepresent one point of the trio. Consequently, I would not trust their interpretation of a triangle too far because missing a point of the triangle could mean missing THE point. biggrin.gif

***
For Christians, the triangle means trinity.

An alchemical symbol of fire is a triangle.

http://groups.yahoo.com/group/harrypotterforseekers/message/2690

On this website, post #2690 has quite a bit of information about symbols like what was on the cover.

What is fun, considering the Harry/Hermione emphasis of some fans, is that one of the best interpretations of the symbol is King, which is a triangle divided down the middle by a line. And Harry did not get the King theme song! But this is a pretty obscure reference.

Also, looking at the US dollar bill, we see a pyramid, with a eye. That's a triangle with a circle in it. It is called the eye of providence and goes back to the eye of Horus in Egypt.

http://en.wikipedia.org/wiki/Eye_of_Providence


Posted by: hpaddict Mar 30 2007, 12:36 PM

Modly moment:

Just in case - we're still working out the whole spoiler tag issue when/when not to use them. There is a great thread over in UDH about the symbol - alchemy experts welcome and desired to discuss it there!

http://www.leakylounge.com/index.php?showtopic=42445



hpaddict - LL Mod




Posted by: Pat_Rorrythe Apr 2 2007, 09:17 AM

Just to remind the famous picture of Maier, evoquing that the circle becomes a square, then a triangle then again a circle.IPB Image, at the http://hdelboy.club.fr/atalanta_xxi.html here.
So we have the complete process through the four elements, the spirit-soul-body triad and the circle at the beginning and the end.
On the children's cover, we can see also three people(even four) and a sword, coming out from a circle.
As Harry is carrying through the creature on his back the sword, he could be like the man drawing a circle around the male and female : Ron and Hermione.
Interesting that the text on the site mentions the two conjonctions of the stars : "The flood of water and fire arrives when Godlikes it to create a better World and to finish of it with the old one [...] the sphere, it says, takes fire when all the stars which have courses now, will meet in Cancer [...] the flood will take place when all these stars are gathered in the same way in the Capricorn. The first of these constellations governs the summer solstice and the other the winter solstice…".
This evoques also the two broken prophecies in the ministery (book V): at the solstice will come...And nobody will come after..." said by a young girl and an old bared man, like on the Tarot card XX, the judgement, associated with the multiplication of the powers of the stone.
So, the circle in the triangle migth evoque the process just before the final circle.

Posted by: Lady M. Apr 2 2007, 09:39 AM

Sorry to interrupt the symbol-discussion, but I have a question: has the symbolic meaning of the snake in alchemy been discussed somewhere in this thread (or the older alchemy threads)? I'm sure that topic is not new, but maybe someone could save me from having to read through 18 pages. Thanks!

PS: the only thing I have to add to what you all said about the symbol on the spine is that a triangle standing on its base symbolizes male power.

Posted by: Alchemist Apprentice Apr 2 2007, 10:04 AM

Pat knew you would give some fabulous insight!
You know I completely didn't look at the trio in the circle that way! Now looking at position of the trio within the cicle...it kinda looks like a equalateral triangle within the circle but I may be looking too hard here.
But the sword is a very intresting part of the cover...
Ari and M along with firephoenix were discussing how the title was linked with Arthurian legends long ago...
Yet tying it to alchemy isn't their signifigance with the metals- metal used to make the sword? whether it is GG sword or not?


ooh Lady M
I am pretty sure you can find the answer of te snakes within Ari's essay found in the first two issuses of scribbulus. Also check the HP 101 forum there is an mini- condensed ifo on alchemy there smile.gif

Posted by: EruditeWitch Apr 2 2007, 10:08 AM

But there is no square and no outerlying circle. To me that means this symbol is not the Mier (sp) symbol, but something else. Do you guys think this symbol is the "chemical wedding" symbol even without the square?

Posted by: SillyPutty Apr 2 2007, 12:19 PM

No, in symbology the symbol has to be exact because with something different then it can have a completely different meaning.

Posted by: Weasle Diva Apr 2 2007, 01:24 PM

Hooray for Pat! Great find!

It is the nature of symbols to take on new meaning every once and awhile. Rowling may have created her own symbol using the Maier one as a foundation.

Posted by: Pat_Rorrythe Apr 2 2007, 03:16 PM

QUOTE(Lady M. @ Apr 2 2007, 03:39 PM) [snapback]1163912[/snapback]

Sorry to interrupt the symbol-discussion, but I have a question: has the symbolic meaning of the snake in alchemy been discussed somewhere in this thread (or the older alchemy threads)? I'm sure that topic is not new, but maybe someone could save me from having to read through 18 pages. Thanks!
PS: the only thing I have to add to what you all said about the symbol on the spine is that a triangle standing on its base symbolizes male power.

Yes, we spoke a lot, spread on many parts of alchemic topics, and also on other ones. (http://www.leakylounge.com/index.php?showtopic=35477&hl=snake+lore). There is so much to say about snake...Where to start ? And is it so terrible to read through 18 pages ? I speak for myself, but before posting in the alchemic thread, I have read the 105 pages before lol.gif
About the male power, the triangle standing on its base in alchemy represents fire, an element directly associated with male nature.

Weasle Diva, can the third eye be compared to the eye of osiris ? Harry is supposed to have a window open onto the mind of Voldemort thanks to his scar located around the 6th chakra, the third eye.

Posted by: Weasle Diva Apr 2 2007, 06:15 PM

I am not up on Egyptology. But the eye certainly is an image that the Egyptians used often. You are probably right.

Trelawney is constantly on about the Inner Eye. Who knew that Trelawney would come in so handy?

On the alchemy web site, the writings from Maier, Atalanta are very interesting. The image Pat found indicates that Rowling may have looked over the various emblems Maier produced.

From what little I have figured out, Maier refers to the Sun and Moon as Apollo and Diana. We have basilisk and spider lore with the Apollo and Diana temples.

Check this out:
Wording from Emblem 15.

QUOTE
Let the work of the potter, consisting of the dry and wet, teach you.
Let the work of the potter, which consists in [combining] dry and
wet, teach thee.
Look how the potter forms his vessels on the swift wheel,
Whilst with his foot he mixes the clay with the water


The potter as alchemist!

19.
QUOTE
If you kill one of the four, everybody will be dead immediately. If thou killest one of four, all at once will die.
Twice two brothers are standing in a long row, One of whom holds a lump of earth in his hand and a second one carrier water;
The share of the others is air and fire, If you want them to perish, kill only one of them; And all will be extirpated by the murder of their relative, Because mutual bonds of nature unite them.


This reminds me of the potion riddle at the end of book one.

28.
QUOTE
The king is bathed, sitting in a steam-bath, And he is freed from the black bile by Pharut. King Duenech, shining with the weapons of the Green Lion, Swollen by bile, was horrible in his behavior, Thereupon he sends for the physician Pharut, The latter promises him health and has a steam-bath prepared, Herein he bathes and bathes again, under the glass arch, Till, by the wet dew, he is freed from all bile.


From the sublime to the riddiulus!

The Weasel King's name is Bilius. If Neville is the Green Lion (plant alchemy) looks like the Mimbulus dumps a load on Ron!

Remember in the first book? When it looks like Neville is going to fight the trio? Only in book seven...

Ron - Neville step aside! We are on a mission.
Neville - Nope. Dude, your attitude needs an adjustment. Plant, do your thing.
Plant - Splat!
Ron - Bloody Hell! Where's the Prefect's bath? biggrin.gif

Mimbulus - bilius???

Posted by: latecomer Apr 3 2007, 07:45 AM

QUOTE(EruditeWitch @ Apr 2 2007, 04:08 PM) [snapback]1163953[/snapback]

But there is no square and no outerlying circle. To me that means this symbol is not the Mier (sp) symbol, but something else. Do you guys think this symbol is the "chemical wedding" symbol even without the square?


This is something I keep thinking about too... that is, the fact that the symbol in the Maier drawing varies from the spine symbol as much as many other of the suggested alternatives. There's no square, no outer circle, the triangle is equilateral (the one in the Maier drawing isn't, although I don't know whether that is typical of the alchemy symbol) and there's a line up the middle. That's quite a difference, so much so that it's impossible to claim unequivocally that this refers to that symbol, any more than the others. Having said that, I think that the alchemy argument is definitely one of the stronger ones based on the influence we know it has on the books (although to what extent this is so remains a mystery, it's still fun to speculate). Another of my favourite suggestions is the Egypt connection, as that would make one heck of a great location for adventure!

Going back to the shapes in the symbol, the way it appears to me is not a triangle, with a circle in that, with a line over both of them, or a circle with line through it and a triangle round them, but in fact a triangle split in two in front of (or behind) a circle. In other words, I see the triangle and line together as one object, and the circle as another... if any of that makes sense. It's the unevenness of the "halves" of the circle that makes me see it that way. I don't what any of this would mean of course... except that I would be interested to know whether an upward pointing triangle with a line means anything on its own - is it one of the fire symbols?


This is my first post in this thread by the way - I've been following since it was opened, so nice to "see" you all. smile.gif

Edit: I actually meant the 'Symbol on the Spine thread' - maybe this should go there. unsure.gif

Posted by: galadriel12 Apr 3 2007, 08:20 AM

Okay, to give my two knuts, as inconsequential as they might be wink.gif

As intriguing as I find the symbol on the spine, I have a feeling it is like with the many other mythologies and traditions JKR refers to. She borrows and puts her own spin on it. I can imagine she completely invented her own symbol here. Inspired by alchemy and runes and hiroglyphs, but her own nevertheless.

I love the idea of the triangle representing the trio. The circle representing unity, eternity, wholeness etc. The vertical line bisecting the triangle could represent the path Harry (and his friends) have to go.

Has anyone on here already mentioned that the line 'creates' three triangles? A smaller left one and a smaller right one form the big one. Bringing us back to the trio: 'Alchemical wedding' of Ron and Hermione who support their 'child' Harry. All of this is symbolic of course. But we see Ron and Hermione behaving like parents to Harry a lot of the time in the books. He considers them his family. They are Harry´s supporting system. That has to have a meaning, IMO. And I love the idea that JKR created a symbol specifically to represent that. The circle in the middle could represent the foursome (a square transforming into a circle), putting Ginny into the picture as well.

Okay, that was my brainstorming for today.

Posted by: Pat_Rorrythe Apr 3 2007, 09:27 AM

Here is the symbol : IPB Image Of course, there are differences with maier 's picture. But the ressemblances are there too : the triangle, the circle inside with the symetry given not by the couple but the line dividing the circle.
The triangle means fire, the circle is the ouroboros, also the personnality, the being, and the straigth line l is evoquing the "solve", the ascencion to higher states, while the - means more a fixation, like in the symbols of air and earth : IPB Imageair is seen as a fixation of fire, and earth for water. The mixture of fire and water gives the David's star.
But the circle divided in two with a vertical line is also the Nitrum, a kind of salt.
Another picture gathering triangle, circle and square : IPB Image to be founded on : http://hdelboy.club.fr/aurora_consurgens.html
Here a re the circle of mercury, the square of salt and the triangle of sulphur.
We could also bring the caducee of Flamel back to see circle of snakes cutted by a vertical line :
IPB Image
So may be a conjonction of JKR with those pictures ?

Posted by: SillyPutty Apr 3 2007, 01:43 PM

QUOTE
Has anyone on here already mentioned that the line 'creates' three triangles? A smaller left one and a smaller right one form the big one. Bringing us back to the trio: 'Alchemical wedding' of Ron and Hermione who support their 'child' Harry. All of this is symbolic of course. But we see Ron and Hermione behaving like parents to Harry a lot of the time in the books. He considers them his family. They are Harry´s supporting system. That has to have a meaning, IMO. And I love the idea that JKR created a symbol specifically to represent that. The circle in the middle could represent the foursome (a square transforming into a circle), putting Ginny into the picture as well.
This actually makes more sense then anything else I have read, which seems more often to be trying to fit a square into a circle. We know how important they are in the alchemencial sense.

Right before I read this I noticed that as well. There are many connections in different studies that show the completion of the trio. All three have a diervative of 3 in their arithmancy numbers: Ron - 3 (heart), Hermione - 6 (social) and Harry - 9 (character). I know its reaching but it would make sense that without Ron & Hermione in his life, Harry would not be complete. He needs them to succed in his mission.

Posted by: rotfang07 Apr 4 2007, 12:43 AM

I agree with the post that says Jo has combined several other alchemy signs to create her own. It appears Jo has taken four elements to make up her symbol which will help Harry to conquer Voldermort.
1. The Key of Solomon, which is retrieved from a tomb.
2. The Magic Circle that defines good magic from God and keeps out Evil.
3. The Triangle that traps and contains the Evil Eye or bad magic.
4. The Spear of the Irish god Lugh or that of the Babylonian god Marduk, which was used to defeat the Evil Eye (Irish tradition), or CHAOS as represented by the watery dragon goddess Tiamat.
see
http://altreligion.about.com/library/gloss...triangleart.htm
http://en.wikipedia.org/wiki/Spear_Luin
http://www.esotericarchives.com/solomon/ksol.htm
http://en.wikipedia.org/wiki/Marduk

Posted by: rotfang07 Apr 4 2007, 04:30 AM

Just a thought
I think Jo uses Alchemy as a main pillar of the series but you need to add:
1. Sumerian-Akkadian-Babylonian magic, astrology, and myths.
2. Hermeticism that includes Alchemy alongside Astrology and Theurgy.
3. Druid and Norse myths and festivals.
4. Medieval esoteric magical practises. (all sources below).

Jo, judging by the covers of Hallows, will puncture the book’s timeline between three major Celtic festivals: Lughnasadh, Samhain/Halloween, and Yule. They all fall on a full moon. The sun, Harry’s constellation symbol, is also important representing a new beginning, but the most significant for Harry will be Halloween/Samhain.

This is because according to the Sumerian-Babylonian-Akkadian (Semitic) calendar Halloween, falling on 31 October-1 November is the cusp between the Planetary Regency of Mars and that of the Sun.

Mars is associated with Iron, the colour red, war, conflict and chaos. The Sun is associated with gold, wisdom, peace and order, as well as a new beginning.
Judging by the covers a significant discovery, Godric Gryffindor’s treasure, is made during the Lughnasadh holiday, still celebrated in Ireland on August 1st. Trial marriages, the harvest season, and bonfires are lit. The festival is named after the Celtic god Lugh who, like Harry, is described as a boy-hero, multi-talented, a healer, associated with the Sun (Harry’s constellation symbol).

Lugh defeated the Evil Eye of Balor (Voldermort), who represented chaos and destruction, using the Spear of Lugh (one of the Four Treasures of Ireland), Ravenclaw’s hallowed object (?).

The sky on the US Deathly Hallows cover is red and gold, denoting the passage from the Planetary Regency of Mars to that of the Sun on Halloween’s end.

A combination of Sumerian-Babylonian-Akkadian and Medieval magic is used to destroy Voldermort. These combine the Key of Solomon (Medieval), with cylinder-sealed amulets and semi-precious stones (Babylonian), together with the magical Spear of the Lugh and Marduk myths (Marduk used a magical spear to stab the water dragon goddess of Chaos, Tiamat, before cutting her in half to create the seas and skies), in which the slaying of Chaos brings order to the world.

If Harry follows this model he will need, at some stage, the Gryffindor Sword, as well as the Spear of Ravenclaw. The Locket of Slytherin, another founder Hallow, is encrusted with precious stones, emeralds, and resembles magical Babylonian cylinder-seal amulets that were used to combat the Evil Eye and demons. Emeralds were used in amulets to cure eye disease, to ward off the Evil Eye, and were said to terrorise snakes so that their eyes popped out !

Harry has this Voldermort horcrux under his control, which indicates at some stage the use of the Key of Solomon (as represented on the spine of the children’s UK edition). The primary Key of Solomon symbol is like a key seen in profile with a dagger/sword as part of the key blade, and the grip part is portrayed as a magic circle within a square surrounded by pentacles. Within the magic circle are the names of the teacher and disciple (ie would be Dumbledore and Harry). But this key acts like a portal to the seven planets (Saturn, Jupiter, Mars, Sun, Venus, Mercury, Moon), each of which offers pentacles with magical properties. Those that apply to Harry are associated with Saturn, his Planetary Regent, and the Sun, his constellation symbol.

The most similar symbols to the one’s on the UK spine are Saturn:
4th Pentacle – invokes spirits/information, and retrieves stolen property.
And, the Sun:
4th and 6th Pentacles – makes evil spirits visible (Voldermort will be visible to Harry even under the Invisibility Cloak), and the holder invisible.
7th Pentacle – the ability to escape imprisonment, and to make demons’ powers rebound upon them.

If the Locket contains a Key of Solomon or a black stone of Serpentine, as featured on the UK Adult edition cover, Harry will be protected by their properties; Serpentine’s include protection against snakebite and poison.

According to The Emerald Tablet of Hermes Trimegistus (Hermeticism), only when Alchemy joins with Astrology, and Theurgy (practical magical alchemy), can wisdom be achieved and order maintained. Harry possibly embodies the Alchemy journey (Sun influence) that ends in the gold rays of Planetary Regency of the Sun on 1 November (All Saints Day). Hermione may embody the Astrology aspect (Moon influence) that achieves wisdom by grasping intellectual metaphor. And, Ron, the practice of Theurgy (Stars influence), which requires choosing divine over black magic. Wisdom can only be achieved when all three operate together to reclaim human destiny, which has been stolen by the forces of Chaos and Destruction (see also Marduk myth (Tablet of Destiny), Irish myth (Stone of Destiny). The black stone on the Adult cover may also refer to another stolen Stone of Destiny that Harry has retrieved and returned to its proper place.

The final full Moon, see children’s back cover, is that of Yule, when according to Celtic tradition the new Sun is born and a New Year begins. Perhaps Hogwarts is celebrating the new Sun (light from the door), and Year, following the final defeat of the Lord of Chaos and the flight of his followers.


Sources:
http://en.wikipedia.org/wiki/Marduk
http://en.wikipedia.org/wiki/Hermeticism
http://www.esotericarchives.com/solomon/ksol.htm
http://en.wikipedia.org/wiki/Tablets_of_Destiny
http://altreligion.about.com/library/glossary/symbols/bldefstriangleart.htm
http://en.wikipedia.org/wiki/Druids
http://en.wikipedia.org/wiki/Spear_Luin

Dictionary of Mythology; (1994), Chancellor Press
Amulets and Talismans; E.A. Wallis (1970), Collier Books
Kabbalah; Gershom Scholem (1974), Keter.


Posted by: Pat_Rorrythe Apr 4 2007, 08:44 AM

Very instersting ! By looking at the child cover, I was thinking also at the cornucopia, or horn of abundance by the part of circle and the abundance of treasure coming out. What do you think rotfang07 ?

About the triangle+circle, Weasle Diva mentionned the eye of Horus.


QUOTE
Horus was also called the Uniter of the Two Lands, meaning he ruled over both the land of the dead AND the land of the living. (Harry conquering the Underworld, perhaps?) The Eye of Horus guides the soul on its journey to the Underworld.

The triangle could be the Pyramid of Fire.

In one of our earlier discussions on the Eye of Horus, didn't we mention solar eclipses?
Here's an image I found, on a Marilyn Manson site, no less. Turns out that the Eye of Horus within the Pyramid is a Aleister Crowley invention:

At http://www.sacred-texts.com/oto/aleph_7.htm

Crowley says:

Now then at last art thou made ready to confront the Pyramid, if thou art established as a Sphinx. For It also hath he foursquare Base of Law, and the Four Triangles of Light, Life, Love and Liberty for its Sides, that meet in a Point of Perfection that is Hadith, poised to the Kiss of Nuith. But in this Pyramid there is no Difference of Form between the Sides, as it is in thy Shinx, for these are wholly One, save in Direction. Thou art then an Harmony of the Four by Right of thy Attainment of Adeptship, the Crown of thy Manhood, but not an Identity, as in Godhead. Therefore may it be said from one Point of Sight that thine Achievement is but a Preparation, an Adornment of the Bride for the Temple of Hymen, and his Rite. Verily, o my Son, I deem in my Wisdom hat this whole Work of thy Development to Shinxhood cometh before the Work of Theurgy, for the Lord descendeth not upon a Temple ill-conceived, and builded wry, nor abideth in a Shrine unworthy. Accomplish then this Task in Patience, with Assiduity, not hasting furiously after Godliness. For this is most sure, that to the Beauty of a Maiden answereth the Lust of her Lord, spontaneous and without Effort or Appeal of her Contriving.

***

I say furthermore that this Path is of the Circle, and of he Eye of Horus that sleepeth not, but is vigilant. The Circle is all-perfect, equal every Way, but the Vesica hath bitter Need, and seeketh thy Medicine, that is of right compounded for High Purpose, to ease her Infirmity. Thus is hy Will frustrated, and thy Mind distracted, and thy Work lamed, if it be not brought to Naught. Also thy Puissance in hine Art isminished, by a full Moiety, as I do esteem it. But the Eye of Horus hath no Need, and is free in his Will, not seeking a Level, or requiring a Medicine, and is fit and worthy to be the Companion and the Ally of thee in thy Work, as a Friend to thee, not Mistress and not Slave, that seek ever with Slyness and Deceit to encompass their own Ends. There is moreover a Reason in Physics for my Word; study thou his matter in the Laws of the Changes of Nature. For Things Unlike do in their Marriage produce a Child which is relatively Stable, and resisteth Change; but Things like increase mutually the Potential of their particular Natures. Howbeit, each Path hath his own Use; and thou, being instructed in all Ways, choose thine with Discretion.

So the Eye of Horus is connected to the Great Marriage or Chemical Wedding, in Crowley's view?

And from http://www.heart7.net/magic-dictionary/magdic6.html
EYE IN THE PYRAMID

Actually, the radiating eye occupies a triangle which is not really part of the pyramid, but just resting at its top. The pyramid is unfinished. The capstone (as in the Great Pyramid of Egypt) is missing. This is called by the Masons, "the stone rejected by the builders". (The phrase has many other applications as well). The reason is that the eye (spiritual consciousness) philosophically takes the place of material substance. Some believe, than which nothing could be farther from the truth, that the "stone rejected by the builders" is the historical Christ. In that case the completed pyramid would amount to little more than another dreary reaffirmation of the Xtian tradition. Fortunately, this view is totally unsupported by historical, archaeological or arcane evidence.

The eye is the eye of Ra, Wudjat, which in hieroglyphics means "to make" or "create". The symbol on the U.S. dollar bill was suggested by the founders of America, who were not Xtians, but Freemasons and occultists. Superficially it means that whatever we do must be inspired by superconscious insight, not by petty quests for private power or selfish profit. It can be attributed, amongst other things, to the bringing down of consciousness from higher to lower. John Michell, in his Dimensions of Paradise says, "The 'Lamb in the midst of the throne,' in Revelation 5:6 has 'seven horns and seven eyes, which are the seven Spirits of God.' The geometer's image of this creature is the heptagram with seven horns and seven triangles containing eyes. The eyed triangle of the heptagon, which has a base angle (51 degrees 26 minutes) nearly the same as that of the Great Pyramid of Egypt (51 degrees 51 minutes), may be the origin of the mystic symbol of the eye in the pyramid." The Eye in the Triangle is the title of Israel Regardie's biography of Aleister Crowley. (See PYRAMID).

PYRAMID
Pyramids dating back as far as 6000 years ago encircle the globe in England, Mexico, North America, Polynesia, China, the Himalayas, etc. Some believe them to represent the ancient world's equivalent of a world-wide cargo cult whose temples atop them catered to fearsome gods from outer space. The symbolism of the pyramid is that of a tree in which, unlike Darwinism, evolution proceeds downwards, with the root in heaven and the branches extending into deeper and deeper concretizations and complexities of matter. The "eye in the pyramid" is merely the awakening of consciousness in the midst of the descent into matter. "Light in extension" is the hope of enlightening the base of the pyramid.



Posted by: rotfang07 Apr 4 2007, 11:17 AM

Wish I had an answer. I know little of Crowley because he is considered (rightly or wrongly), as a charlatan and sexual predator. The Eye of Horus, apart from his avenging the killing of his father, and the astrological aspects (eyes representing the sun and moon), is all I can find that might be relevant. I stick to the list I made just above
1. Sumerian-Akkadian-Babylonian magic, astrology, and myths.
2. Hermeticism that includes Alchemy alongside Astrology and Theurgy.
3. Druid and Norse myths and festivals.
4. Medieval esoteric magical practises.
Sorry, best I can do !!

Posted by: EruditeWitch Apr 4 2007, 11:25 AM

I would say 2,3,4 are very likely...but I haven't seen much Near Eastern influences in JKR's writing and symbolism.

I think Celtic ceremonies are VERY likely. JKR said once that she tried to focus on the English Mythology as it is very underused.

Excellent info, Rotfang!

Posted by: ePhoenix Apr 4 2007, 11:37 AM

I think the symbol on the UK childrens book cover is a triangle with the greek letter Phi (Ф) in it... if I could coin a phrase... a Phiangle
! Phi is a mathematical constant that is known as the "Golden Proportion" or "Golden Number". Phi appears in geometry, astrology, nature, paintings, and loads of other things...See here for more details... http://goldennumber.net/geometry.htm
The golden number was thought to be found by inextricably linked with the construction of the Alchemical Hemetic Seal (See Links Below).

http://altreligion.about.com/library/glossary/symbols/bldefshermeticseal.htm
http://altreligion.about.com/library/glossary/symbols/bldefsgoldenrectangle.htm


If this is true gold resides within the triangle (mind, body and soul), which seems to me to confirm that Harry will attain Gold status from finding things within himself (through lessons he has learnt along the way).

Also I was was thinking the snake on the other cover looked like an Ouroboros. (See details here http://altreligion.about.com/library/glossary/bldefouroboros.htm).

QUOTE
In alchemy, it represents the spirit of Mercury (the substance that permeates all matter), and symbolizes continuous renewal (a snake is often a symbol of resurrection, as it appears to be continually reborn as it sheds its skin.), the cycle of life and death, and harmony of opposites. A double ouroboros (two creatures swallowing one another) in alchemy signifies volatility.

Posted by: Pat_Rorrythe Apr 4 2007, 12:04 PM

QUOTE(rotfang07 @ Apr 4 2007, 11:30 AM) [snapback]1166814[/snapback]

Just a thought
I think Jo uses Alchemy as a main pillar of the series but you need to add:
1. Sumerian-Akkadian-Babylonian magic, astrology, and myths.
2. Hermeticism that includes Alchemy alongside Astrology and Theurgy.
3. Druid and Norse myths and festivals.
4. Medieval esoteric magical practises. (all sources below).
As far as I have read about alchemy, this knowledge is supposed to be part of an "international" knowledge, and if the different magics or even alchemy seems to have contradictoric elements, they are supposed to say the same thing.
Anyway, the elements you brougth here are very significant.

QUOTE(rotfang07 @ Apr 4 2007, 11:30 AM) [snapback]1166814[/snapback]

Jo, judging by the covers of Hallows, will puncture the book’s timeline between three major Celtic festivals: Lughnasadh, Samhain/Halloween, and Yule. They all fall on a full moon. The sun, Harry’s constellation symbol, is also important representing a new beginning, but the most significant for Harry will be Halloween/Samhain.
This is because according to the Sumerian-Babylonian-Akkadian (Semitic) calendar Halloween, falling on 31 October-1 November is the cusp between the Planetary Regency of Mars and that of the Sun.
This could illustrate also the backfire of Voldemort against Harry : mars failing against the sun.

QUOTE(rotfang07 @ Apr 4 2007, 11:30 AM) [snapback]1166814[/snapback]
Mars is associated with Iron, the colour red, war, conflict and chaos. The Sun is associated with gold, wisdom, peace and order, as well as a new beginning.
Judging by the covers a significant discovery, Godric Gryffindor’s treasure, is made during the Lughnasadh holiday, still celebrated in Ireland on August 1st. Trial marriages, the harvest season, and bonfires are lit. The festival is named after the Celtic god Lugh who, like Harry, is described as a boy-hero, multi-talented, a healer, associated with the Sun (Harry’s constellation symbol).

Lugh defeated the Evil Eye of Balor (Voldermort), who represented chaos and destruction, using the Spear of Lugh (one of the Four Treasures of Ireland), Ravenclaw’s hallowed object (?).

The sky on the US Deathly Hallows cover is red and gold, denoting the passage from the Planetary Regency of Mars to that of the Sun on Halloween’s end.
Some alchemic texts speak also of the red summer and the golden autumn. The red color lead also to a yellow called "citrin" (from lemon).

QUOTE(rotfang07 @ Apr 4 2007, 11:30 AM) [snapback]1166814[/snapback]
A combination of Sumerian-Babylonian-Akkadian and Medieval magic is used to destroy Voldermort. These combine the Key of Solomon (Medieval), with cylinder-sealed amulets and semi-precious stones (Babylonian), together with the magical Spear of the Lugh and Marduk myths (Marduk used a magical spear to stab the water dragon goddess of Chaos, Tiamat, before cutting her in half to create the seas and skies), in which the slaying of Chaos brings order to the world.

If Harry follows this model he will need, at some stage, the Gryffindor Sword, as well as the Spear of Ravenclaw. The Locket of Slytherin, another founder Hallow, is encrusted with precious stones, emeralds, and resembles magical Babylonian cylinder-seal amulets that were used to combat the Evil Eye and demons. Emeralds were used in amulets to cure eye disease, to ward off the Evil Eye, and were said to terrorise snakes so that their eyes popped out !
Is it not contradictory that the horcrux-locket of Voldemort seems (as the cover of the book suggest) to be ornamented with emeralds ? (Or the logic is to dominate the power of the snake as said by Eliphas Levi)

QUOTE(rotfang07 @ Apr 4 2007, 11:30 AM) [snapback]1166814[/snapback]
Harry has this Voldermort horcrux under his control, which indicates at some stage the use of the Key of Solomon (as represented on the spine of the children’s UK edition). The primary Key of Solomon symbol is like a key seen in profile with a dagger/sword as part of the key blade, and the grip part is portrayed as a magic circle within a square surrounded by pentacles. Within the magic circle are the names of the teacher and disciple (ie would be Dumbledore and Harry). But this key acts like a portal to the seven planets (Saturn, Jupiter, Mars, Sun, Venus, Mercury, Moon), each of which offers pentacles with magical properties. Those that apply to Harry are associated with Saturn, his Planetary Regent, and the Sun, his constellation symbol.

The most similar symbols to the one’s on the UK spine are Saturn:
4th Pentacle – invokes spirits/information, and retrieves stolen property.
And, the Sun:
4th and 6th Pentacles – makes evil spirits visible (Voldermort will be visible to Harry even under the Invisibility Cloak), and the holder invisible.
7th Pentacle – the ability to escape imprisonment, and to make demons’ powers rebound upon them.
Could you show where can those pentacles been seen ?

Posted by: rotfang07 Apr 4 2007, 07:54 PM

It's this one from the list
http://www.esotericarchives.com/solomon/ksol.htm
Unfortunately you have to scroll for a bit, but there is also a list in red on right to choose from.

Posted by: memyslfnI Apr 5 2007, 04:43 PM

found an image that I believe is the symbol on the spine. It is from the piece "Alchemy and Symbols" by M.E. Guidewell.

close-up

IPB Image

whole chart

http://i5.photobucket.com/albums/y189/kdevoe/fullchart.jpg

I have referenced this chart for years and came across it when the books came out again. the symbol is that of red fire. What is interesting is if red fire in alchemy is the same as the devine spark, or devine fire that Pat R. has mentioned many moons ago. it also is called sacred fire I believe but pat would know more.

there is this from paracelus:

QUOTE
Man is a thinker.

He is that what he thinks.

When he thinks fire

he is fire.

When he thinks war,

he will create war.

Everything depends

if his entire imagination

will be an entire sun,

that is, that he will imagine himself completely

that what he wants.

Paracelsus


Harry needs to realize that he has to get that devine spark, or devine fire. He needs to create it within himself, which is the goal of the alchemist. it is not just creating gold, it achieving enlightenment, awakining the "sleeping dragon" inside himself.

Ari pointed this source out to me ysterday when we were discussing the above symbol so I will post this for her

QUOTE
From this source:

http://www.levity.com/alchemy/secret-fire.html

The function of the Secret Fire is to increase in humanity, the only place where it is present, its sense of self, or “I”. At the lowest level or functioning, this is the ego, at its highest, it is Divinity incarnate, as both are two sides of the same coin. One is ‘self’ in relation to the physical world and others; the other is ‘self’ in relationship to all of Creation and as a co-creator.

In the vast majority of humanity, this Secret Fire, or liberating energy of self-consciousness, lies dormant, asleep at the base of the spine, coiled like a serpent. Only a small amount manages to escape, reaching a sepherothic level, or so-called chakra, thus creating a loci of consciousness for each person. If it reaches the top of the skull, and beyond, a spiritual awakening can occur, allowing for a descent and re-ascent of the energy, during which the psychic centers can be awakened allowing for the manifestation of psychic powers and related phenomena.

The Secret Fire ascends as a result of a temporary weakening of the Vital Energy in the physical body. This is why so many spiritual awakenings take place under great physical stress, times of illness, or near-death-experiences. When the Secret Fire will ascend through the various psychic-physical currents causing it to be enveloped in a sphere of luminous light.

The experiencing of the Secret Fire, as a result of the suppression of the physical body’s Vital Energy, can create condition which manifests in various forms:

-Some perceive the bright light as an angel, their Higher Self, or “Holy Guardian Angel”, others as a spiritual teacher.

-Astral projection may result, along with perception of the immediate surroundings.

-Uncontrolled physical movements may also result, typical of so-called ‘kundalini phenomena’: shaking, rapid breathing, swinging of the torso, uncontrolled giddiness, and sitting straight upright in the Pharonic position.

After a period of time, the energy will descend, and return to the base of the spine.

The effects of this awakening will take some time for the consciousness of the individual to adjust to, and not limited to the ‘non-physical’ realms. The physical body, although to a lesser degree, is also changed and improved in functioning, constituting a genuine “re-birth’ on several levels. However, it is up to the mind, or sense of “I”, of the individual, to cooperate with this influx of power if more permanent changes in consciousness are to be made.

As we can see, the concept of kundalini, or the Secret Fire, is linked to two polar concepts: that of the undifferentiated creative energy, and the second, as the seed of this energy locked on each cell of material creation, and focused in humanity at the base of the spine.

When this energy rises as a result of psychic experiences, and not because the physical weakness, can cause the Vital Energy of the body to be concentrated on various areas of the body, creating physical and psychic disturbances. If the energy becomes concentrated in the head, it can create the illusion of a spiritual awakening, as well as the well known “hot and cold” flashes, or currents, up and down the spine. The effects of the Secret Fire however, and not its re-distributive effects on the Vital Energy, can create the following phenomena:

Intense pains suggestive of an illness
Crawling sensations of ants or small bugs over the skin, as well as a ‘jumping’ sensation of the energy
A feeling of crystal clear calmness and tranquillity, rise from center to center to the top of the head
Ascending in the famous ‘zigzag’ or Rising Serpent pattern
The energy can skip a center or two
The energy can reach the top of the head in a flash of light
The character attributes of both positive and negative are exaggerated and sexual power is increased.
If the energy rises to the top of the head, then it becomes possible to work directly on the Vital Energy within the body, and use it, as a means of enhancing the psychic experience and spiritual awakening.

In short, the psychic centers must first be awakened by the Secret Fire and purified, before the energy of the physical body, can be concentrated upon them.

Thus, our psychic exercises, and esoteric meditations are designed to prepare our minds, bodies, and consciousness for the liberation of the Secret Fire buried deep inside us. Through a progressive cleansing of the blood, nervous system, and endocrine glands, the ‘chains’ of the Vital Energy upon the Secret Fire are reduced and eliminated, allowing the ever present power and energy, a veritable pressure waiting to be released, to spring into action. Thus, the Serpent doesn’t really sleep, it is we who are asleep to its presence and potential blessing.



We have spoken about the chakras a dozen times in this thread and its connection to alchemy. well here it is! Harry suffers through these fits when he is dreaming or shis scar hurts? Is this the energy in Harry that we see preparing him for the "liberation of the sacred fire"?

Is the coiled serpent a reference to the Hogwarts motto "Never tickle a sleeping dragon"?

more on this from Ari's source:

QUOTE

Each World is a reflection to a denser or more subtle degree than the one before or after it. Each Sepheroth is a reflection, in part, of what proceeds or follows it. However, since each reflection is only partial, or slightly distorted, each Sphere takes on its own unique characteristics. Only the so-called “Middle Four Sphereoth” have the ability to harmonize or reflect in total all of the energies of creation, on some level.
This ‘zigzag’ of Creation is called the “Lightning Flash”. The return of energy from dense matter, back through the various stages, Sepherith, and Worlds of Creation is known as the “Path of the Serpent” because of its reverse, or complimentary ‘zigzag’ nature back up this diagram called the Tree of Life.
For the alchemist, somewhere between the third and fourth level, or sphere of creation, energy takes on the characteristic that will allow for the formation of matter at some future state, or level ten. This energy is called Prima Materia, Chaos in the Bible, Spiritus Mundi (Spirit of the Earth), and others. Here, duality is made complete, and genuine polarity exists, as opposed to simple the potential, or idea, of polarity that had existed previously. Energy is divided into active and passive modes, with the active energy constituting the energies of life, and the passive one the energy of matter. In “The Golden Chain of Homer”, the active energy is called Niter and the passive energy is called Salt.


The symbol is sacred fire! He has just described Harry as salt with a lightning bolt scar!! It is the path of the serpent!


(Thanks Ari for the info on the devine fire)

Posted by: Pat_Rorrythe Apr 5 2007, 05:26 PM

About tickeling a dragon, HPB or Helena Petrovna Blavatsky uses the sentence : "do not tickle a cat which is asleep" and she mentions some peolple who tried to follow the path of enligthment, the thesophy she was teaching. Apparently, those people let the kundalini coming up but they could not master it and they become murderers, thieves or sexually agressives. At the beginning they were full of good intentions and finally made horrible things. This migth inspire writers for magic stories....

Memyslfn1, the triangle you mentionned has no bar in the circle. Ephoenix spoke about the letter phi which is a circle cut with a bar, the gold number (1,6....). Is there a link between that number and a triangle ? I saw that the golden number is used to draw pentacles (http://fr.wikipedia.org/wiki/Pentacle)

Posted by: HP Theoretician Apr 5 2007, 05:28 PM

Wow, what a great post memyselfnI! That is really excellent! smile.gif
I was just looking at your table of achemical symbols, and on a side note, does anyone else think that the Death's Head symbol looks a bit like the seventh rune? Does anyone else think they are connected?
NB: Sorry if this is a bit off-topic, but I'm not quite sure where else I should post this biggrin.gif

Posted by: The Azkaban Dietitian Apr 10 2007, 01:32 PM

I had a bit of luck (I think) today when I ran across this allegory which centers on the Mystic Tower. I believe that there is a intricate connection between the symbol on the spine of the UK edition, but I also believe that there is a lot of detail which may have inspired JK Rowling for the Harry's journey through the Spirit World. I've bolded certain parts for emphasis on what I thought pertained to the story and cover art that we know thus far. Enjoy! wizard.gif

QUOTE

The Mystic Tower
This intricate allegory is included in Fairfax Cartwright's The Mystic Rose from the Garden of the King.
Back to allegories.

--------------------------------------------------------------------------------

In my wanderings in the Strange Land this did I see:
A Temple built like a Tower, rising to a great height, surrounded at its base by a circular colonnade.

Note that a colonnade looks like this: http://en.wikipedia.org/wiki/Image:Saint_Peter%27s_Square_from_the_dome.jpg
Look familiar?


Impelled by desire to learn, I knocked at the Gate of the Temple and prayed for admittance. A venerable old man - the Sage of that Temple - opened the Gate and said to me, 'What seekest thou?' I replied, 'Knowledge.' He said, 'Hast thou the strength and determination to climb to the topmost chamber of the Tower!' I said, 'The desire have I if thou wilt be my guide to show me the way.' Then he stretched out his hand and raised me up (Is this what Harry is reaching for on the US cover perhaps?) , saying: (If thy heart is stout, cross the threshold of the Temple of Human Knowledge.' I seized the proffered hand, and with the Sage I passed under the mighty Gateway of the Temple. When I had entered the precincts of the building, I saw that a stately colonnade ran in a circle round the triangular Tower, which seemed to rise to a giddy height above me; and presently as I looked I perceived that the wall behind the colonnade was covered with representations of human figures, and my Guide spoke: 'Behold, the Cycle of Human Life! See Man as he appeareth to the human eye!' (A connection between the Spirit World and the Moving Potraits? Truly parts of the soul magically left connected to the canvas after death?)

Then I looked again, and I saw that the first picture, by the Entrance Gate, represented the Childhood of Man, and the Angel of Life was drawing back the Veil, beyond which lay the World with all its dangers and possibilities, and the children full of joyance were marching forward to enter the Promised Land; but I saw that there was a look of pity on the face of the Angel, for in the darkness by the Veil crouched the figure of Satan, marking with his claws upon the sand the number of those whom he would devour. (Is the Veil used to allow new souls into the world as well as allow passage back to the Siritual Realm you think?) And as I gazed longer at the children, I began to perceive that each child represented some type of Humanity. There I saw the young King approaching the Veil with firm step, but with awe upon his face, as he gazed upon that unknown World which he would be called upon to govern, and by his side was a youth with vicious face and envy in his heart, seeking to Push aside the young King that he might enter first into possession of the World. (Harry and Voldemort. Voldemort forces his way into the world first. Harry is the young king.) Many children I saw bubbling over with the exuberance of youth, pleased with what lay around them, and looking not far ahead into that mysterious World which was being disclosed to them. One maiden I noticed gazing earnestly at the Star of Love, (Lily?) which from above shone down upon the World of Youth, and another maiden - in whom was the Soul of the wanton - was bending down to the ground to pluck a rose, and in her haste to seize it a thorn had pricked her finger.

I followed my Guide around the colonnade, and at each step I saw the same children grown older - having advanced a little on the Journey of Life; and I saw many fall by the way, and when I came to the last Picture I saw that few were left-the ascetic Dervish, worn and emaciated - the man who had sought for God through the Spirit - and the aged King, full of gravity - the man who had sought for God by striving to act according to his lights in the World; loneliness was around these two, but they heeded it not, and behind the throne of the King stood, with her arms crossed and on her face a look of impenetrableness, the Angel of Life, now changed into the Angel of Death.

Saddened by what I had seen, I withdrew from the colonnade, and in the sunshine 'of the pleasant garden round the base of the Tower I sat for a long while meditating on the vanity of human existence.

Then my Guide touched me upon the shoulder and said: 'Thine eye hath seen but the outer shell of Humanity, and thou art depressed thereby. Seekest thou now to know what hath been revealed to the Soul of Man, and what are the limits of Human Knowledge!'

I replied: 'I am willing, for my heart thirsteth for Knowledge.'


My Guide with his wand touched a small and hidden door in the rugged walls of the triangular Tower, (Does the triangle represent the tower?) which opened and admitted us; then he turned to me and said: 'The Tower is high and it containeth seven levels, and on each level are three Chambers, and above all lieth one Chamber, and the ascent thereto is long and wearisome.' I replied: 'My Master, thy footsteps will I follow. Then we began the ascent, and when we had reached the first level my Guide turned to me and said: 'Behold the First Chamber!' A heavy veil closed the entrance (Lot's of veils throughout... Will Harry pass through many in order to reach his goal?); my Guide pushed it aside and we entered within the Chamber. There we found ourselves in darkness, and awe seized me, so that I poured my Soul out in prayer, craving in humility of spirit for illumination. And when I had been there some time I lifted up my eyes, and it seemed to me that my head was encircled by soul-inspiring light, while my feet remained lost in the darkness of Unreality; and my Intelligence was quickened by a message from above, and I knew that the Soul of Man - the reflection of the Unity - is suspended between the Light and the Darkness, and through the opposition of the Light and the Darkness the Soul of Man gains consciousness of the Unknown which veils the Eternal Unity. And the mystic symbol of the Unity shone forth upon the walls of this Chamber.

When I retired my Guide led me to the Second Chamber. There I saw a stately Woman deeply veiled (Amelia Bones?), wearing on her head a crown with the crescent moon at top, and on her lap lay a great book closed. With deep respect I prostrated myself before her, saying: 'Teach me, thou noble woman, that I may learn.' She replied: 'I am the Recipient - the Passive; I am the complement of that which thou hast seen in the First Chamber. I am the Link between the Unity and Man. I am the Holy Sanctuary. I hold the Book of Knowledge which he can only read who has the power to lift my veil.' And as I contemplated her more steadfastly I saw that her veil grew dimmer and dimmer, until for an instant I beheld the beauty of her face; then she vanished from my sight.

My Guide then seized my hand and bade me follow him to the next Chamber. When I had penetrated through the veil which closed the entrance, again I saw a throne upon which a Woman was seated, clothed in Majesty, and wearing the Crown of Authority. By her side was an Eagle (Ravenclaw helping Harry?), and above her was a canopy which seemed to be formed of the Wings of Angels.

When I had made obeisance to her, she opened her lips and said: ' I am the termination of the First and the Second; in me is the Equilibrium completed. I am the Law of the World; with my Sceptre do I govern it. With one hand do I draw down the Spirit and with the other do I raise up its Negation, and in my Womb is Man conceived.'


When with my Guide I had issued from the last Chamber, he bade me for a while to meditate on what I had seen; then he led me up a steep flight of steps to the Second Level of the Tower. When we had reached it he said to me:' We have now attained to another plane of thought, to another aspect of things. Enter now the Fourth Chamber which lies above the First Chamber below.

I did as I was bidden, and when I had penetrated into the Chamber I beheld a King upon his throne, and before the Majesty of his face I prostrated myself. Presently I heard him say: 'I am not the Absolute Absolute; I am for Humanity the Realization of the Absolute; I am the will of the Unity; my Sceptre is the sign of Power; with it I rule Mankind, for my Law shall be his Law; to me man must turn for all that relateth to the World in which he moveth.'

Then I withdrew from the presence of the King, and followed my Guide into the Fifth Chamber. Here likewise I beheld a man seated upon a throne, but he wore not on his head the crown of a King of this World but a Mystic Sign, and he was arrayed in the white robes of Sanctity. And these words he spoke to me: 'Kneel and worship, for I am not a King of this World; my Sceptre is the Sign of Authority; with it I rule the Souls of Men. I am the Voice of the Law of the Spirit. I am the bond of Reunion between man created and the Breath from which his creation proceeded.'

When he had ceased speaking, with awe in my heart I withdrew, following my Guide to the Sixth Chamber, which lay in the third angle of the Second Level of the Tower. When I had entered it I found myself in darkness, but gradually a dim light seemed to descend from the summit of the Chamber, and it grew in intensity, and when I looked up I beheld with astonishment as it were the Eye of a Spiritual Being looking down upon me. Then my Guide said unto me: 'Behold the Eye of the World! Through it the mind realizes the Beauty of the Manifestation of the Unity - through it Love reaches the Soul, bringing Man and Woman to the completion of their Destinies. Learn and understand the Mystery of this Sign. This is the Point from which two Roads diverge; along the one descends the Spirit of Light; along the other descends the Spirit of Darkness.'

The Vision faded from my sight, and meditating deeply on what I had seen, I followed my Guide, who led me out of the Chamber.


With my Guide I began the ascent to the Third Level of the Tower, and when we had reached it we entered together the Seventh Chamber, which lay above the Fourth Chamber and the First Chamber below. Therein I saw nothing for a time; then I heard the whizz of an arrow, and beheld in the misty distance a noble stag struck down by it. Looking round, there appeared to me the majestic vision of a man, radiant like a conqueror, holding in his extended hand the bow of Power from which the arrow had been discharged. He said to me: 'What seest thou' I said: 'I saw the weak overcome by the strong.' He said to me: 'Behold, I am the Man Conqueror; Man as the Emblem of the Creator. I am more than Nature, I am Nature illuminated by the Spirit of the Eternal, and therefore do I overcome mere Nature.' (Voldemort overcoming James as well as his own natural mortality?)

When this Vision had disappeared from my sight, I passed with my Guide to the Eighth Chamber. Herein I saw a Sword standing unsupported on the point of its hilt, and in astonishment I exclaimed: 'What meaneth this Sign!' My Guide replied: 'Between Man and Nature a permanent struggle exists; what man attaineth by labour he loseth again if his labour should cease. This is the Sign of Equilibrium, the balance between opposing Forces, between Good and Evil in the Created World. This is the Sign of the Spirit of Justice which with the Power of the Sword separates the opposing combatants.

When I had gazed for some time upon this symbol, I proceeded to the last Chamber on this Level of the Tower, which was the Ninth Chamber. When the veil by the entrance had fallen behind me, I found myself face to face with an aged Dervish, whose countenance was serene and radiant; for him age seemed to have no afflictions, and Wisdom shone forth from his eyes. In his right hand he held aloft a burning lamp, and in his left hand he held a staff, on which he leant. I saluted him with reverence, and he addressed me thus: 'When I was young I selected the Path of Light, and my reward has been great. Wisdom have I imprisoned in the lamp which illuminates my Path. Round my Soul have I drawn the Mantle of Protection which shall ward off Evil when it shall assail it. This staff of strength have I found upon my path, and on it I can lean with security in the ascent towards Truth.' (Dumbledore's power good and his wisdom--the lamp being his pensieve I believe.)

The serenity of this old man filled my Soul with elation, and the glow of Divine Love seemed to penetrate into myself like a precious gift from his presence.


When I issued from the last Chamber I followed my Guide up the ascent to the next Level of the Tower, where with him I entered the Tenth Chamber, which lay above the Seventh and the Fourth and the First Chamber below. Here I beheld a Circle turning upon no visible axis, and my Guide said to me: 'Behold the Symbol of Eternity, the Symbol of the incessant action of Time. The Circle is ever moving; it ascendeth and descendeth; so ascendeth the Spirit of God to the summit, so descendeth the Spirit of Evil to the abyss; yet the Circle is unbroken: so from Good the descent to Evil is possible, so from Evil the ascent to Good is possible. This is a Chamber of Equilibrium. Below in the Seventh Chamber hast thou seen the Conqueror - the Holder of Power, the Symbol of Creative Force. In the Chamber above thou shalt see the Symbol of Destruction. Here thou seest the ascent and the descent, yet the Circle is one and unbroken; but a vaster Circle existeth which the eye of man cannot see; it turneth and turneth through Eternity without ceasing; the Spirit of Creation createth, and the Spirit of Destruction destroyeth; and the Circle is the Equilibrium without which there would be no Manifestation of the Unity, and if there were no Manifestation of the Unity the Unity would be dead and Unconscious of Himself.'

When my Guide had ceased speaking he led me to the Eleventh Chamber, and there I saw a Virgin standing before me radiant in all the splendour of youth and strength. With a voice which had the ring of silver without tremor and without fear she spoke to me thus : 'In me lies hid the germ of Vitality. To thee my hand seems weak, but strength lieth in the Spirit, and because my heart is pure, know I no fear, and with my foot do I curb the Dragon beneath me.' It was so sweet a vision that it made my heart leap with joy, and when it vanished from my sight, pensively I followed my Guide to the Twelfth Chamber, with my mind still full of the beautiful young Virgin who had appeared to me. (An apparition of Ginny comes to mind...)

In this Chamber I found myself in complete obscurity, but as I gazed into the darkness a sign appeared to me by degrees in the form of a Cross. My Guide said: 'Behold the Sign of the Revealed Law; out of the Darkness it proceedeth, and Man must bow to it.' As I gazed more intently, the face of a man seemed to appear to me enclosed by a triangle hanging downwards at the base of the Cross, and I marvelled and exclaimed: 'What meaneth this transformation!' My Guide replied: 'Woe unto the man who filled with Pride presumeth to rebel against the Revealed Law, for on him waiteth destruction. Vain is it of Man to seek to rebel against that which the Eternal hath revealed unto him; by submission he will rise, by rebellion his face will be turned away from the Light, and his advancement delayed.' (Voldemort)

When my Guide had ceased speaking, we left the Chamber and proceeded to ascend to the Fifth Level of the Tower; there we entered together the Thirteenth Chamber, and this Vision appeared to me. A luxuriant meadow spread out before my eyes like the plain of the World; it was filled with variety, and the luxuriant flowers nodded to each other in their joy of existence. Presently, however, the breath of winter approached and its icy blast chilled my Soul; and as I gazed I saw the Vision of Death looming up before me; in one hand he held a scimitar, and in the other an empty basket; and he mowed down the flowers and threw them into the basket; and it seemed to me that they turned into dead men's heads; and some wore crowns and others the humble hood of the Dervish; and some had the golden hair of youth, and others the whitened locks of old age. And in my fear I cried aloud: 'O Terror of the World! what art thou?' And a Voice replied: 'I am the Link between the Known and the Unknown. That which seems gold in the World I will turn it into base metal, and that which seems base metal I will turn into gold. As the Ocean dissolveth and absorbeth the Salt of the World, so do I, for I am the Solvent of Humanity, and out of that which is do I make that which shall be.' (Interesting how the link between the material world and the spiritual one is metaphorically linked with the ocean and salt--the representation of Harry if I understand it correctly.)

When the Voice ceased, the Vision of Death departed from me, and I saw again the green meadow filled with flowers. Then my Guide said to me:

The Spirit of Life is the antagonist of the Spirit of Stagnation, for Stagnation is the Negation of Life. In the Unity nothing is created, nothing is destroyed. To the Sage, therefore, Death hath no terrors, for he knoweth that without Death there could be no Life, without Darkness no Light, without the Negation no Manifestation of the Reality. Death is the Key which opens unto Man a further stage on the Path of the Manifestation of the Unity.
(Dumbledore's words of wisdom recounted in a simpler manner: "Death is but the next great adventure..." Dumbledore must be the sage, yes?)

From this Chamber my Guide led me to the Fourteenth Chamber, where I saw before me an Angel who poured out of a pitcher into a receiver beneath the Water of Life. My Guide said to me: 'The meaning is this. In the World in which thou livest, the mind perceiveth the existence of Individuality, which is caused by the Water of Life descending in varying degrees into Matter, its Opposite. Now the Angel, when fertilizing the World by pouring upon it the Water of Life, giveth unto Man the conception of justice, which is to be the Light which is to guide him upon the path through the Material World. The Angel whom thou seest is, therefore, the Emblem of Temperance, which is the principle which should govern the individual creature in the World.'
(JK Rowling's reiteration that it is our individual choices that decipher who we are...)

Then with my Guide I proceeded to the last Chamber on this level of the Tower, which was the Fifteenth in Number. Here I found myself in complete darkness, but Presently out of the profundity of the gloom glowed forth the Beast of Evil, the Dragon biting his tail. Seized with fear I clung to my Guide, who threw around me the Mantle of Protection, and said: 'Behold the Sign! This is the Circle of Evil. Woe unto the man who steppeth into the shadow of the Light, for the gloom shall grow greater and greater, and against the fatal power of the Dragon's Ring man's will struggleth in vain. Who falleth into the Magic Circle him no regrets can avail, for an Eternity seemeth to separate him from the Path of Reunion.' (There is no salvation for someone such as Voldemort, as JK Rowling has already said.)

Overcome with dread, I issued from the last Chamber, and began the ascent to the next Level of the Tower, where when I had reached it I entered with my Guide the Sixteenth Chamber. Here I saw before me a Tower of great strength, and the Master of the Tower and his attendants were enjoying their security behind the battlements of their stronghold. And I said to myself: 'So cunning seemeth to have been the skill of the architect that this Tower will not perish but with the destruction of the World.' But presently I heard a great roar, and I beheld a thunderbolt descending from a cloud, and it struck the mighty Tower, and the battlements parted asunder, and the Master and his attendants were hurled to the ground. In amazement I exclaimed: 'What meaneth this Sign?' My Guide replied: 'Behold the Sign of the Fall! Man who was Spiritual has entered the World and put on the burden of the material body. Behold the Symbol of the Spirit of the Unity, which to thine eyes is invisible, incarnated in the World which lieth open unto thy senses.'
(The fall of Dumbledore?)

When the Vision had passed away I followed my Guide to the Seventeenth Chamber, and as I entered it I felt the Breath of Spring upon me, and my heart, which had been saddened at the sight of the ruined Tower, leapt for joy ; and as I looked I saw before me the Vision o lovely maiden, and her golden tresses were crowned with a diadem of seven stars; she sat in the midst of a green meadow enamelled with the glory of flowers, and by her side was a fountain from which poured forth the pure Water of the Earth. Presently the lovely maiden opened her lips and spoke, and my Soul was so stirred, that tears flowed from my eyes for joy of the softness of her voice, which was like the music of a harp in the stillness of the night. And she said: 'I am the Voice of Hope in the World. I am the Eternal Youth of Nature. In the depth of the Material World lieth hid the Water which welleth up in the Fountain of Immortality. The Glory of the Sun have I absorbed in my golden tresses: from my diadem of stars do I draw down the Spirit into the Body of Man; into his fallen Soul I breathe the Hope of Redemption; through me cometh to man the Courage to struggle against the bondage in which he is placed.'
(There's soo much I can see in correlation to Ginny and her connection with Harry here. Perhaps it will be Ginny who will call Harry back from behind the Veil then? We know that she can hear the voices. There are 7 stars upon her crown--the seventh child. She breaths the hope of redemption? But into whom? And the courage she empowers man with is in connection to her patronus being a phoenix no doubt. )

I tarried long in contemplation of this beautiful Vision, until my Guide with his wand of Power caused it to vanish; then I followed him to the last Chamber on this Level of the Tower, which was the Eighteenth in Number. Here again I found myself in utter darkness, but after a few moments I heard my Guide saying to me: 'Watch, and thou shalt see.' Then I gazed again into the gloom, and there grew before me a Vision which filled my Soul with despondency, for it seemed to me that I saw the World spread out before me, illuminated only by the pale and sickly light of the Moon; and man was struggling against man, and wild beast against wild beast; and the reptiles of the Earth came out of their hiding places to gather their spoil. (Battle at the castle featured on the back of the UK cover?) And in my sorrow I exclaimed aloud: 'What meaneth this Sign?' My Guide replied: 'This is the last Term. This is the ultimate descent of the Spirit of the Unity into the depths of the Abyss of Negation. This is the Realm of Chaos; in the World the Kingdom of the Passions let loose. This is the Triumph of Matter, Matter absorbing the Spirit and on the verge of throttling it.

The sight of this Vision inspired me with so great a terror that my eyes had no tears to weep, and I felt as if a mountain of Matter were piled upon my Soul to crush it, so that beneath the strain my mind gave way and I fell back in a swoon into the arms of my Guide. When I recovered the use of my senses the Vision had departed, and like a child I was led without this Chamber of Despair; but when I sought to begin the ascent to the next Level of the Tower, my Guide checked me and said: 'Ere we proceed any further pause and reflect. Thus far hast thou ascended through Six Levels of the Tower, and thou hast visited Eighteen Chambers therein. Now this is the meaning of what thou hast seen. In the first Six Chambers thou hast gained Knowledge of the Principles of the Universe; in the next Six Chambers thou hast moved in the World of Law and gained Knowledge of the Spirit of Preservation; in the last Six Chambers thou hast gained Knowledge of the World of Facts. The total which thou hast seen hath had this for meaning: the Breath of the Unity descending towards the Abyss of Darkness; what thou shalt see now is the Yearning for Reunion raising the Spirit of the Eternal back to the Unity from which it proceeded.' (A return to the world of the living?)

When he had spoken thus my Guide led the way up a long flight of steps, narrow and steep at the beginning but broadening out and more easy as we advanced, and when we had reached the top of them we found ourselves on a higher Level of the Tower, and here we entered the Nineteenth Chamber. Here at first I saw nothing, but surrounding me lay as it were a shapeless mist permeated by a vivifying luminosity. Presently in the uniformity of the mist I saw as it were a germ forming, a point of condensation; gradually it assumed a more definite shape, and then it appeared to me like a pure crystal of salt suspended in the Ocean. Then the crystal vanished slowly, and through the spot where it had been I saw the hills forming; then they became more distinct and I saw the shapes of trees appearing, and flowers of every hue, with butterflies and insects buzzing among them, and the fishes were leaping in the rivers; and as I marvelled the glory of the Light broke through the mist, and I saw beneath me a lovely Garden in which the children of men, youths and maidens, played among the flowers, rejoicing in the gift of Life. (The peace that will incur after Voldemort is vanquished perhaps...) Then I heard my Guide exclaim: 'Behold, the Spirit of the Eternal through the Chaos of the Material World hath reached to the Manifestation of Humanity!'

When the Mist began to close round me again I followed my Guide to the Twentieth Chamber. Here I saw spread out before me the Field of Solitude-the Burial Place of Humanity - and no living thing stirred therein and no noise was known to be. And as I gazed upon the waste of Life I heard the sound of a great trumpet, the voice of Israfel calling to Humanity. And I saw in the centre of the Field of Solitude Azrael - the Angel of Death - sitting in meditation; and at the sound of the trumpet he rose and flapped his sable pinions like a tired bird about to retire to his rest, and then he drew his great wings around his form, for the sleep of Eternity was upon him. And in the Field of Solitude I saw the graves open and the dead rising therefrom, and the rending of their grave-clothes was like the roar of the sea seeking to break down the barrier of the land.

My Guide seizing my trembling hand, said to me: 'Fear not; it is the Voice of the Eternal calling to Humanity. Behold the Breath of the Unity rising to the Spirit World and casting aside the shackles of the Material World!'
(Hmm... Will the dead LV has wronged emanate from their rest to watch the final battle between Harry and LV as has been suggested?)

When the vision had faded away I followed my Guide to the last Chamber on this elevated Level of the Tower, and it was the Twenty-first in Number. Here there appeared to me a young man riding on a fine horse, and with eyes burning with desire he gazed steadfastly at a Young girl who danced before him glorious in her nakedness, and her hair was adorned with garlands of roses. By his side an old hag hobbled along, holding his stirrup with one hand, while she held an hour-glass in the other, in which I saw that the sand was fast running out. As I looked I saw of a sudden a deep precipice ahead, and at that moment a hideous dog rushed forth and bit the legs of the horse to urge him on his career. As the rider grew closer to the precipice, the young girl who danced before him changed in my sight, and the colour in her cheek changed into the waxen hue of Death, while the petals of the roses on her head shrivelled and fell to the ground, and I saw her hair spreading out across the sky like the grey threads of a spider's web. Then the young man, having no power to check the fury of his steed, passed away and was lost in the abyss.
(Ginny's death? Sirius helping Harry along beyond the veil?)

While my heart was heavy with pity for this young man, I heard my Guide saying to me: 'Watch and behold!'

Again a young man appeared to me, and he was clad in armour, and in his hand was a goodly spear. Wild and dangerous beasts I saw striding across his path, but he looked neither to the right hand nor to the left hand, but with the power of his spear he drove them away. And I saw him begin the ascent of a steep mountain full of obstacles, but they seemed to cede before him, and as he reached the summit the sun shone forth illuminating his armour, and in the glory of that light the vision faded from my sight.

Then my Guide said to me: 'In the First Chamber on this Level of the Tower thou sawest the Divine Spirit rising through Matter to the Human World. In the next Chamber thou wast shown the rise of the Divine Spirit from the Human World to the Spiritual World. Now this is the meaning of what thou hast seen in this Chamber. In the World in which thou livest an Equilibrium existeth between Matter and the Divine Spirit. Now in the heart of each man a point lieth hid on which this Equilibrium is poised, and this point is the Mystery of his Individuality, which hath the power of turning the balance to the right hand or to the left hand, towards Matter which leadeth to the Abyss, or towards the Divine Spirit which accelerates the moment of Reunion with the Unity. Woe unto him therefore who in the Human World letteth the idleness of one hour impair the power of his Individuality to turn the balance towards the Light.' (The individual and his choice between good and evil again.)

Then my Guide led me without the Chamber, and said to me: 'All have I shown thee, yet one Chamber remaineth.' I said to him: 'Are my eyes worthy to see what is therein?' He replied: 'If thou desirest to see, thou must rise to it alone.' Then he Pointed the way to a steep and tortuous flight of steps which led to the highest pinnacle of the Tower; these with toil and pain I began to ascend alone, and when I had reached to a great height I saw before me the entrance to a Chamber closed by a heavy Veil. I pushed it aside and penetrated within, and when the Veil had fallen back behind me it seemed to me that the gravestone had fallen upon the grave, and that I was severed for ever from the World of Humanity. A feeling of solitude crept upon me and a desire to pray, and kneeling down I worshipped the Unknown, seeking for Illumination, and by degrees the knowledge of-the things which I had seen increased within me, and when I lifted up my eyes I saw that the Chamber in which I was formed like an Ellipse, and that in the centre thereof a Figure sat upon a Throne, neither Man nor Woman, but- Humanity in the Womb of Time - the Ellipse of the Absolute. And as I gazed and marvelled, I saw a Mystic Flower at the summit of the Chamber open its four great petals, on each of which a Sign was burnt in fire, and from the depths of the Flower three rays of light descended upon the Figure beneath illuminating it with splendour, so that I saw the overpowering serenity of its face - ever youthful - on which no wrinkle was writ. Then the Figure crossed its hands, so that forefinger was extended against forefinger, and with the tips of the forefingers it touched its lips, placing thereon the Seal of Silence. Then my soul grew bewildered with the beauty of that face, and I covered myself with my hands, and when again I opened my eyes I felt the breath of dawn upon my face, and I heard the lark singing above, and the joy of calm was in my heart, and the morning star shone in all its glory above the Solitude of the Desert.

(Death is absolute in JK Rowling's world, or so it seems... So how would Harry return from beyond the Veil then? With the knowledge he has amassed over the years that he doesn't realize? Interesting how the the flower has four symbols burned by a fire when a Sacred Fire has been mentioned. Are these the marks Harry has left on four separate people perhaps? Or do the symbols represent the four Hallows/founders? Will the hallows allow Harry to return from beyond the Veil while also allowing him to enter into it?)


http://www.levity.com/alchemy/mystower.html

The seven levels of the tower could represent the seven books and the journey's within them, but I have to wonder if this tower will be present in the same place as where the colliseum is present... Perhaps Harry and LV are reaching for the source of what will be able to carry them back to the world of the living? The "hand" will surely permit Harry then if it follows the law of this allegory's idea of the Universe and the Path of Light being the right course. Perhaps the broken wood is a part of this tower? A door? Hm... A thought occured, what if it's a door knob with wings (quite like the flying keys in SS) and it chooses whom is able to hold it's power to put it in the door and go back to the material world... Probably not likely. Ah, well. tongue.gif
Any other ideas? Thanks and sorry for any repitition! lol.gif

Posted by: Weasle Diva Apr 12 2007, 05:29 PM

Wow! There are so many good points being made here! That is a lot to think about Azcaban Dietian with you Mystic Rose quote.

Good find on the Sacred Fire, memyselfni. The Divine Spark is also the Holy Spirit in Christian theology.

I have been lurking in an alchemy thread with people who are actually interested in the chemistry of it all along with the philosophic aspects of alchemy and they had this quote:

QUOTE
Living acetic acid obtained from the wine, which itself was obtained from the living vine, which itself is a solar plant and whole life is sustained through the living sun


So sacred fire easily relates to sun, hence gold.

The putrification process is also a fermenting process. The grapes dying and being reborn as wine.

What jumped out at me from the quote was the term "living vine."

Then it hit me, the three wands of the trio, laid edge to edge make the triangle.

And Hermione's wand is made of vine.

The triangle is two pieces and the circle is two pieces. This could mean the four elements, the four houses. Yet they are in unity.


Posted by: redshoes Apr 15 2007, 04:53 PM

Interesting discussion of the spine symbol. smile.gif

Is it too late to bring in some comments on John Granger's latest book, the one published in March 2007? I assume everyone knows that he has reverted to his original idea that Harry will be alone sad.gif and Ron and Hermione are together.

I decided to examine the book as you would any other scholarly, academic work, which means considering sources and methology. So I apologize if this is a bit dense at times.

John Granger, Unlocking Harry Potter: Five Keys for the Serious Reader

Granger’s new book was published in March 2007, although much of it is material repurposed from his Website. He devotes three chapters to alchemy in HP, in which he again fully supports Ron and Hermione being together. However, he has no use for Harry/Ginny. He dispatches the Chocolate Ship in just two sentences:

QUOTE
Beyond speaking with and cohabitating with snakes, though, Harry also has a snake that in Phoenix rises up from within him to attack the Headmaster. If you dismiss that as a Voldemort-inspired nasty, then should we credit the Dark Lord for the serpent that rears his head within Harry as love for Ginny (Half-Blood Prince Chapter 14)? (p. 92)


That’s all he says about Harry and Ginny. In Granger’s view, Harry is back to being the lone wolf, the sacrificial character that Granger is most comfortable seeing him as.

Before launching into any criticism of the book, I need to acknowledge what he has done right. Granger was the first to recognize and publish (in book form) the argument that Harry Potter is a work of literary alchemy. All of us who enjoy investigating the alchemy in HP owe him a significant debt. I also believe that Granger is right in emphasizing the moral purpose of the series, that Harry’s journey is not primarily to secure wisdom or “enlightenment” but to learn love, compassion, tolerance, forgiveness, and reconciliation.


SOURCES
Any scholarly work is only going to be as good as the sources upon which it is based and the soundness of the methodology that is used. So let’s start by looking at his sources.

There is a vast amount of material on alchemy. Alan Pritchard’s on-line bibliography has in excess of 8000 entries:

http://www.cix.co.uk/~apritchard/

No one can read everything. So how do you choose? You need two kinds of books:

1. Books that explain what alchemy is.
2. Works of literature—plays, novels—that use alchemical structures and symbolism

Which books has Granger used in each category?

Books that explain what alchemy is

Granger has apparently not read any of the original texts by practicing alchemists like Nicolas Flamel, Paracelsus, George Ripley, etc. Instead he relies heavily on two authors, the Swiss art historian Titus Burckhardt, especially his study Alchemy (1972), and the Australian literary scholar Lyndy Abraham, whose Dictionary of Alchemical Imagery (1998) he rightly calls the “champion” among published guides to alchemy. He acknowledges the importance of Mircea Eliade although he barely uses him in his analysis.

What does Granger NOT use? He follows Burckhardt in dismissing Carl Jung completely (pp. 50, 52). This is risky, since there is evidence in the HP books that Rowling has some familiarity with Jungian archetypes—the use of the word “shadow” to refer to LV’s connection with Harry on several occasions, for example.

More important, Granger’s disdain for Jung is probably the reason for the more surprising omission of Joseph Campbell from UHP. You don’t have to accept Jung’s theories about the “collective unconscious” or conceptualize Harry’s story as an exemplar of the process of “individuation”—two Jungian buzzwords—to recognize that there IS a monomyth. Rowling has incorporated the key stages of the monomyth already—the call to adventure, refusing the call, meeting the goddess, the temptress, etc. To ignore Campbell entirely is to give up a crucially important resource. Granger instead lists the classic 1957 Anatomy of Criticism work by the Canadian literary critic Northrup Frye, but Frye cannot substitute for Campbell.

Granger also dismisses New Age spiritual alchemy as being an unreliable guide to literary alchemy, and here I concur.

QUOTE
I have read just enough Fandom “New Age” alchemy speculations, nonsense about charkas, and even cut-and-paste layovers of western church sacraments to Harry Potter novels to realize that the meaning and symbolism of number fascinates people but largely escapes their understanding. (p. 78)


However, New Age mystics and spiritualists of every stripe are the most enthusiastic preservers and disseminators of the classic textual and visual works of medieval and early modern alchemy. You can’t avoid them completely. Adam McLean’s Website is an invaluable resource for the foundational texts of medieval and early modern alchemy, even though you have to navigate around ads for his study course on achieving “personal transformation.” unsure.gif For collections of the principal series of 17th century alchemy emblems the primary printed resources are books by the spiritualist Stanilas Klossowski de Rola—although these at least Granger does include in his Bibliography.

Works of literature that use alchemy

Faced with an overwhelming number of alchemy poems, plays, and stories, how do you choose what to read? One thing that would seem obvious is that you read the works JKR has mentioned in her interviews and/or put on her bookshelf. Granger has not done this—or if he has, he’s kept silent about it in his book.

He cites three works of Austen—Pride and Prejudice, Emma, and Mansfield Park--and several plays of Shakespeare. And he even draws on comic book movies—Fantastic Four and the Incredibles—to show the persistence of the idea of the four elements in popular culture.

However, glaring in their omission are the works we KNOW influenced JKR, because she said so and/or placed them on her bookshelf. After all these years there is no excuse for Granger not to have read The Little White Horse, the 20th century masterwork of English literary alchemy for children. Similarly, Granger lists seven Shakespeare plays “written on alchemical skeletons and themes” (The Tempest, Romeo and Juliet, Anthony and Cleopatra, Two Gentlemen of Verona, The Comedy of Errors’ Love’s Labours Lost, and The Merchant of Venice--but NOT The Winter’s Tale. JKR has said that she took the name Hermione from TWT. Granger knows that “Hermione” is an alchemical name, that it means “Mercury.” Why has he not followed up on JKR’s huge clue?

Manxmouse is another alchemy tale for children that JKR has repeatedly praised. Granger doesn’t cite that either. Perhaps we shouldn’t be surprised at Granger’s lack of curiosity. He hasn’t read or referenced most of the non-alchemy books from the Bookshelf either, such as E. Nesbit’s stories, the coming of age story I Capture the Castle, or Dorothy Sayers’ detective fiction.

METHODOLOGY

A number of alchemy theorists draw directly and uncritically on New Age spiritualists like Dennis William Hauck for their interpretive framework. They barely consider literature—alchemy plays and stories—at all.

Granger does not do this. That’s hardly surprising: he is writing about literary alchemy after all. Granger considers how English writers have used alchemy in drama and fiction, especially Shakespeare. In his bibliography he cites Stanton J. Linden’s Darke Hierogliphicks: Alchemy in English Literature from Chaucer to the Restoration (1996) as well as Frances A. Yates, The Art of Memory (1966). I’m not familiar with Linden’s book, but Yates inaugurated the rediscovery of alchemy in Shakespeare.

The problem is that “mentioning” a play or poem or story is not the same thing as comparative analysis. Only rarely does Granger draw parallels between the imagery and plot points of HP and those of other alchemy-based works of literature. Instead he takes a bit of alchemy—for example, the idea of the rebis (the hermaphrodite, the androgyne) and applies it directly to HP without looking at how the symbol has been used in literature before. Think of it as like baking a cake: Granger has the ingredients but he’s thrown away the instructions. So all he can do is guess.

So he guesses. In keeping with his Harry as lone wolf view, Granger concludes that Harry himself simply has a double nature, that he is both Gryffindor and Slytherin:

QUOTE

Harry being himself, then, the combination and resolution of the Gryffindor-Slytherin polarity, a Hogwarts Hermaphrodite, is able to destroy or resolve the dark magic of the Horcruxes by absorbing the fragment of Voldemort’s soul each contains. (p. 88)


I suspect Granger is right about the need for Harry to reconcile with the Slytherins, but this has nothing necessarily to do with the idea of a rebis or hermaphrodite. A hermaphrodite in alchemical imagery is a fused person with the two heads (or torsos), one male, one female. The rebis is one of the images used to depict the result of the Chemical Wedding, the joining of the Sulphur man and Mercury woman. But Granger doesn’t allow Harry a female partner, so he removes love and sex. There is no woman in Granger’s hermaphrodite. This might be convincing if Granger cited a single instance in an English alchemy play or story where the hermaphrodite has been portrayed this way. But he doesn’t.

Where could he have looked for “instructions” on how the rebis has been used in literature before? We know he’s read LOTR, so he could have mentioned the CW between Frodo and Sam in ROTK. In the final climb up Mount Doom Frodo collapses so Sam has to carry him, creating the rebis image of two heads/torsos walking on a single pair of legs. That would have raised the issue of Frodo and Sam being the OTP of LOTR, though, so I can understand why he would avoid it. On the other hand, if he had read TLWH or The Winter’s Tale, for example, he would have realized that the CW in literature is often a simple romantic pairing, Maria and Robin, Leontes and Hermione, etc.

In analyzing HP it’s best to avoiding guessing as much as you can. JKR is drawing from a vast storehouse of literary imagery and conventions, including but not restricted to alchemy. If you find a bit of alchemical imagery in HP that’s also in a book that you know she has read and enjoyed, then you’ve hit gold. That’s why I found it so helpful, in an earlier post, to look at the way Goudge depicted her Chemical Weddings in TLWH and point out the obvious parallels with HP. If I had tried to take the explanation of the CW in Lyndy Abraham and apply it directly to HP, without looking at any literary precedents, I suspect I would have been as much at sea as Granger sometimes is.

SULPHUR AND MERCURY

Leaving behind his comments in 2005, in UHP Granger avoids any reference to a possible Harry/Hermione pairing. However, he has not developed any fuller explanation for why Ron and Hermione belong together. He just asserts it, in basically the same language he’s been using for years.

QUOTE

Harry’s two best friends are Ron Weasley and Hermione Granger. Ron, the red-head, passionate boy and Hermione, the brilliant, cool young woman are Harry’s never fail companions. They are also living symbols of alchemical sulfur (Ron) and mercury (Hermione), being the feminine of the Greek name for Mercury. Together, and, more obviously, in their disagreements and separation, Harry’s friendship with Ron and Hermione transform him from lead to gold in each book….

For those involved in the “shipping” debate about whether Hermione was meant for Ron or Harry in the end, this point suggests the eventual love match of Ron and Hermione. “Medieval alchemists adopted from the Arabs the theory that all metals were a synthesis of mercury and sulphur, whose union might achieve various degrees of harmony. A perfectly harmonious marriage of the mother and father of metals might produce gold” (Mark Haeffner, Dictionary of Alchemy, p. 147). When Ron and Hermione stop quarreling and connect, as we saw in Prince, Harry’s “perfection” is near. (pp. 63-64)


Granger also briefly addresses the Harry/Luna pairing.

QUOTE

Luna: “Luna is the bride, the white queen, consort of King Sol. She is the moist, cold receptive principle which must be united with Sol, the dry, hot actie principle in the chemical wedding” (Abraham, p. 120). A girl friend for hot and dry—burned to a cinder—Harry? Just in time: Luna “symbolizes the attainment of the perfect white stage, the albedo, where the matter of the Stone reaches absolute purity” (Abraham, pp. 119-120). No surprise that Harry and Luna were a couple in Half-Blood Prince, albeit only to one party. (p. 70)


Consider this. Granger explains why Hermione is Mercury (there’s more detail on pp. 61-62) and why Luna is Queen Luna. But he does NOT explain why Harry is King Sol and Ron is Sulphur. Granger knows from his reading of Abraham and Burckhardt that King Sol, the Red King, Sulphur, and Sun are all synonyms for the same thing. (He should know too that Mercury is most commonly symbolized by the Moon.)

Why should he conclude that Harry is Sol and Ron Sulphur—and not the reverse? He has an obligation to set out his reasoning. He does not do so. Why not? I don’t think it’s because the thought hasn’t occurred to him—we know he seriously considered the likelihood of a Harry/Hermione OTP. My speculation is that he HAS looked for a proof that Ron is Sulphur and hasn’t found one that’s convincing. So he just leaves it out.

In fact he leaves birthdays out entirely, even though Hermione’s Virgo birthday would be another piece of proof he could mention to show her being marked as Mercury. Harry’s birthday makes him a Leo, marked as Sun—which would fit nicely in his comment about Harry being King Sol. But if he mentions Harry’s birthday then there’s the pesky problem of Ron being a Pisces, a water sign, ruled by Jupiter—none of which has ANY connection to Sun/Sulphur at all. So birthdays are off-limits for Granger.

Also, since Granger has concluded that Harry will be a lone wolf, he has to find another pair whose joining will be the climactic CW that creates the Stone. He is sticking with Bill and Fleur, as he’s written previously. Why or how the marriage of a secondary couple should have this transcendent importance he doesn’t explain. Curiously, one of the works he mentions as having a chemical wedding is Romeo and Juliet. He mentions this without irony. Surely he realizes that Romeo and Juliet were the protagonists of the play that bears their names, not minor characters like Bill and Fleur.

This is where his ignoring TLWH and TWT really comes into play. The Chemical Wedding in those works is not a marriage. The Chemical Wedding is a joining of Sulphur and Mercury, heart and mind, that transforms the hero and allows him or her to complete their destiny. The actual weddings—and there are multiple ones, hence the term “matrimoniathon”—come AFTER the climax, after the victory against the malign forces, in the Happy Ending.

LOTR shows this distinction clearly. In ROTK Sam “joins” with Frodo by carrying him up Mount Doom. That’s the Chemical Wedding—Tolkien creates the visual image of the rebis, two heads on one body. After this the Ring can finally be destroyed and Sauron is finished. Only then can happiness return to Middle Earth and the Red Kings marry their White Queens. Aragorn marries Arwen, Faramir marries Eowyn.

In my previous post on TLWH and HP, I described the three Chemical Weddings of Maria and Robin. In the matrimoniathon that follows the climax, not only do Maria and Robin marry, but Sir Benjamin marries his White Queen, Loveday Minette, while the Old Parson marries HIS, Jane Heliotrope.

So, in conclusion, if there’s a definitive alchemy case for Ron being Sulphur, Granger doesn't make it.










Posted by: EruditeWitch Apr 17 2007, 04:54 PM

Your essay brings up an interesting point.

but first I'd like to say that I've never read Granger. I've really been more into Flamel and Paracelsus when looking into alchemy. I wish I had more time to consider what you've written, or even more time to think on what Granger says. However, I don't. I will do so later on tonight, because a few points you've brought up really sparked something in me.

But let me ask you, have you ever read why JKR like TLWH, Emma, and Manxmouse? She does not cite literary alchemy at all. She says she likes TLWH for the plain but vain heroine. So it's characterization that has her most fascinated. In Manxmouse, she again points to one of the main characters as her reason for liking the book. Finally, she says the thing she liked most about Emma was how deluded the characters were.

So she likes the unique characterization of these books. As she said in 2000 good books don't follow a formula. She isn't choosing these books because of their astute adaptation of literary alchemy...it's not their formulas. It's their characterization that gets her going. So ultimately, characterization will be the driving force behind a character's decision..not a formula.

I'm not saying she's not using alchemy, it's just very clear to me that we shouldn't apply it in so many ways. Especially romance.

I'm going to do some thinking on the Luna thing. You've brought up some interesting point on her I think I can associate with my beliefs on her future.

Posted by: ePhoenix Apr 19 2007, 11:46 AM

QUOTE(memyslfnI @ Apr 5 2007, 10:43 PM) [snapback]1169063[/snapback]

......IPB Image

...The effects of the Secret Fire however, and not its re-distributive effects on the Vital Energy, can create the following phenomena:
QUOTE

.....The energy can reach the top of the head in a flash of light.....
We have spoken about the chakras a dozen times in this thread and its connection to alchemy. well here it is! Harry suffers through these fits when he is dreaming or shis scar hurts? Is this the energy in Harry that we see preparing him for the "liberation of the sacred fire"?

Is the coiled serpent a reference to the Hogwarts motto "Never tickle a sleeping dragon"?

more on this from Ari's source:
QUOTE

.....
This ‘zigzag’ of Creation is called the “Lightning Flash”. The return of energy from dense matter, back through the various stages, Sepherith, and Worlds of Creation is known as the “Path of the Serpent” because of its reverse, or complimentary ‘zigzag’ nature back up this diagram called the Tree of Life.
For the alchemist, somewhere between the third and fourth level, or sphere of creation, energy takes on the characteristic that will allow for the formation of matter at some future state, or level ten. This energy is called Prima Materia, Chaos in the Bible, Spiritus Mundi (Spirit of the Earth), and others.......
The symbol is sacred fire! He has just described Harry as salt with a lightning bolt scar!! It is the path of the serpent!
I love the Divine fire concept. Fascinating stuff. I also think that the start and end of the path, coincide with the cycle of Voldemort's end. Afterall the deconstruction of LV is the source of the "flash of light at the top of the head" of the lightning bolt that sends Harry on his way along the path, and I think the path will end with the reconstruction, and final total destruction of LV. Do you think LV follows the path of the snake in reverse?

Which brings me onto the coiled serpent... I'm not sure if it is linked to the "Sleeping Dragon". I though it was more like the Ouroborus, the snake eating it's own head, a symbol of eternity through cycles.

I agree that Harry's dreams and experiences are the cleansing process before alchemical gold is achieved.

Also the description of the Divine Fire is very similar to a description I read about AETHER a.k.a. QUINTESSENCE a.k.a. The Fifth Element. The element of space, or the universe, that in modern physics is generally referred to as "Dark Matter". See the description below...

QUOTE
Aether (also spelled ether) is a concept used in ancient and medieval science as a substance. The aether was believed to be the substance which filled the region of the universe above the terrestrial sphere. Aristotle included it as a fifth element distinct from the other four, Air, Earth, Fire, and Water. Aether was also called Quintessence (from quinta essentia, "fifth element"). Quintessence was also supposed to be a definition of pure energy. Its force is imagined to be like a lightning. This element also has the power of life. Its Platonic solid was the Dodecahedron.

(http://en.wikipedia.org/wiki/Aether_%28classical_element%29)


QUOTE(Pat_Rorrythe @ Apr 5 2007, 11:26 PM) [snapback]1169116[/snapback]

.....Memyslfn1, the triangle you mentionned has no bar in the circle. Ephoenix spoke about the letter phi which is a circle cut with a bar, the gold number (1,6....). Is there a link between that number and a triangle ? I saw that the golden number is used to draw pentacles (http://fr.wikipedia.org/wiki/Pentacle)
I realised that the links I posted earlier didn't work... hopefully they will this time! There is a link between Phi and a triangle. If you draw an equalateral triangle within a circle, you can calculate Phi (http://goldennumber.net/geometry.htm)

IPB Image This is the symbol for the Hermetic Seal of Light (Quintessence).

QUOTE
This symbol, often referred to as the synthesis of alchemy or the Hermetic Seal, hearkens back to ancient pythagorean philosophy, wherein the square, circle, the and the triangle are the emblems of the material body, the soul, and the spirit, the three elements believed to be necessary for alchemical transformation.

Alchemically, they are Mercury, Salt, and Sulphur. In Atalanta Fugiens, the alchemical text illustrated below, it is written, "Make of man and woman a circle; thence a square; thence a triangle; form a circle, and you will have the Philosopher's Stone," a hidden geometrical formula for creating an octave and a golden rectangle.
(http://altreligion.about.com/library/glossary/symbols/bldefshermeticseal.htm?terms=hermetic+seal)

If you take the triangle to be Mercury, Salt, and Sulphur => Mind, Body, and Soul =>Hermione, Harry and Ron, and put Phi (the Golden Number in the middle), then would Gold be achieved by combining the powers of the trio?

'HP Theoretician' and 'The Azkaban Dietitian' I love the Mystic Tower ideas that you've had. There's alittle too much for me to go through in one post, but I especially liked the 7-Ginny links.



QUOTE(Weasle Diva @ Apr 12 2007, 11:29 PM) [snapback]1178037[/snapback]

......Then it hit me, the three wands of the trio, laid edge to edge make the triangle.

And Hermione's wand is made of vine.

The triangle is two pieces and the circle is two pieces. This could mean the four elements, the four houses. Yet they are in unity.
This would coincide with my theory about the symbol on DH book cover, and the triangle representing the trio. I really like the idea that the fourth line would mean the combination of the four houses. Also it was brought up on one of the other forums, that the symbol looks like it is on white marble (DD's tomb maybe?) are there references to White Marble in Alchemy? (sorry if this has been asked before).


QUOTE(EruditeWitch @ Apr 17 2007, 10:54 PM) [snapback]1185237[/snapback]

....So she likes the unique characterization of these books. As she said in 2000 good books don't follow a formula. She isn't choosing these books because of their astute adaptation of literary alchemy...it's not their formulas. It's their characterization that gets her going. So ultimately, characterization will be the driving force behind a character's decision..not a formula....

I agree that the characterisation is the most important thing, and slightly off topic, JK does seem to be a bit of a Jane Austen fan. Mrs Norris is exactly like the Mrs Norris character in Mansfield Park, you mentioned Emma in your references above, and I think that there will be a D'Arcy-like change of attitude in Book 7 about Snape. Not necessarily that he has improved in essentials, but that our further knowledge of him will improve our opinion of him.

Posted by: firephoenix Apr 19 2007, 10:10 PM

redshoes - Thank you for the lesson on John Granger. Would this be the same John Granger that paired Hermione and Ron in his first book? Yes, and he went as far to say that the would be the ones married in the Chemical wedding. Well at least now I know why I distain Mr. Granger. I am a Jung girl. biggrin.gif

QUOTE(ePhoenix Posted Today @ 11:46 AM )

I love the Divine fire concept. Fascinating stuff. I also think that the start and end of the path, coincide with the cycle of Voldemort's end. Afterall the deconstruction of LV is the source of the "flash of light at the top of the head" of the lightning bolt that sends Harry on his way along the path, and I think the path will end with the reconstruction, and final total destruction of LV. Do you think LV follows the path of the snake in reverse?

I believe that Voldemort is the Anti Alchemist and is doing the work backwards.

QUOTE
I agree that the characterisation is the most important thing, and slightly off topic, JK does seem to be a bit of a Jane Austen fan. Mrs Norris is exactly like the Mrs Norris character in Mansfield Park, you mentioned Emma in your references above, and I think that there will be a D'Arcy-like change of attitude in Book 7 about Snape. Not necessarily that he has improved in essentials, but that our further knowledge of him will improve our opinion of him.
Not off topic at all. Jane Austen is one of the writers that inspired JKR to write a story based in Alchemy. I do not see the Darcy connection at all though. Darcy was a good man that did stupid things. Snape is knowingly mean.

Posted by: ePhoenix Apr 20 2007, 04:14 AM

QUOTE(firephoenix @ Apr 20 2007, 04:10 AM) [snapback]1188128[/snapback]

redshoes - Thank you for the lesson on John Granger. Would this be the same John Granger that paired Hermione and Ron in his first book? Yes, and he went as far to say that the would be the ones married in the Chemical wedding. Well at least now I know why I distain Mr. Granger. I am a Jung girl. biggrin.gif

QUOTE(ePhoenix Posted Today @ 11:46 AM )

I love the Divine fire concept. Fascinating stuff. I also think that the start and end of the path, coincide with the cycle of Voldemort's end. Afterall the deconstruction of LV is the source of the "flash of light at the top of the head" of the lightning bolt that sends Harry on his way along the path, and I think the path will end with the reconstruction, and final total destruction of LV. Do you think LV follows the path of the snake in reverse?

I believe that Voldemort is the Anti Alchemist and is doing the work backwards.

QUOTE
I agree that the characterisation is the most important thing, and slightly off topic, JK does seem to be a bit of a Jane Austen fan. Mrs Norris is exactly like the Mrs Norris character in Mansfield Park, you mentioned Emma in your references above, and I think that there will be a D'Arcy-like change of attitude in Book 7 about Snape. Not necessarily that he has improved in essentials, but that our further knowledge of him will improve our opinion of him.
Not off topic at all. Jane Austen is one of the writers that inspired JKR to write a story based in Alchemy. I do not see the Darcy connection at all though. Darcy was a good man that did stupid things. Snape is knowingly mean.


redshoes - Had a chance to read through the full post last night... since I've never read any of Grangers work, I found it hard to follow (I'm a bit slow!). Where do I find more info about Granger?

I agree Snape is knowingly mean, but so also was D'Arcy at the start. He snubbed Lizzie at the dancing, and made plenty of rude comments about the lowly common folk he had to go to to the dances with etc.
D'Arcy was especially mean to Wickham however, and it is assumed that he was mean to him for no reason other than pride. However it turned out that DArcy was protecting his younger sister, and was understandably mean to Wickham. I don't think D'Arcy changed too much in essentials, but by knowing how he had come to be so mean to Wickham changed Lizzie's opinion of him.

Similarly, I agree Snape is mean, and I don't think Snape will change too much. I think he will always be mean. Maybe he is protecting (Irma Pince or someone else). We saw glimpses of it in the pensieve in OotP of how badly he was treated by the marauders, and I couldn't help feeling sorry for him, even though he was mean to Lily. I think that what we will find out about him in DH, may explain why he is so mean, and that there may be a very good reason why he is so mean. And in this way our opinion of Snape may improve.

I'm such a newbie to alchemy, I feel lost with all of you experts here. The more I understand alchemy, the more questions I have, so please bear with me. Sorry if it was asked before, but does white marble appear in alchemy references anywhere? (The white marble on DD's tomb looks like the background of the symbol on the book cover.)

Posted by: Norris Apr 21 2007, 10:59 PM

QUOTE
Energy is divided into active and passive modes, with the active energy constituting the energies of life, and the passive one the energy of matter. In “The Golden Chain of Homer”, the active energy is called Niter and the passive energy is called Salt.

This caught me off guard a bit. Harry is sulphur, Hermione is mercury, and Ron is salt, right?
And also, remember that OLLIVANDER could also be written as RONALD'S EVIL...
I don't know, but maybe Ron has to be the "passive energy" to help Harry succeed?! Like, maybe something is going to happen between them that's not good, like a fight or a disagreement, but that "something" is going to be crucial to the plot and actually help Harryin the end?

My GOSH, isn't it amazing how much alchemy it's possible to fit in 7 books?!!! Genius x 100000, JK is!!! Beyond Genius....
I'm lovin' all the theories more and more as i read them. Can you imagine, you've filled like 5 threads of this great stuff, yet you can't positively, 100% sure, say what is actually going to happen...Well, i guess we're pretty close, even if we don't know it yet ;) ...

Posted by: galadriel12 Apr 22 2007, 10:56 AM

QUOTE(Norris @ Apr 21 2007, 10:59 PM) [snapback]1190223[/snapback]

This caught me off guard a bit. Harry is sulphur, Hermione is mercury, and Ron is salt, right?
Actually, we don´t know that. All the alchemy whizzes on the numerous incarnations of the thread have, as far as I have seen, not been able to definitely classify Harry and Ron as either salt or sulfur.

I personally tend to agree with those who argue that more likely Dumbledore - Sirius - Hagrid can be associated with these elements. Dumbledore - mercury, Sirius - sulfur, Hagrid - salt.

QUOTE
And also, remember that OLLIVANDER could also be written as RONALD'S EVIL...
OLLIVANDER´S can easily be read as RONALD LIVES. I think that is by far more likely than the other alternative.

Posted by: Pat_Rorrythe Apr 22 2007, 04:05 PM

QUOTE(Norris @ Apr 22 2007, 05:59 AM) [snapback]1190223[/snapback]

This caught me off guard a bit. Harry is sulphur, Hermione is mercury, and Ron is salt, right?
And also, remember that OLLIVANDER could also be written as RONALD'S EVIL...
I don't know, but maybe Ron has to be the "passive energy" to help Harry succeed?! Like, maybe something is going to happen between them that's not good, like a fight or a disagreement, but that "something" is going to be crucial to the plot and actually help Harryin the end?

Just want to remind that Alchemy is something and Harry Potter something else. If Alchemy seems to be rather logical or simple for some of us, do not forget that alchemists in the XIV up to the XVIth centuries will have to become hidden not to be persecuted by the Catholic Church. So :
- Most of the texts havec to be expressed in a allegoric way.
- The idea is also that this hermetic tradition was transmitted in secret, not "to give pearls to the pigs".

The purpose of alchemy is also to speak of the inner alchemy, which has to speak about realities (or mysteries) for which no words exists. The reality and the experience of the soul is something quite rare to figure out. So which vocabulary can be used to speak of things not or quite impossible to catch ? This is another difficulty orf reading the texts.

So, to say that Harry is sulphur, Hermionne mercury, and Ron salt is interesting but quite to simple in the view of alchemy : sulphur vulgar or prepared ? mercury vulgar, animated, philosophical, senex ? Salt but which one ?

Here is an extract of the commetaries about the http://perso.orange.fr/chrysopee/somalc.htm :
QUOTE
(ChW: PRECEDEED By a Foreword, AND FOLLOWED BY ALCHEMICAL COMMENTS BY AURIGER, Bio-bibliographical note by PAUL CHACORNAC ) Let us speak still a little about the snake; it appeared to be the figure of the four elements among Egyptians, also was it considered by the Philosophers, sometimes as symbol of the materia of the Great Work which is a summary of the four elements, sometimes for this materia reduced out of water, sometimes finally for their Sulphur or igneous Earth that they call the Mine of the celestial Fan. The disciples of Hermès conformed to the directives of the Master about this hiéroglyphe, because unceasingly we find it in the myths of Cadmus, Saturn, Mercure, Esculape, Apollo, etc By the snake which devours its tail, they properly indicated Sulphur, (Raymond Lulle, Codicille, G. 31). Indeed, in the second operation of Magistère, the philosophical snake start to dissolve by the tail by means of its head, i.e. of its first principle.


And this is what d'Espagnet says (L'ŒUVRE SECRET DE LA PHILOSOPHIE D'HERMES
JEAN D'ESPAGNET
QUOTE
The philosophers, under a varied language, said nevertheless the same thing with regard to the matter of this Stone; so that several, which does not resemble each other in words, fall from agreement however on the thing itself. Their way of speaking, to be unmatched, does not leave for as much any spot of falseness or ambiguity to our Science: considering the same thing can be expressed in several languages, be stated various ways, be represented by different effigies, and even, under various aspects, it can be named sometimes in a way, sometimes of another.

15 That one thus takes guard with the various significance of the words. Because the Philosophers have habit to explain their mysteries by misleading turnings, and under doubtful, and even generally, contradictory terms seemingly, in order to protect by embarrassments and veils the study from these truths, but not to falsify them nor to destroy them. For this reason their writings are full with ambiguous words, whose direction is ambiguity. Admittedly, they do not have a greater care than to dissimulate their gold branch, which is hidden, like known as the Poet, in the secret retirements of a dark forest, which is very surrounded small valleys which make there reign eternal darkness; and which resists some force that it is. It is let tear off only with that which will be able to recognize the maternal birds, and towards which two doves, coming from the sky, will direct their flight.

19: Some Philosophers said that their work was composed of the Sun and the Moon only; some others add Mercure to the Sun, others want that it is sulphur and mercury; some support that the salt of nature, mixed with the two named last, does not occupy a less row in work. However, all these Philosophers, although they wrote that their Pierre was produced, sometimes starting from an only thing, sometimes of two, three, four or five, nevertheless in their language various all have only one same intention and that the same goal.


If we want to answer the question " is Snape on the good or bad side" we'll have as many answer for bad than for good. Voldemort's new body is described like white( dark lord), Harry has black hair (if he is sulphur why not red hair ?), Hermionne has red hair (why if she is mercury ?).

Is the world of JKR so obvious that we can say who is sulphur or mercury ? or salt ?

Above all, if we look at inner alchemy, we have to speak of spirit, soul and body. And the actor of the three elements is said to be the spirit which has the key to go out from the prison of saturn (the body) and to free the soul. Once they are free, they mix and then come back to the body. This is described http://perso.orange.fr/chrysopee/somalc.htm. If we want to see a correspondance in Harry Potter, for example in book I and II, we see that the trio starts the final figth together and then they are splitted to let Hary be alone to face Voldemort and the basilik. If the spirit is described as the active part, then Harry migth be the spirit.

The final possibility could be that each member of the trio has not a fixed role, and can be sometimes one or the other, like in the chemical wedding of CR.

Posted by: Norris Apr 22 2007, 10:27 PM

QUOTE
OLLIVANDER´S can easily be read as RONALD LIVES. I think that is by far more likely than the other alternative.

Yes, i think that too, or course. Also, there's the AN EVIL LORD business, but that's a whole another topic...I just thought of that as another subtle hint that doesn't really mean what it spells, but can be interpreted in different ways. The whole "passive energy" thing. But i don't know, this is probably a crazy idea anyway.

QUOTE
If we want to answer the question " is Snape on the good or bad side" we'll have as many answer for bad than for good. Voldemort's new body is described like white( dark lord), Harry has black hair (if he is sulphur why not red hair ?), Hermionne has red hair (why if she is mercury ?).

Well, even though i do not have much knowledge of the subject, i do remember things and reading other things on Alchemy has helped too...

First of all, in a literary alchemy story, there are one or two main characters on the quest for PS. There's always sulhur and there's always mercury. Salt is usually present.

Sulphur is the heart/soul of the story because it is marked by the sun. Harry is a Leo and is ruled by the sun. He is the soul of the trio; therefore he is sulphur. There's also the fact that Harry is a Seeker and that the person that is pursuing the stone is called the Seeker.

Mercury is the mind. And who is the "mind" in HP? Hmm, i wonder...Mercury characters offer guidance and advise, and support the Seeker (sulphur) on his quest. The character is marked by earth and water. Who? Hermione.

Salt is the body. Body characters have a very vivid physical outline or a trait: height, weight, a never-ending appetite, something that stands out. Salt is the "opposing mirror" of the sulphur character. Now think about this; Ron has always been described as increasingly tall (couldn't fit into dress robes, pyjamas being too short, et cetera), is always mentioned eating something at dinner (usually he talks with his mouth full, remember). And, he is almost a complete opposite of Harry- has many brothers, poor, not popular, pure-blood...

In the shipping sense, Harry and Ginny have very similar signs- Leo/Leo , both are ruled by the Sun, both are "Red" (oh, and the hair thing...i really don't agree that it matters, but OK), their metal is Gold, Fire/Fire-Air. So they're actually very, very much the same. I don't know if i could say that Ginny might also be Sulphur, but i doubt that she is mercury, if you're wondering...

Harry/Hermione, though...I know, I know, sounds riddiculus, the most hated ship and blah-blah, all that jazz. I've given up the faith in it ever since the 7/16/'05...Date.
But, you know, with the Mercury Woman/Sulphur Man connection, in this case it doesn't have to be romantic. Maybe there is going to be something totally "platonic friendship"-kind between them that is going to be crucial to the plot. I mean, i don't even know what to think.

The other thing that i've thought of is that maybe sulphur is Snape! The "redemptive pattern" quote just keeps showing off in my head, and especially how Jo reacted to it. I wonder if she was thinking about this as she replied...or maybe i'm just being stupid.

Posted by: firephoenix Apr 23 2007, 01:44 PM

Pat R. - I agree with everything you said, but I wanted to comment on this part further;

QUOTE
So, to say that Harry is sulphur, Hermionne mercury, and Ron salt is interesting but quite to simple in the view of alchemy : sulphur vulgar or prepared ? mercury vulgar, animated, philosophical, senex ? Salt but which one ?
IMO, It is a mistake to try and classify Harry. In SS he starts out as lead and in DH he will become Gold. In all the other books he was different metals. So to say he is one metal or the other is wrong - He is all metals.

Harry is also the living Sorcerer's Stone. It is within him the chemicals are mixed and the reactions achived. Harry is far greater then just one chemical.

The shippers will do as they please and believe what they must to get the out come they desire. ALAS! As Ginny pulled Harry from the true path so will the study a subject to prove a point you already have your mind set on. smile.gif

Posted by: Pat_Rorrythe Apr 23 2007, 03:42 PM

QUOTE(firephoenix @ Apr 23 2007, 08:44 PM) [snapback]1192053[/snapback]

IMO, It is a mistake to try and classify Harry. In SS he starts out as lead and in DH he will become Gold. In all the other books he was different metals. So to say he is one metal or the other is wrong - He is all metals.
Harry is also the living Sorcerer's Stone. It is within him the chemicals are mixed and the reactions achived. Harry is far greater then just one chemical.
The shippers will do as they please and believe what they must to get the out come they desire. ALAS! As Ginny pulled Harry from the true path so will the study a subject to prove a point you already have your mind set on. smile.gif

Hello Firephenix !
Nice that you speak about Ginny. I remind the scene when she figths with Hermionne : she makes it clear that Harry is not a killer even if Hermionne wants to keep him guilty. Even if we agree with Harry sulphur, Hermionne mercury and Ron body, the sulphur+mercury conjonction is not the end at all. Then come the alchemical child, a new body, and I like to see Ginny, the sister of Ron-body, as the new body for Harry : she has been waiting for Harry from the book I and there is a real conjonction of Harry+Ginny in the book VI, showing Ginny as strong as Hermionne finally.
As Flamel says in "Désir désiré" : "L'Enfantement arrive quand le Ferment de l'Ame s'ajuste avec le Corps, c'est-à-dire le Corps ou Terre blanchie, en sorte que de Tout il ne se fasse qu'Un, tant en Substance qu'en Couleur. Alors notre Pierre est née et faite, ayant vie perpétuelle. ... Ecoutez Haly sur ce point : ceci, dit-il, se fait avec putréfaction et mariage, lequel mariage n'est autre chose que mêler le subtil avec l'épais, et ajuster et insérer l'Ame avec le Corps"

Curiously, some http://hdelboy.club.fr/reincrud.htm say that after the mixture of Spirit and soul, the soul splits from the spirit to enter the body : this is also called reincrudation of the sulphur, but the body differs from the first one.

Another thing is that Harry is showing the emergence of a special fire : he is figthing Draco with the sectumsempra spell (acting like a sword) which is related to the ios, the venom, the secret fire which appears to be criminal because of the wounds of Draco but which is recognize as a good thing by Ginny : Harry had to defend himself. And the will of Harry to become friend with Ginny (that will is toruring Harry) finds a outcome (Jo was very proud of that scene in the tower) which is seen as good and not evil. (I should say divine instead of good as the sulphur is nammed in greek qeioV = sulphur, and God = qeion)



Posted by: firephoenix Apr 23 2007, 07:41 PM

Bonjour Pat!

It is really hard for me to debate you when you start speaking French! All my brain thinks is, "Say my name!" tongue.gif Americans! Really! lol.gif

QUOTE(Pat_Rorrythe Posted Today @ 03:42 PM )

Nice that you speak about Ginny. I remind the scene when she figths with Hermionne : she makes it clear that Harry is not a killer even if Hermionne wants to keep him guilty. Even if we agree with Harry sulphur, Hermionne mercury and Ron body, the sulphur+mercury conjonction is not the end at all. Then come the alchemical child, a new body, and I like to see Ginny, the sister of Ron-body, as the new body for Harry : she has been waiting for Harry from the book I and there is a real conjonction of Harry+Ginny in the book VI, showing Ginny as strong as Hermionne finally.

I feel the library scene in OotP between Harry in Ginny is quite telling too. Harry discusses something with Ginny that he feels he can't even discuss with Ron or Hermione. This, too, is example of Ginny being Harry's equal and possibly his new body.
QUOTE
Curiously, some texts say that after the mixture of Spirit and soul, the soul splits from the spirit to enter the body : this is also called reincrudation of the sulphur, but the body differs from the first one.
This reminds me of Voldemort's rebirthing. Since he is the Ani Alchemist maybe we are taking the "Body" to literal. Harry's new body might be of the astro form. I also had the thought that Sulphur and mercury might have been split at Godric's Hallow. If this is the case the new body may be formed when Voldemort and Harry meet for the last time.

QUOTE
Another thing is that Harry is showing the emergence of a special fire : he is figthing Draco with the sectumsempra spell (acting like a sword) which is related to the ios, the venom, the secret fire which appears to be criminal because of the wounds of Draco but which is recognize as a good thing by Ginny : Harry had to defend himself.

Harry also finds no support in his theory about Draco so this scene could also be seen as slaying the dragon.
QUOTE
As Flamel says in "Désir désiré" : "L'Enfantement arrive quand le Ferment de l'Ame s'ajuste avec le Corps, c'est-à-dire le Corps ou Terre blanchie, en sorte que de Tout il ne se fasse qu'Un, tant en Substance qu'en Couleur. Alors notre Pierre est née et faite, ayant vie perpétuelle. ... Ecoutez Haly sur ce point : ceci, dit-il, se fait avec putréfaction et mariage, lequel mariage n'est autre chose que mêler le subtil avec l'épais, et ajuster et insérer l'Ame avec le Corps"
JKR has shown us "our Rock was born and done, having constant life" with the chemical wedding of James and Lily and the birth of Harry. Do you think JKR will repete this again after the wedding of Bill and Fleur? I am not making the connection on how this will be useful to Harry. ponder.gif

Posted by: EruditeWitch Apr 24 2007, 12:29 AM

All of this really goes in one ear and out the other. But there are some simple concepts of alchemy I can grasp.

The three elements, I'm with Galadriel here. I think that they are BEST represented by Hagrid, Sirius, and Dumbldore, which would make sense when looking at the theories regarding the stages of Harry's journey and their deaths.

Perhaps Harry will have to combine the love and experiences of these three elements to become gold. He does learn and change with each one.

I also think Harry has been each metal it takes to become gold.

So to me, Harry is trying to become gold. Is he trying to become the philosopher's stone?

Also, I don't think that JKR has written her book to the strictest sense of any specific alchemical formula. She doesn't seem like an author who's going to follow some archaic rules. I agree with Pat, if this was the point he was trying to make. That this use of alchemy is a metaphor. That nothing is specific, that people represent things and roles, but that this roles can be multi-functional and bend to the whim of the author, not the rules.

Especially when Applying literary alchemy. An alchemy not proven to be used by the author, and one that has very stringent rules regarding characterization. Something that's not in line with JKR's writing style.

Posted by: galadriel12 Apr 24 2007, 06:23 AM

QUOTE(EruditeWitch @ Apr 24 2007, 12:29 AM) [snapback]1192739[/snapback]

The three elements, I'm with Galadriel here. I think that they are BEST represented by Hagrid, Sirius, and Dumbldore, which would make sense when looking at the theories regarding the stages of Harry's journey and their deaths
This has been suggested in one of the previous versions of the thread and it seemed more feasible to me personally than trying to classify the trio. Especially Harry. If the seven books kind of represent the seven stages of Alchemy, and Harry is the one (it is HIS hero´s journey after all) who goes through these stages, starting from some kind prime matter, to become gold in the end, then he can´t be either mercury or sulfur or salt. He would possibly be all of these materials at one stage or the other of his journey eventually. But if we try to establish him to be definitely mercury or sulfur or salt, then he would only be an agent in the process, but not the result. And that does not make sense, IMHO.

QUOTE
Perhaps Harry will have to combine the love and experiences of these three elements to become gold. He does learn and change with each one.
Yes, and that applies certainly to Dumbledore, Sirius and Hagrid. The question is, wouldn´t Harry learn valuable lessons from other characters as well? Ron, Hermione, Ginny, Luna, Neville, the rest of the Weasleys, Draco, Snape to name but a few, do teach Harry something as well.


Posted by: Pat_Rorrythe Apr 24 2007, 11:30 AM

[quote name='galadriel12' date='Apr 24 2007, 01:23 PM' post='1192928']
[quote name='EruditeWitch' post='1192739' date='Apr 24 2007, 12:29 AM']
The three elements, I'm with Galadriel here. I think that they are BEST represented by Hagrid, Sirius, and Dumbldore, which would make sense when looking at the theories regarding the stages of Harry's journey and their deaths[/quote]
This reminds me the divisions between ancient greek alchemists : do they focus onto processes or onto the results ? Is the phenix representing the final process or the achieved result ? These are finnally two aspects of the same reality.
About classifying the trio, I think it is possible if we think of the microcosm beeing like the macrocosm. We could see the process at many levels : Harry's one, the trio one, the whole school one, the sorcerers' one. This hitted me in book IV : we can see the conjunction of ennemies as a general thema : Harry and Ron (after the jalousy of Ron), Harry and Cedric, Harry and Voldemort (and of course the hug of Harry and Hermionne before the hunt for dragon's egg even if they do not look like ennemies).

Posted by: firephoenix Apr 24 2007, 10:24 PM

QUOTE(EruditeWitch Posted Today @ 12:29 AM )

So to me, Harry is trying to become gold. Is he trying to become the philosopher's stone?

I think it is key that Harry isn't trying to be or become anything. It is what he was born into and who he is. LV is the one trying and do to that he has destoryed his soul.

galadriel12 I noticed that you listed Hagrid as salt. In the first Alchemy thread he was listed as Sulphur. I was thinking about that today and how the journey begins and ends with salt. You maybe are on to something since to was Hagrid that retrieved Harry from the Dursleys and it is Hagrid who will guide Harry through the Rebis Stage.

QUOTE(galadriel12 Posted Today @ 06:23 AM )

This has been suggested in one of the previous versions of the thread and it seemed more feasible to me personally than trying to classify the trio. Especially Harry. If the seven books kind of represent the seven stages of Alchemy, and Harry is the one (it is HIS hero´s journey after all) who goes through these stages, starting from some kind prime matter, to become gold in the end, then he can´t be either mercury or sulfur or salt. He would possibly be all of these materials at one stage or the other of his journey eventually. But if we try to establish him to be definitely mercury or sulfur or salt, then he would only be an agent in the process, but not the result. And that does not make sense, IMHO.

I agree with you and if one classifies Harry as something then Ginny would have to be that too. JKR, in the M.A. & E.S. interview, says that it was important to make Ginny Harry's equal in every way. Then there is Neville, the boy that might have been. Since he had just as much chance of being the "chosen one" wouldn't that make him the same element, symbol or chemical?


Posted by: galadriel12 Apr 25 2007, 06:15 AM

QUOTE(firephoenix @ Apr 24 2007, 10:24 PM) [snapback]1194134[/snapback]

galadriel12 I noticed that you listed Hagrid as salt. In the first Alchemy thread he was listed as Sulphur. I was thinking about that today and how the journey begins and ends with salt. You maybe are on to something since to was Hagrid that retrieved Harry from the Dursleys and it is Hagrid who will guide Harry through the Rebis Stage.
My recollection is as bad as can be, so it´s perfectly possible I mixed that up. lol.gif I´m not sure if I´ve read at one point or the other someone suggesting Hagrid as salt. I put him as salt instinctively, because Hagrid was the first person from the wizarding world Harry met and spoke to. Hagrid introduced Harry into the WW, told him about his parents being killed by 'He-who-must-not-be-named'. I always understood 'salt' was one of the matters that are at the beginnig of the alchemical process.

QUOTE
I agree with you and if one classifies Harry as something then Ginny would have to be that too. JKR, in the M.A. & E.S. interview, says that it was important to make Ginny Harry's equal in every way. Then there is Neville, the boy that might have been. Since he had just as much chance of being the "chosen one" wouldn't that make him the same element, symbol or chemical?
About Ginny, yes, I think it is important JKR said they were kind of equals. Ginny, besides Harry, is the only one who had a very close encounter with LV, who had been possessed.

About Neville, I am not sure. Yes, he was the other boy the prophecy could have referred to. But it is important, IMO, that he is not the 'Chosen one' in the end. Whatever that means for him alchemically.

Posted by: memyslfnI Apr 25 2007, 12:28 PM

QUOTE
galadriel12 I noticed that you listed Hagrid as salt. In the first Alchemy thread he was listed as Sulphur. I was thinking about that today and how the journey begins and ends with salt. You maybe are on to something since to was Hagrid that retrieved Harry from the Dursleys and it is Hagrid who will guide Harry through the Rebis Stage.


This, to me, sums it nicely.

In modern language the Stone is a symbol of incorruptible wisdom achieved by uniting both rational, intellectual thinking (masculine, rational, right brain activity) with our intuitive knowing of the heart (feminine, intuitive left brain activity)

We have seen throughout the series that Harry is the living and breathing version of the stone. The stone is the product of the (Red King) male principle of sufur and (White Queen) female principle of mercury combining.

We have james (red king) and Lily(White queen) producing the stone (Harry)

I guess my question is who is the white queen if we use the Dumbledore, Hagrid, Sirius model?

I still stand by as Harry as salt model.

I have mentioned this before, but I will just quickly point it out again.

QUOTE
Salt is the third element in the trinity of the alchemical substances in the Great Work. As mercury is the water aspect, sulfur is the fiery aspect, so is salt the form aspect (salt is a crystalline form, or crystallized energy). So it is also a name for the ‘prima materia’, for the stone of the philosophers. The alchemists say that in its lower aspect salt is ‘bitter’. Here salt is symbol for knowledge and wisdom. Self-knowledge is bitter, painful. Sometimes they speak of the bitter ‘sea water’. As water or the sea stands for the soul, it is a reference to the same self-knowledge.

Salt is also seen as a symbol for the second phase of the Great Work, albedo, or whiteness, because here light breaks through, and thus also wisdom. Christ is called ‘Sal sapientiae’, the Salt of Wisdom’.

In the beginning of the Great Work, the salt is called impure. Here it equals the earth, the body, our every day consciousness or being. The impure salt has to be dissolved (‘solutio’) into the divine water (quicksilver, or ‘prima materia’), by which it is purified. In albedo salt arises as a pure form and fixated, that is crystallized into a pure salt.[/b][/i]


the prima materia is the first matter of the stone. the stone begins and ends with salt. Harry in the impure state has to be purified throughout the series to become pure.

I think that Dumbledore is Salt as well. We also have to remember that things are ciclical here, and while Harry is in my opinion, the salt in the books now, it is entirely possible that DD was the salt in the grindlewald cycle. He dies and reaches his perfection (becomes the stone) in book six as his soul is released in the form of a phoenix at his funeral. the phoenix is also a symbol for the stone.

Just my two knuts..


Posted by: theredwitch Apr 25 2007, 02:21 PM

QUOTE(firephoenix @ Apr 25 2007, 03:24 AM) [snapback]1194134[/snapback]

I agree with you and if one classifies Harry as something then Ginny would have to be that too. JKR, in the M.A. & E.S. interview, says that it was important to make Ginny Harry's equal in every way. Then there is Neville, the boy that might have been. Since he had just as much chance of being the "chosen one" wouldn't that make him the same element, symbol or chemical?

I don't think so because the difference between the two was that Harry was marked by Voldemort. Harry didn't have all the elements until he was selected and 'marked'.

Posted by: Pat_Rorrythe Apr 25 2007, 04:11 PM

If Harry was marked by Voldemort, Ginny was possessed by Voldemort also, so they both share a special relation to the Dark Lord, and both are equal by the possession of LV.

QUOTE(firephoenix @ Apr 25 2007, 03:24 AM)
I agree with you and if one classifies Harry as something then Ginny would have to be that too. JKR, in the M.A. & E.S. interview, says that it was important to make Ginny Harry's equal in every way. Then there is Neville, the boy that might have been. Since he had just as much chance of being the "chosen one" wouldn't that make him the same element, symbol or chemical?


If Ginny has to be classified like Harry what can it be ? If Ginny is the new body, she can resist to fire. The new body is seen as the ashes who survived from the fire of putrefaction, and it is the gold hidden in saturne. The book of El Habir says : "The Red (means the final process) exists and appears only in these precious ashes". So sulphur and new body can resist to the fire.

About the classification of Black-Albus-Rubeus, alchemists says that the color of each stage is the same than the elements : black body, white spirit, red soul. Too simple ?

Posted by: galadriel12 Apr 26 2007, 05:54 AM

QUOTE(Pat_Rorrythe @ Apr 25 2007, 04:11 PM) [snapback]1194938[/snapback]

If Ginny has to be classified like Harry what can it be ? If Ginny is the new body, she can resist to fire. The new body is seen as the ashes who survived from the fire of putrefaction,...
That would fit if the WB checked back with Rowling and

[spoiler]
the Phoenix-patronus they gave Ginny in the OotP movie is genuine.[/spoiler]
QUOTE
About the classification of Black-Albus-Rubeus, alchemists says that the color of each stage is the same than the elements : black body, white spirit, red soul. Too simple ?
Sorry for asking, I am still too stupid with this stuff. Black would be associated with salt, white with mercury and red with sulfur. As in Sirius - salt, Albus - mercury, Rubeus - sulfur, right?
If I ´ve gotten it right now. Just to check back.

Posted by: memyslfnI Apr 26 2007, 08:11 AM

From what I have read White is associated with salt

QUOTE
Salt is also seen as a symbol for the second phase of the Great Work, albedo, or whiteness, because here light breaks through, and thus also wisdom. Christ is called ‘Sal sapientiae’, the Salt of Wisdom’.


To me this screams Dumbledore.

I would not classify sirius as salt I would classify him as the symbol of the Black Stage to Harry culminating at his death. Dumbledore who is the white stage for Harry, I believe was on his own journey to gold which he achieved at his death (being a partner to flamel would make him worthy of the journey) We now go into the red stage with hagrid as the symbol for this. I wouldn't put him as sufur though. I still would place Ron in that role. With hermione as mercury. to me I guess it just doesnt make sense to have all these heavenly substances flitting around the story. We are forgetting that mercury and Sulfur are the fixed and the volitle whick have to be resolved and combine. We never see dumbledore and Hagrid combatting each other. There doesn't seem to be in my mind any fixed and volitle there at all. (Unlike ron and hermione)

So in a nut shell, I guess after my vacation from the alchemy thread (LOL!) I am not sure how the classifications changed from Harry, Ron and Hermione as the three hevenly substances that must synthesize to make the stone to hagrid, Dumbledore and sirius? conf.gif


(Plus I have not had any coffee! and my brain is not working) wink.gif



Posted by: galadriel12 Apr 26 2007, 11:09 AM

QUOTE(memyslfnI @ Apr 26 2007, 08:11 AM) [snapback]1195645[/snapback]

From what I have read White is associated with salt

QUOTE
Salt is also seen as a symbol for the second phase of the Great Work, albedo, or whiteness, because here light breaks through, and thus also wisdom. Christ is called ‘Sal sapientiae’, the Salt of Wisdom’.


To me this screams Dumbledore.
Sure, but isn´t mercury always associated with wisdom and the giving of knowledge? Hermione therefore has always easily been identified as mercury here on this thread, if I recall correctly. And both, Hermione and Dumbledore, function as information giver in the books. JKR herself said, when she wants to convey an imporant information, she uses DD and/or Hermione.

QUOTE
I would not classify sirius as salt I would classify him as the symbol of the Black Stage to Harry culminating at his death. Dumbledore who is the white stage for Harry, I believe was on his own journey to gold which he achieved at his death (being a partner to flamel would make him worthy of the journey) We now go into the red stage with hagrid as the symbol for this. I wouldn't put him as sufur though. I still would place Ron in that role. With hermione as mercury. to me I guess it just doesnt make sense to have all these heavenly substances flitting around the story. We are forgetting that mercury and Sulfur are the fixed and the volitle whick have to be resolved and combine. We never see dumbledore and Hagrid combatting each other. There doesn't seem to be in my mind any fixed and volitle there at all. (Unlike ron and hermione)

So in a nut shell, I guess after my vacation from the alchemy thread (LOL!) I am not sure how the classifications changed from Harry, Ron and Hermione as the three hevenly substances that must synthesize to make the stone to hagrid, Dumbledore and sirius? conf.gif
I think, again if I recall correctly, there was a debate on previous versions of this thread about Harry and Ron being salt and sulfur or vice versa. Again, Hermione seemed to be easily identified as mercury. And there has been suggested, don´t recall by whom, that maybe more Sirius - Dumbledore and Hagrid should be classified in this system. With Harry being the matter tha